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Music for Holy Week - Good Friday
Small Ensemble Cello,Harp,Horn - Level 3 - Digital Download SKU: A0.1017095 Compose…
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Small Ensemble Cello,Harp,Horn - Level 3 - Digital Download SKU: A0.1017095 Composed by Eoin Buchanan. Christian,Concert,Contemporary,Easter. Score and parts. 10 pages. 7plc Music #6285089. Published by 7plc Music (A0.1017095). Often termed the saddest day in the church's calendar this addition to my Holy Week suite looks very firmly to The Cross. Nails being driven into the helpless Christ, are announced on the harp with echoes of physical and emotional pain heralded by Horn (could be a Cor Anglais) with the cello adding a touch of cynicism. The Cross is lifted at the end of the repeated section and from thereon the work is semi-programmatic. The words of Jesus and the crowd are printed in brief to help the performers. The music gives way to the beautiful hymn 'O Sacred Head, sore wounded' and then the theme is extended in harp and cello. The upper harp part introduces what maybe tears falling...but whose?
$6.50
5.83 €
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Eoin Buchanan
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Music for Holy Week - Good Friday
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7plc Music
#
SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
17.88 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.27 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Were You There When They Crucified My Lord? [Guitar Chord Version]
Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stace…
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Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Chords/Lyrics. 2 pages. Anastace #965426. Published by Anastace (A0.1380647). Here is a guitar-friendly version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to make it easy for a beginner guitar player, and can be played capo 5 to match the key of the original recording.This arrangement of the classic Good Friday hymn has simple chords to accompany the solemn, beautiful melody and point towards the deep meaning and solemnity of Holy Week. This arrangement works well as a solo or congregational song for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in E Flat and G Major to match different vocal rangesFull complexity lead sheet version in C MajorSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$2.00
1.79 €
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Stacey Plays Hymns
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Were You There When They Crucified My Lord? [Guitar Chord Version]
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Anastace
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SheetMusicPlus
教师节快乐 Selamat Hari Guru Happy Teacher's Day Medley in D for String Quartet by Johnson Lee
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1497071 By Johnson Lee. By Johnson Lee. Arranged by Johnson Lee. Folk,Holiday,Pop. 19 pages. Johnson lee #1073489. Published by johnson lee (A0.1497071). 早安老师! 'Zao An Lao Shi' is a common phrase in Mandarin Chinese meaning 'Good morning, teacher!' used by students to respectfully greet their teachers at the start of the day. 听我说谢谢你 ‘Ting Wo Suo Xie Xie Ni' - expresses gratitude to teachers who has been the guiding light on our educational journey. 你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Teachers are known to be strict and have a stern face but they are also fun loving people. So this song hopes to bring laughter and smiles to all teachers. Happy Teacher's Day!!! 早安老师 ! 是普通话中的一个常用短语，意思是“早上好，老师！”学生们在一天开始时用它来恭敬地向老师打招呼。 听我说谢谢你 表达对老师的谢意，他们是我们教育旅程中的指路明灯。 你笑起来真好看“ - 老师们都是出了名的严厉、表情严肃，但他们也是爱玩的人。所以这首歌希望能给所有老师带来欢声笑语。 教师节快乐！！！早安老师! 'Zao An Lao Shi' ialah frasa biasa dalam bahasa Cina Mandarin yang bermaksud 'Selamat pagi, cikgu!' digunakan oleh pelajar untuk memberi salam hormat kepada guru mereka pada permulaan hari. 听我说谢谢你 'Ting Wo Suo Xie Xie Ni' - mengucapkan terima kasih kepada guru-guru yang telah menjadi pembimbing dalam perjalanan pendidikan kami.你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Guru dikenali sebagai seorang yang tegas dan berwajah tegas tetapi mereka juga seorang yang penyayang yang menyeronokkan. Jadi lagu ini diharapkan dapat membawa ketawa dan senyuman kepada semua guru. Selamat Hari Guru!!!
$18.00
16.13 €
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Johnson Lee
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教师节快乐 Selamat Hari Guru Happy Teacher's Day Medley in D for String Quartet by Johnson Lee
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johnson lee
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SheetMusicPlus
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By J…
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Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
10.75 €
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Joseph Davila
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A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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JaGlo Music
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
The Wedding Album, for Solo Horn in Eb and Piano
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download S…
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Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Period,Standards,Wedding. Score and individual part. 24 pages. David McKeown #4594693. Published by David McKeown (A0.587627). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in Eb with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.95 €
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Various
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The Wedding Album, for Solo Horn in Eb and Piano
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David McKeown
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.23 €
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Randy Travis
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Lonely Days
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A…
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802648 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 17 pages. Peet du Toit #6198223. Published by Peet du Toit (A0.802648). Lonely Days is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.On Friday, 21 August 1970, the three Gibb brothers announced they would reunite and start recording together, nearly 16 months after Robin quit the group. They said later that they wrote Lonely Days and How Can You Mend a Broken Heart at their first reunion session, but the exact day when they recorded the song is unknown. However, a tape of stereo mixes received at Atlantic in October bears the tantalizing notation August 20, 1970 which, if true, means the brothers announced the reunion the day after it happened. According to Robin Gibb in a 2001 Billboard interview with the Bee Gees, That was written on Addison Road in Holland Park in London, in the basement of Barry's place.This song was sung by all three together to Maurice's piano and bass and Bill Shepherd's string and horn arrangement, the slow verses contrasting with the pounding chorus. 'Lonely Days' was written in ten minutes. It was that quick. I was at the piano ten minutes. Barry revealed later in 1998, A manager we had about five years back heard 'Lonely Days' in a restaurant and he said to a friend, 'That's one of my favorite Beatles songs' And he was managing us!Well, beyond the Covid-19 pandemic, brass quintets would want to re-unite. What better way than to play a shortened version (for the fragile chops) of Lonely Days... Enjoy!
$15.00
13.44 €
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Bee Gees
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Lonely Days
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Peet du Toit
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SheetMusicPlus
The Charleston (1923) for Brass Choir
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Downloa…
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99
14.33 €
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James P
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Wonderful Words of Life
Large Print Hymnal
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95
17.88 €
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Wonderful Words of Life
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SheetMusicPlus
Sunday
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: …
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Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
$2.99
2.68 €
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Ukelele Ike
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Sunday
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Jim Ivy
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SheetMusicPlus
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$2.99
2.68 €
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The Candlelight Guitarist
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Also Sprach Zarathustra
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Geofonica Artistworks
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SheetMusicPlus
We Gather Together
Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). A…
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Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
6.26 €
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Eduard Kremser
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download S…
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B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
17.92 €
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Samuel Coleridge-Taylor
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Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
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Charles Decker Music Press
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SheetMusicPlus
Winds of May (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00
3.58 €
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Of That So Sweet Imprisonment (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.69 €
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.69 €
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.69 €
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Seven Days Without Prayer
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download…
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
1.78 €
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Father, Forgive Them
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
3.58 €
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Lewis A
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Father, Forgive Them
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Lewis A. Kocher
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SheetMusicPlus
At the Ninth Hour
(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digit…
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(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digital Download SKU: H1.8414DP Composed by Allen Pote. Musicals Collection. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Set of Instrumental Parts. 285 pages. Hope Publishing - Digital #8414DP. Published by Hope Publishing - Digital (H1.8414DP). Tom S. Long.Lent & Easter Musical Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem On the Third Day. The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the Hosanna on Palm Sunday, then on Good Friday the bulk of the work, saving On the Third Day your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ At the Ninth Hour. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$175.00
156.84 €
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Allen Pote
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At the Ninth Hour
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Hope Publishing - Digital
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SheetMusicPlus
At the Ninth Hour
(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digit…
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(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digital Download SKU: H1.8417DP Composed by Allen Pote. Lent and Easter Musicals. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Handbell part. 8 pages. Hope Publishing - Digital #8417DP. Published by Hope Publishing - Digital (H1.8417DP). Tom S. Long.Lent & Easter Musical Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem On the Third Day. The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the Hosanna on Palm Sunday, then on Good Friday the bulk of the work, saving On the Third Day your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ At the Ninth Hour. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$6.25
5.6 €
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Allen Pote
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At the Ninth Hour
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Hope Publishing - Digital
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SheetMusicPlus
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