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1
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and…
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Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
4.48 €
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Andrew Cody Williams and Jeff Bradetich
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Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams
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SheetMusicPlus
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00
18.82 €
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
The Troubles of an Automaton, or The Table and the Chair
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A…
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95
3.54 €
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Paul Burnell
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The Troubles of an Automaton, or The Table and the Chair
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Paul Burnell
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SheetMusicPlus
Thinking Händel for Baroque Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
2.69 €
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Alessandro Macrì
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Thinking Händel for Baroque Horn Quartet
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Music Macri Editions
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SheetMusicPlus
Sparrowhawk Tango. (Flute, Clarinet and Piano Arrangement)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300143 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889883. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300143). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00
17.92 €
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Geraldine
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Sparrowhawk Tango. (Flute, Clarinet, Violin and Piano Arrangement)
Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1300141 Composed b…
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Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1300141 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. 18 pages. Geraldine (Denny) Green at Oakmountmusic #889881. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300141). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00
17.92 €
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Geraldine
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Sparrowhawk Tango. (Flute, Violin and Piano Arrangement)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1300140 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889880. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300140). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00
17.92 €
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Geraldine
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.12 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
LOVE AND ITS FORMS
Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Compo…
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Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Composed by Monica Bergo. Contemporary. Score and parts. 20 pages. Moni Bergo #5743677. Published by Moni Bergo (A0.1012750). Music and song composed by me, about my imaginary conversation with love♫*´¨`*•.¸¸.♫ L'amore e le sue forme ♫*´¨`*•.¸¸.♫ Lo incontrai era un giorno senza fiato perso tra la folla mi guardava disperato stai con me, sembri triste e solo mentre piega il capo lo accarezzo e lo consolo non so chi sei, ma ti starò vicino non sei uomo o donna non sei adulto nè bambino guardami, oltre le apparenze, mi hai rincorso tanto ed ero qua.. ero con te in quelle vie ma tu non mi hai notato, negli occhi spenti di chi ormai tutto ha perduto ero in quel barbone steso là , avvolto nel giornale ero in quella squallida corsia tra la miseria e il male ma ora fermati, smetti di correre quante forme vuoi prima di accorgerti che sono intorno a te in ogni brivido che proverai e come angeli dalle ali fragili spiccate il volo verso cieli sterili sfiorate il sole ma poi come Icaro cadete giù ma ora tu puoi dirmi cosa vuoi vorrei, vorrei, vorrei scordare le lacrime e poi vorrei con te toccare le nuvole vorrei gettare la maschera e poi sentirmi più libera vorrei poter riconoscere tra tanta gente che c'è chi somiglia un po' a me Vorrei tornare all'origine e poi riscrivere pagine vorrei squarciare il silenzio e poi io vorrei e non dovrei ricordarmi di lui... ti lascio esplodere selvaggia nemesi divento sterile femmina inutile moderna Elettra nel mio lutto fragile di nero mi vestirò e smetto i panni da Pierrot improbabile ed indurisco la mia scorza debole povero cuore mio soltanto un muscolo l'amore rinnegherò non mi commuovo più smetto di ridere calpesto questa parte mia sensibile io burattino strano e un po' patetico i fili miei taglierò la gentilezza che diventa acredine e sputo in faccia a chi fraintende e immagina che donna dolce=disponibile uomini solo a metà Femmina alfa di tribù di vergini vi incateniamo maschilisti ipocriti la tua virilità non può dipendere solo dal sesso che fai Mi adeguo a questa società di plastica e mi innamoro solo del tuo bancomat la mia natura astratta e vulnerabile cenere al vento sarà Ma questa donna chi è? non sono io e ritorno al mondo mio da te che so chi sei ti ho riconosciuto sei l'amore in ogni forma offeso e maltrattato stai con me non sarò triste e sola stringo la tua mano che accarezza e che consola.... Monica Bergo
$5.00
4.48 €
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Monica Bergo
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LOVE AND ITS FORMS
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Moni Bergo
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
11.64 €
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Leonardo Leo
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento
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Guido Menestrina
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SheetMusicPlus
This Christmas
Brass Ensemble Tuba - Digital Download SKU: A0.877590 By Donny Hathaway. By Donny H…
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Brass Ensemble Tuba - Digital Download SKU: A0.877590 By Donny Hathaway. By Donny Hathaway and Nadine McKinnor. Arranged by Art Leiby. Jazz. Score and parts. 6 pages. Twobones Publications #4896827. Published by Twobones Publications (A0.877590). This Christmas is a song by American soul musician Donny Hathaway released in 1970 by Atco Records. The song gained renewed interest when it was included in 1991 on Atco Records' revised edition of their 1968 Soul Christmas compilation album and has since become a modern Christmas standard,.
$12.99
11.64 €
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Donny Hathaway
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This Christmas
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Twobones Publications
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SheetMusicPlus
Remember I Am There
Instrumental Parts-Digital Version - Digital Download SKU: H1.C6442PDP Piano Accomp…
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Instrumental Parts-Digital Version - Digital Download SKU: H1.C6442PDP Piano Accompaniment. Choral Parts. 60 pages. Hope Publishing - Digital #C6442PDP. Published by Hope Publishing - Digital (H1.C6442PDP). Pepper Choplin.Communion Ballad Sometimes, the most powerful thing we can remember is that Christ is always with us, even when He seems so far away. This original Communion anthems reminds us of just that as Christ invites us to dine at his table, eat the bread, and drink the cup. This enticing invitation to remember and follow Christ as we partake of the Eucharist comes from Pepper's Lenten cantata, God So Loved (#9161).
$49.95
44.77 €
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Remember I Am There
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Hope Publishing - Digital
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SheetMusicPlus
Crosswinds
Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download S…
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Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
$7.99
7.16 €
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Kyle Vanderburg
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Crosswinds
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NoteForge
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SheetMusicPlus
Di luce e di ombra (Un anno nuovo)
Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - Digital Download SKU: A0.976890 Composed by Monica Bergo. Contemporary. Score and parts. 31 pages. Monica Bergo #3418025. Published by Monica Bergo (A0.976890). DI LUCE E DI OMBRA (Un nuovo anno) Luci che Brillano Su questi giorni miei Nuove ombre che uccidono Il mio entusiasmo ma c’è Tutto un cammino che è stato scritto per me Come un romanzo , la sua trama svelerà Un altro anno su di me E nuovi giorni da inventare Scoprire che cosa accadrà È un buon motivo per lottare La luce mi illuminerà O ci sarà nuovo dolore Scoprire che succederà È un buon motivo per restare E corro sempre così forte Per paura di cadere Forse quest’anno imparerò Come si fa a camminare E non rallento mai il mio ritmo Indietro non posso tornare Perché me stessa incontrerei E dentro mi dovrei guardare Di luce ed ombra riempirò Questo mio eterno vuoto Che non so placare Mille canzoni inventerò Se ci sarà qualcuno che vorrà ascoltare In connessione con il mondo canto di fate , maghi, elfi, streghe e intrighi sempre a disagio nel mio tempo cercando un posto, un ruolo in quest’anno nuovo so che nulla ancora cambierà Di luce ed ombra vivrò Rubo alla luna i suoi misteri Al sole poi li donerò In cambio del caldo eterno nel cuore E come una strega che brucia sul rogo Mi infiammo, mi sciolgo Rinasco di nuovo nell ‘allineamento di Giove in Plutone L’eclissi lunare mi dà protezione Vorrei che la notte scendesse veloce Quando il mio dolore non trova mai pace Vorrei che quel sole brillasse in eterno In ogni stagione, estate ed inverno Un nuovo anno qui Davanti a me Metto in disordine i giorni suoi Il grigio di novembre Con il tepore di settembre con luci ed ombre confonderò ruberò il sole a giugno e il mio Natale scalderò e il ghiaccio di gennaio a Pasqua donerò confonderò la notte e il giorno sempre padrona del mio tempo in quello specchio guarderò felice di ciò che vedrò e nuovi viaggi ed esperienze ed emozioni a fior di pelle vivrò con gioia e intensità la luce e l’ombra che verrà quanti sorrisi sulle labbra formeranno nuove rughe felice di questa mia età è un bel traguardo essere qua e quante lacrime di nuovo scenderanno sul mio viso saranno gioia oppur dolore di luce e d’ombra io vivrò sarà un nuovo anno di gioie e dolori di luce e di ombra di freddo e calore….. Monica Bergo
$3.99
3.58 €
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Monica Bergo
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Di luce e di ombra
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Monica Bergo
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SheetMusicPlus
Fantasy on Ukrainian Bell Carol - Organ Score
3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed …
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3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed by Brian Childers. Arranged by Brian Childers. Christmas. Master Ringer. With Brass quintet or organ, timpani. Score. 8 pages. Chorister's Guild - Digital #CGB1034. Published by Chorister's Guild - Digital (C7.CGB1034). UPC: 749193026724.From Joshua 1:9: ...Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.
$6.95
6.23 €
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Brian Childers
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Fantasy on Ukrainian Bell Carol - Organ Score
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Chorister's Guild - Digital
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SheetMusicPlus
RONDEAU from Abdelazer by H. Purcell
Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry P…
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Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Graduation. Score and parts. 10 pages. Music Macri Editions #6359937. Published by Music Macri Editions (A0.931280). Nell’Inghilterra del XVII secolo la musica ha un ruolo importante nel teatro; canzoni e brevi pezzi per orchestra tengono desta l’attenzione del pubblico all’inizio e alla fine delle rappresentazioni e durante il cambio delle scene.Scritte nel 1695, l’anno della sua prematura scomparsa, le musiche di scena per Abdelazer, o La Vendetta del Moro sono l’ultima composizione di Henry Purcell in questo genere. La fosca tragedia di Aphra Behn, portata sulle scene nel 1676 senza musica, viene riproposta nel 1695 alla riapertura del Drury Lane Theatre. La vicenda di Abdelazer, principe moresco che per vendicare l’assassinio del padre cerca subdolamente di usurpare il trono di Spagna attraverso l’affetto della regina spagnola, viene introdotta da una solenne Ouverture in tonalità minore che ne evidenzia la drammaticità . La tragedia suscita pochi entusiasmi tra il pubblico che, peraltro, apprezza moltissimo le musiche di Purcell e soprattutto la canzone finale Lucinda is bewitching fair, affidata al cantante tredicenne Jemmy Bowen, che viene pubblicata immediatamente come Aria a sé stante; le musiche poi verranno pubblicate postume nel 1697 come suite per archi e basso continuo nella quale l’ordine dei movimenti è differente da quella adottata per l’esecuzione teatrale.La suite è formata da Ouverture, Rondeau, Air I & II, Minuetto, Air, Giga, Hornpipe, Air. Il Minuetto è un pezzo di particolare eleganza, ma è il Rondeau che ha assicurato alla suite fama duratura; questo movimento è alla base della celebre composizione di Benjamin Britten Guida all’orchestra per i giovani, Variazioni e fuga su un tema di Henry Purcell. Il Rondeau, poi, è stato utilizzato come tema per la serie TV della BBC del 1969 The First Churchills e come sottofondo musicale per gioco Intellivision Thunder Castle del 1986; lo troviamo anche nel film di Joe Wright Orgoglio e pregiudizio, eseguito durante il ballo a Netherfield.
$7.00
6.27 €
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Henry Purcell
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RONDEAU from Abdelazer by H. Purcell
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Music Macri Editions
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SheetMusicPlus
Heather On The Hill
Guitar - Level 1 - Digital Download SKU: A0.1372132 By Nathan Evans. By Alan Jukes,…
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Guitar - Level 1 - Digital Download SKU: A0.1372132 By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, and Stephen Jukes. Arranged by Barry McCormick. Celtic,Folk,Irish,Pop,Singer/Songwriter,Wedding. Chords/Lyrics. 5 pages. B. McCormick #956375. Published by B. McCormick (A0.1372132). If you love Nathan Evans and his catchy Scottish folk songs, you'll want to get your hands on this digital sheet music download of his new song Heather on the Hill. This song is a romantic ballad about a young man who falls in love with a lass as bonny as the heather on the hill. It's from his debut album 1994, which was released on January 5, 2024 and has already topped the charts in the UK and beyond.This digital sheet music download is a lead sheet that contains instrumental notation, guitar chords and tabbed intro, giving you the most information about the song in the least amount of pages. You can use it to play along with Nathan's original recording or to create your own version of the song. Whether you want to perform it at a pub, a wedding, a festival or just for fun, this sheet music will help you capture the spirit and charm of Nathan's music.The digital sheet music download also comes with performance notes that give you tips and tricks on how to play the song like Nathan Evans. It gives insight into how the music is arranged, alternative ways to play the guitar chords, something that everyone using it can get the most out of the music as well as giving some tips. You can download this digital sheet music instantly after purchase and print it at home or access it on any device. You'll also get a free preview of the first page before you buy, so you can see if it suits your skill level and style. Don't miss this opportunity to enjoy one of Nathan Evans' most popular songs in your own way. Order your digital sheet music download of Heather on the Hill today and start playing!
$3.99
3.58 €
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Nathan Evans
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Heather On The Hill
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B. McCormick
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SheetMusicPlus
Responde Mihi by Josquin Des Prez, - Mixed Flute Quartet
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.922021 Composed by Jos…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.922021 Composed by Josquin des Prez. Arranged by Kenneth Chia. Renaissance,Sacred. 17 pages. Tuning Fork Music PLT #6471831. Published by Tuning Fork Music PLT (A0.922021). It is our pleasure to introduce to you an arrangement of Responde Mihi, a motet by the great Franco-Flemish Renaissance-era composer Josquin Des Prez. The original piece by Josquin was a music setting of verses from the Book of Job, Chapter 13, verses 22 through 28. These verses are part of the 4th lesson from the 9 lessons from the Offices of the Dead that are published in the Liber Usualis. The Latin text is as follows:Responde mihi: quantas habeo iniquitates et peccata,scelera mea et delicta ostende mihi.Cur faciem tuam abscondis et arbitraris me inimicum tuum?Contra folium quid vento rapitur, ostendis potentiam tuam,et stipulam seccam persequeris?Scribis enim contra me amaritudines,et consumere me vis peccatis adolescentiae meae,Posuisti in nervo pedem meum,et observasti omnes semitas meas,et vestigia pedum meorum considerasti:qui quasi putredo consumendus sum,et quasi vestimentum quod comeditur a tinea.which translates to:Answer thou me, how great iniquities, and sins I have,my wicked deeds, and my offences shew thou me.Why hidest thou thy face and thinkest me thine enemy?Against the leaf that is violently taken with the wind,thou shewest thy might, and persecutest dry stubble.For thou writest bitterness against me,and wilt consume me with the sins of my youth.Thou hast put my foot in band,and hast observed all my paths, and hast considered the steps of my feet.Who as rottenness am to be consumed, and as a garmentthat is eaten of the moth.--This arrangement is about 6'30 in length, and has been arranged for piccolo, 2 flutes, and alto flute. The original ending has been altered to resolve in a manner so that this piece can function as a standalone piece.
$9.99
8.95 €
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Josquin des Prez
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Responde Mihi by Josquin Des Prez, - Mixed Flute Quartet
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Tuning Fork Music PLT
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SheetMusicPlus
Belmont Hymn - for Beginner Orchestra. (with chords)
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tu…
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477081 Composed by William Gardiner's. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 20 pages. Müller Publishing company #1054518. Published by Müller Publishing company (A0.1477081). Arrangement of the Traditional Hymn Belmont Hymn by William Gardiner's - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Belmont Hymn, composed by William Gardiner's. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Belmont Hymn will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Belmont Hymn. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
1.78 €
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William Gardiner's
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Belmont Hymn - for Beginner Orchestra.
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Müller Publishing company
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SheetMusicPlus
Macarthur Park
Large Ensemble Trombone - Level 4 - Digital Download SKU: A0.928125 By Richard Harr…
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Large Ensemble Trombone - Level 4 - Digital Download SKU: A0.928125 By Richard Harris. By Jimmy Webb. Arranged by P. F. Strohm. Contemporary,Contest,Festival,Pop,Rock,Standards. Score and parts. 80 pages. Pete Strohm Music #5041087. Published by Pete Strohm Music (A0.928125). This is the 1968 Jimmy Webb classic as sung by Richard Harris, arranged by American composer P. F. Strohm for Trombone Ensemble (8-part). The arrangement maintains the original harmonies, melodies and rhythms, using the eight trombone parts to generate both the moodiness and excitement of this unique work. MacArthur Park is sure to become a go-to chart in your trombone choir library.
$15.95
14.29 €
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Richard Harris
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Macarthur Park
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Pete Strohm Music
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SheetMusicPlus
Taking Flight
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.1469326…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.1469326 Composed by Zachary C. Daniels. 21st Century,Chamber. 28 pages. NoteForge #1047347. Published by NoteForge (A0.1469326). Taking Flight by Zachary Daniels draws its inspiration from the daring and pioneering spirit of the Wright Brothers, whose historic achievements in aviation marked the beginning of human flight. This composition for bassoon quartet mirrors the blend of innovation and determination that powered their journey into the skies.Throughout the piece, listeners will experience the thrill of ascension, the steadiness of flight, and the inevitable descent, paralleling the stages of an early flight. The work opens with a sense of anticipation and buildup, reminiscent of the preparations and tension before takeoff. As the music takes flight, the themes become airy and expansive, capturing the awe and freedom of soaring above the earth.The interplay between the bassoons reflects the collaborative effort of the Wright Brothers, with each instrument playing a crucial role in the musical narrative, much like the components of the early flying machines. The harmonies are intricate and evolving, suggesting the constant adjustments and innovations that were essential to early aviation successes.
$15.00
13.44 €
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Zachary C
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Taking Flight
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NoteForge
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SheetMusicPlus
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