Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
103
Sheet Music
Books
4,911
Music
Equipment
7,783
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
103
PIANO & KEYBOARDS
Piano solo
274
Piano, Voice
68
Organ
13
Easy Piano
5
Organ, Piano (duet)
4
Piano, Vocal and Guitar
4
2 Pianos, 4 hands
3
1 Piano, 4 hands
1
Instrumentations suivantes
Retracter
GUITARS
Piano, Guitar (duet)
112
Guitar
24
Guitar notes and tablatures
5
2 Guitars (duet)
2
Plectrum Orchestra
1
Bass guitar
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
18
Choral 3-part
3
Choral SSAA
2
Choral 2-part
1
WOODWIND
Oboe, Piano (duet)
191
Clarinet and Piano
172
Flute and Piano
157
Alto Saxophone and Piano
124
Tenor Saxophone and Piano
121
2 Saxophones (duet)
27
Flute
17
Oboe (band part)
15
Clarinet
14
Saxophone Quartet: 4 saxophones
4
Clarinet Quartet: 4 clarinets
3
Baritone Saxophone, Piano
3
2 Clarinets (duet)
2
Clarinet Ensemble
2
Descant (Soprano) Recorder
1
Flute and String Quartet
1
Alto Saxophone
1
Flute, Violin
1
Flute and Guitar
1
Saxophone and Organ
1
Flute Quartet: 4 flutes
1
Clarinet Quintet: 5 clarinets
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone and Piano
138
Trumpet
79
Trumpet, Piano
60
Trombone
14
Trumpet (band part)
10
Brass Quintet: 2 trumpets, horn, trombone, tuba
4
Brass quartet : 2 trumpets, trombone, tuba
3
2 Trumpets (duet)
1
Tuba
1
2 Trombones (duet)
1
French horn
1
Instrumentations suivantes
Retracter
STRINGS
Viola, Piano
159
Violin and Piano
137
Cello, Piano
128
Violin
18
Cello
17
Viola
9
String Quartet: 2 violins, viola, cello
8
Viola (band part)
8
Double Bass
3
Harp
1
Violin, Guitar (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
112
Orchestra
9
String Orchestra
7
Jazz Ensemble
5
Brass ensemble
2
Percussion Ensemble
2
Chamber Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Dónde Están
Sheetmusic to print
103 sheet music found
<
1
26
51
....
101
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.82 €
#
Giorgio Mirto
#
Suite No. 1
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Florent Pagny: Dónde Están
4.99 €
#
Florent Pagny: Dónde Están
#
Dónde Están
#
Quickpartitions
Sieben Abgesänge auf eine tote Linde
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718
(+)
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
51.99 €
#
Joerg Widmann
#
Sieben Abgesänge auf eine tote Linde
#
Schott Music - Digital
#
SheetMusicPlus
Soldier Rest! Duett and Chorus in the Lady of the lake
Piano and voice (duet) - Digital Download SKU: LV.19870 Composed by Mr. Sanderson. …
(+)
Piano and voice (duet) - Digital Download SKU: LV.19870 Composed by Mr. Sanderson. War casualties, Campaigns & battles, Poets. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19870). Soldier Rest! Duett and Chorus in the Lady of the lake. Written by Walter Scott, Esqr. Composed by Mr. Sanderson. Published [n.d.] by G.E. Blake in Philadelphia. Composition of sectional with piano and voice (duet) instrumentation. Subject headings for this piece include War casualties, Campaigns & battles, Poets. First line reads Soldier rest! They warfare o'er, Sleep the sleep that knows not breaking.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Mr
#
Soldier Rest! Duett and Chorus in the Lady of the lake
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Passacaille - from Keyboard Suite nº 7 (HWV 432) - G. F. Handel
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.924803 Composed by G. F.…
(+)
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.924803 Composed by G. F. Handel. Arranged by Stênio Caixeta. Baroque,Christmas,Graduation,Standards,Wedding. Score and parts. 9 pages. Stênio Caixeta #6511865. Published by Stênio Caixeta (A0.924803). Arranjo de trio de violões para esta bela peça do grande compositor Handel. Qualquer dúvida, fale comigo pelo meu Instagram: @steniocaixetamusic
$6.00
5.38 €
#
G
#
Passacaille - from Keyboard Suite nº 7
#
Stênio Caixeta
#
SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download
(+)
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
11.65 €
#
Leonardo Leo
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento
#
Guido Menestrina
#
SheetMusicPlus
Luces peregrinas (Pilgrim Lights), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0…
(+)
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900402 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637495. Published by Gustavo Fuentes (A0.900402). Pilgrim Lights. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. One of the few things that we know for certain in this life is that one day we will begin our journey to eternity. Some of our loved ones will begin their journey before us, and we will be left with memories of them and a sense of loss and absence.But some of our loved ones do not travel to eternity, they only wander away until we can meet again, and in the meantime all we can do is feel them from a distance.The old Druids believed distance was not measured in miles but in affection. That is why even when someone has left us and begun their pilgrimage to somewhere far away or to eternity, we can feel them and their light close to us.May those pilgrim lights shine bright and guide our journey. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestro viaje a la eternidad es una de las pocas certezas que tenemos en este plano de la vida. Y durante esta vida, muchos de nuestros afectos parten a su viaje antes que nosotros, dejándonos con su recuerdo, con su pérdida, con su falta.Algunos de nuestros seres queridos no viajan a la eternidad, tan sólo se alejan para tal vez reencontrarnos más tarde, y mientras tanto sólo nos queda sentirlos en la distancia.Según los antiguos druidas, la distancia no es un hecho geográfico sino afectivo. Por eso podemos sentir cerca a alguien que está lejos, a uno de esos seres luminosos que han iluminado nuestra vida para comenzar su peregrinaje, asà sea a un lugar lejano o a su morada eterna.Que esas luces peregrinas nos guÃen en nuestro camino, dándonos señales con su brillo.
$4.99
4.47 €
#
Gustavo Fuentes
#
Luces peregrinas
#
Gustavo Fuentes
#
SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.13 €
#
Francisco Braga
#
Madrigal Pavane / Timburibá
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
The Wounded Hussar. A Much Admired Song
Piano and voice; flute - Digital Download SKU: LV.1685 Composed by J. Hewitt. Battl…
(+)
Piano and voice; flute - Digital Download SKU: LV.1685 Composed by J. Hewitt. Battlefields, War casualties, Soldiers, Love. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1685). The Wounded Hussar. A Much Admired Song. Composed by J. Hewitt. Published [n.d.] by J. Hewitt's Musical Repository, No. 59 Maiden Lane in New York. Composition of strophic with piano and voice; flute instrumentation. Subject headings for this piece include Battlefields, War casualties, Soldiers, Love. First line reads Aloen on the banks of the dark rolling Danube Faire Adelaid hied [sic] when the battle was o'er.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
J
#
The Wounded Hussar. A Much Admired Song
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
WANDERSCHAFT
Strings Choir - Level 3 - Digital Download SKU: A0.1016075 Composed by Gunter Schol…
(+)
Strings Choir - Level 3 - Digital Download SKU: A0.1016075 Composed by Gunter Scholler. 20th Century,Contemporary,Multicultural,Praise & Worship,World. 7 pages. Scholler #5297819. Published by Scholler (A0.1016075). RHYTHMIC PLAYING FOR BOLD CHOIRS & STRINGSBig choir and String Orchestra  Great music for Live-performancesmovement number 4 of R E I S E N D E   D E S  J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanish Embrace the transformative power of musichttps://linktr.ee/schollermusicUnleash the power of multilingual musical expression with our captivating score for choir and string orchestra. This exceptional composition spans the realms of classical to modern, seamlessly blending languages such as French, German, Spanish, and Latin to create a truly international experience. Immerse yourself in the richness of these diverse linguistic tapestries, as the voices intertwine with the vibrant strings, creating a harmonious fusion of cultures. Perfect for ensembles seeking to showcase their versatility and celebrate the beauty of global languages, this score opens doors to a world of musical exploration. From elegant classical passages to contemporary twists, let the voices and strings transport you on a captivating journey through time and language. Embrace the magic of cultural diversity and musical unity with this extraordinary choral and orchestral masterpiece.Â
$3.99
3.58 €
#
Gunter Scholler
#
WANDERSCHAFT
#
Scholler
#
SheetMusicPlus
EIN TOAST DIESER FREUNDESRUNDE
Strings Choir - Level 3 - Digital Download SKU: A0.1016073 Composed by Gunter Schol…
(+)
Strings Choir - Level 3 - Digital Download SKU: A0.1016073 Composed by Gunter Scholler. 20th Century,Classical,Contemporary,Multicultural,Praise & Worship,World. 6 pages. Scholler #5297813. Published by Scholler (A0.1016073). Worn and calm and solemn in french & german for mixed choir & stringsBig choir and String Orchestra  Great music for Live-performancesmovement number 5 of R E I S E N D E   D E S  J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanishEmbrace the transformative power of musichttps://linktr.ee/schollermusicUnleash the power of multilingual musical expression with our captivating score for choir and string orchestra. This exceptional composition spans the realms of classical to modern, seamlessly blending languages such as French, German, Spanish, and Latin to create a truly international experience. Immerse yourself in the richness of these diverse linguistic tapestries, as the voices intertwine with the vibrant strings, creating a harmonious fusion of cultures. Perfect for ensembles seeking to showcase their versatility and celebrate the beauty of global languages, this score opens doors to a world of musical exploration. From elegant classical passages to contemporary twists, let the voices and strings transport you on a captivating journey through time and language. Embrace the magic of cultural diversity and musical unity with this extraordinary choral and orchestral masterpiece. Â
$2.99
2.68 €
#
Gunter Scholler
#
german for mixed choir &
#
EIN TOAST DIESER FREUNDESRUNDE
#
Scholler
#
SheetMusicPlus
A Prey to Tender Anguish, a Favorite Song
Piano and voice; guitar, or German flute - Digital Download SKU: LV.16102 Composed …
(+)
Piano and voice; guitar, or German flute - Digital Download SKU: LV.16102 Composed by Dr. Haydn. Depression, Distress, Courtship & love, Weeping, Death. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16102). A Prey to Tender Anguish, a Favorite Song. Composed by Dr. Haydn. Published [n.d.] by G.F. Weizsaecker in Philadelphia?]. Composition of strophic with piano and voice; Guitar, or German flute instrumentation. Subject headings for this piece include Depression, Distress, Courtship & love, Weeping, Death. First line reads A Prey to tender Anguish Of ev'ry Joy bereav'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Dr
#
A Prey to Tender Anguish, a Favorite Song
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
A Prey to Tender Anguish, a Favorite Song
Piano and voice; guitar, or German flute - Digital Download SKU: LV.15585 Composed …
(+)
Piano and voice; guitar, or German flute - Digital Download SKU: LV.15585 Composed by Dr. Haydn. Depression, Distress, Courtship & love, Weeping, Death. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15585). A Prey to Tender Anguish, a Favorite Song. Composed by Dr. Haydn. Published [n.d.] by G.Willig, No.185 Market St. in Philadelphia. Composition of strophic with piano and voice; Guitar, or German flute instrumentation. Subject headings for this piece include Depression, Distress, Courtship & love, Weeping, Death. First line reads A Prey to tender Anguish Of ev'ry Joy bereav'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Dr
#
A Prey to Tender Anguish, a Favorite Song
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
The Most Wonderful Time Of The Year
Small Ensemble Alto Saxophone,B-Flat Bass Clarinet,B-Flat Trumpet,Baritone Saxophone,Horn …
(+)
Small Ensemble Alto Saxophone,B-Flat Bass Clarinet,B-Flat Trumpet,Baritone Saxophone,Horn in E-Flat,Tenor Saxophone,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.929890 Composed by Eddie Pola and George Wyle. Arranged by Noah Allen. Film/TV. Score and parts. 32 pages. N.D.A. #4632993. Published by N.D.A. (A0.929890). In the friendly key of concert C, this fun arrangement of It's The Most Wonderful Time of the Year for five parts will be a great addition to your concert, jam session, or church music! Everyone gets a chance at the melody (even the tuba!) and the flexible instrumentation allows a wide array of timbre and voicing options. Many transpositions for each part are included to allow for many types of ensembles to perform this, from brass quintet, to saxophone quintet, to clarinet choir. A piano reduction of all parts with chord symbols allows for easy comping. Contents include:concert pitch scoreconcert pitch piano reductionsoprano in: C, Bbalto in: C, Bb, Ebtenor in: C (T.C.), C (B.C.), Bb (T.C.), F, Ebbaritone in: C, Bb (T.C.), Ebbass in: C, Eb, Bb (T.C.)Email the arranger at brassclass466.16@gmail.com if you have any questions or comments, or need alternative transpositions.
$24.99
22.4 €
#
Eddie Pola and George Wyle
#
The Most Wonderful Time Of The Year
#
N.D.A.
#
SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
(+)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
4.93 €
#
David Warin Solomons
#
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
#
David Warin Solomons
#
SheetMusicPlus
Handel's Hallelujah Chorus. Davidson's Musical Treasury
Piano and voice [does not contain complete text] - Digital Download SKU: LV.2470 De…
(+)
Piano and voice [does not contain complete text] - Digital Download SKU: LV.2470 Devotional images, Religion, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2470). Handel's Hallelujah Chorus. Davidson's Musical Treasury. Arranged as a Voluntary for the Pianoforte, Organ, Harmonium, Etc. Published [n.d.] by Published at Peter's HIll, Near St. Paul's in London. Composition of through-composed with piano and voice [does not contain complete text] instrumentation. Subject headings for this piece include Devotional images, Religion, Biblical references. First line reads For the Lord God Omnipotent reigneth.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Handel's Hallelujah Chorus. Davidson's Musical Treasury
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Op 150 Sinfonia n 3 Tempo unico Allegro Assai
Large Ensemble Cello,Double Bass,Flute,Oboe,Piano,Piccolo,Timpani,Viola,Violin - Level 5 -…
(+)
Large Ensemble Cello,Double Bass,Flute,Oboe,Piano,Piccolo,Timpani,Viola,Violin - Level 5 - Digital Download SKU: A0.1021481 Composed by Enrico Bolgan. Arranged by Enrico Bolgan. 20th Century,Classical,Contemporary. Score and parts. 94 pages. Enrico Bolgan #6049711. Published by Enrico Bolgan (A0.1021481). E' la famosissima sonatina in sol maggiore di Beethoven riscritta e riarrangiata per pianoforte solista più oboe e flauto e orchestra d'archi, rivisitata in imperitura memoria del Più Grande Musicista di tutti i tempi. Il brano per pianoforte richiede tecnica molto avanzata/virtuosistica.
$4.99
4.47 €
#
Enrico Bolgan
#
Op 150 Sinfonia n 3 Tempo unico Allegro Assai
#
Enrico Bolgan
#
SheetMusicPlus
Deh più a me non v'ascondete ( extract from Aria Antiche, Vol. 1 )
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1193252
(+)
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1193252 Composed by Giovanni Maria Bononcini. Arranged by Terry Carpenter. Baroque. 9 pages. Terry Carpenter #792708. Published by Terry Carpenter (A0.1193252). For voice and classical guitarEasy transcription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords placed on the lead. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire!N.B : In Ab, the chords are not very convenient, so I suggest you place a capo on the first fret and play the chords a diatonic half tone lower ( G for Ab, D for Eb, Em for Fm, A7 for Bb7 ... )The mp3 file was made by musical software.
$3.99
3.58 €
#
Giovanni Maria Bononcini
#
Deh più a me non v'ascondete
#
Terry Carpenter
#
SheetMusicPlus
Chipolata
Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arrang…
(+)
Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Comedy,Contest,Festival,Multicultural,World. Full Performance. Duration 163. ArtIA #998046. Published by ArtIA (A0.1416365). Découvrez une version réinventée de Chipolata de Téo Lavabo, magistralement interprétée par ma voix. Ce clip unique apporte une nouvelle dimension à la chanson humoristique, alliant l'art de la musique à une touche personnelle et créative.Dans cette réinterprétation, embarquez pour un voyage culinaire et musical, où chaque chipolata n'est pas juste un mets, mais une célébration de la joie et de l'absurdité de la vie quotidienne. Avec des scènes allant d'un petit-déjeuner festif à des aventures fantaisistes à la recherche de la chipolata parfaite, ce clip est une expérience à ne pas manquer.Suivez Cédric dans sa quête humoristique, illustrée par des séquences vidéo pleines d'humour et de fantaisie, où la préparation de chipolatas devient le prélude à des festivités inattendues. C'est un hommage à l'amour de la bonne nourriture, de la bonne compagnie, et surtout, du bon temps.Chipolata par Cédric est plus qu'un clip musical; c'est une invitation à rire, à chanter et à danser, rappelant que les plaisirs simples de la vie sont souvent les plus précieux. Préparez-vous à être captivé par cette performance vocale et visuelle, où la gaieté et l'esprit sont au rendez-vous.Chipolata par Cédric, une aventure à savourer sans modération. Partagez votre amour pour la musique et la cuisine avec moi, et voyez comment un simple plat peut inspirer une œuvre d'art.
$1.99
1.78 €
#
Cédric Hermand
#
Chipolata
#
ArtIA
#
SheetMusicPlus
Dúo en Fa
Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1394336 By J…
(+)
Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1394336 By JUAN CARLOS NAVAS. By JUAN CARLOS NAVAS. Chamber,Classical. Saxophone Duet. 14 pages. Juan Carlos Navas #977812. Published by Juan Carlos Navas (A0.1394336). Sucinta es la literatura escrita para dúo de saxofones , y mucho menos en la forma clásica . Elementos como el fraseo , la afinación y el empaste son piedras angulares en la interpretación precisa y correcta de la música de cámara.El Dúo en fa , para dos saxofones contraltos solos , comprende estos parámetros esenciales tan vitales para la correcta ejecución dentro de una armonÃa clásica y contribuye a enriquecer la escasa literatura original existente para esta formación.Succinct is the literature written for the saxophone duo, much less in the classical form. Elements such as phrasing, tuning and filling are cornerstones in the accurate and correct interpretation of chamber music.The Duet in F, for two solo alto saxophones, comprises these parametersessential so vital for the correct execution within a classical harmony and contributes to enrich the little existing original literature for this formation.Juan Carlos Navas.
$20.00
17.93 €
#
JUAN CARLOS NAVAS
#
Dúo en Fa
#
Juan Carlos Navas
#
SheetMusicPlus
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by…
(+)
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
20.61 €
#
Various, Traditional
#
#
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
#
Samantha Bramley
#
SheetMusicPlus
A MALVA ROSE
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Piet…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
1.78 €
#
Lars Ek
#
A MALVA ROSE
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Suite
The Suite for guitar aims to blend tradition and modernity through the use of a language w…
(+)
The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements. The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.L’utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical
Song List: 1. Prelude 2. Allemande 3. Courante 4. Sarabande 5. Gigue
$7.95
7.13 €
#
Suite
#
SheetMusicPlus
5 Easy Studies, Opus 50
Louise Farrenc was a profoundly influential French composer, performer, professor, and aut…
(+)
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List: 1. Andantino grazioso 2. Andantino 3. Allegretto 4. Poco allegro 5. Allegro moderato
$7.95
7.13 €
#
5 Easy Studies, Opus 50
#
SheetMusicPlus
A Night’s Tale
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by C…
(+)
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
5.33 €
#
contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument
#
Alfredo Franco
#
A Night’s Tale
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
