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Did You Mean It
Sheetmusic to print
25 sheet music found
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1
You're A Mean One, Mr. Grinch
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Albert Hague and Dr Seuss
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Donald Jay Smith
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You're A Mean One, Mr. Grinch
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Donald Jay Smith Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.†The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch†was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99
Jesus Paid It All - SSTT Quartet or Choir (Piano Accompaniment + Chords)
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Sacred music
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - SSTT Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1204515 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Prai...
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Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1204515 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802970. Published by Valdir Maia (A0.1204515). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - TTB Trio or Choir (Piano Accompaniment + Chords)
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Sacred music
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - TTB Trio o
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Valdir Maia
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SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204533 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204533 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803000. Published by Valdir Maia (A0.1204533). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$2.99
Jesus Paid It All - SSTT Quartet or Choir (+ Chords)
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Sacred music
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - SSTT Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204517 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204517 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802975. Published by Valdir Maia (A0.1204517). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - SSTT Quartet or Choir
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Sacred music
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - SSTT Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204520 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204520 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802979. Published by Valdir Maia (A0.1204520). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - SSTT Quartet or Choir (Piano Accompaniment)
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Sacred music
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - SSTT Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204516 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204516 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802971. Published by Valdir Maia (A0.1204516). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Beyond the Rainbow Bridge - backing track
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David Kai
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David Kai
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Beyond the Rainbow Bridge - ba
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David Kai
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SheetMusicPlus
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by Da...
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage...
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contempo...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9 Songs For Recorder & Basso Continue
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Christoph Graupner, Claudio Mo
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Elad Hevron
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9 Songs For Recorder & Basso C
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Elad Evron
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SheetMusicPlus
Cello,Instrumental Duet,Recorder - Level 3 - Digital Download SKU: A0.1384102 Composed by Christoph Graupner, Claudio Monteverdi, George Frideric Handel,...
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Cello,Instrumental Duet,Recorder - Level 3 - Digital Download SKU: A0.1384102 Composed by Christoph Graupner, Claudio Monteverdi, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Johann Philipp Krieger, and Johann Sebastian Bach. Arranged by Elad Hevron. Baroque,Christian,Classical,Renaissance. 10 pages. Elad Evron #968465. Published by Elad Evron (A0.1384102). Hello musicians !!I got several requests from few diffrent platforms to make my next recorder book with another instruments, like a duet - i didnt know what instrument to do it with so i just did it with a basso continue, meaning that it fits for instruments like cello, harpsichord, basson, piano, lute, guitar or any other bass instruments, for instant if you are a classic guitar player you will need to know how to reed a basso continue in order to know what chords to play, if you are a cellist all you need to know is how to read sheet music, now about the recorder, most of the songs are for alto, however some are for soprano, so pay attention!:).
$6.50
Crossing Jordan: Three Spirituals for flute, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
Concert Piece for String Orchestra
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Classical
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Ivan H
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Concert Piece for String Orche
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Ivan Howard
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Cla...
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Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 209. Ivan Howard #15Zj6pJDY5MZUCd9nAaZoD. Published by Ivan Howard (A0.484899). Key: C major.Description: All is in the name. This is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 90.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
Concert Piece for String Orchestra and Percussion
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Classical
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Ivan H
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Concert Piece for String Orche
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Ivan Howard
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Inter...
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Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 210. Ivan Howard #6a81xPENwbs5YndgEXuaW0. Published by Ivan Howard (A0.484898). Key: C major.All is in the name. With added percussion this is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra and Percussion is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. Percussion should blend in. Be careful not to overpower orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 61-64.- Timpani 1 & 2, Toms and Bass Drum are to play wildly. Just not overpowering. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 91.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
Christmas Flash Mob 2017
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Christmas
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Various, Traditional
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Petey C
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Christmas Flash Mob 2017
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Petey C.
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various, Traditional. Arranged by Petey C. Christmas. Score and parts. 8 page...
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various, Traditional. Arranged by Petey C. Christmas. Score and parts. 8 pages. Petey C. #3479829. Published by Petey C. (A0.873886). This arrangement was made for the Edmonton Horn Choir, created and led by Mary Fearon. The arrangement was specifically meant for a flash mob event in City Center Mall in Edmonton, Alberta, Canada. It is based off of the traditional holiday, public domain songs, The First Noel, Jingle Bells, It Came Upon a Midnight Clear, Silent Night and Dona Nobis Pacem. It is designed with a beginning and ending meant to facilitate the casual assembling and disassembling of a group. There are 4 parts. All beginner in difficulty, save for maybe few measures of bass clef. All can be performed within a 2 octave range. It is relatively short. Each part fits on one page so it can be taped to the back of a fellow flash mobber. The manner of entering and exiting can be experimented with. The way we did it was each horn part entering a full phrase plus 2 measures apart and done in a round, then 2nd ending taken on cue. It sounds more pleasant and orderly this way. Originally was meant for people to start at the beginning of any bar during The First Noel and for it to become kind of dense and ambiguous until everybody went to the second ending at the same time. Whatever way you want though. Same with the exit for Dona Nobis Pacem.
$6.99
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Ly...
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Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
A Place at the Table
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. ...
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(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
Mekporma
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Maskhid Hl
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Jay wattz
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Mekporma
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King fabio
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SheetMusicPlus
Digital Download SKU: A0.1072748 Composed by Maskhid Hl. Arranged by Jay wattz. Contemporary,Hip-Hop. Accompaniment. Duration 193. King fabio #4845043. P...
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Digital Download SKU: A0.1072748 Composed by Maskhid Hl. Arranged by Jay wattz. Contemporary,Hip-Hop. Accompaniment. Duration 193. King fabio #4845043. Published by King fabio (A0.1072748). MEKPORMÃ is an Ewe word in Africa ( Ghana ) ethnic word which means ( didn't you see).This song was compose by a fast rising artiste known in showbiz MASKHID HL according to the terms (didn't you see) there are many things going on in this Africa Ghana country which the Government close eyes and ears on it and nobody was able to talk about it so the solution to solve will come and it putting everybody in big problem.Every will be clear after hearing the song.Thanks you for your support may God bless.
$2.50
Eleanor Rigby
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The Beatles
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Julia Daintree
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Eleanor Rigby
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Julia Daintree
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SheetMusicPlus
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421998 By The Beatles. By John Lennon and Paul McCartney. Arranged by Julia Daintree...
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1421998 By The Beatles. By John Lennon and Paul McCartney. Arranged by Julia Daintree. 20th Century,Contemporary,Pop. 5 pages. Julia Daintree #1003336. Published by Julia Daintree (A0.1421998). Flexible and engaging arrangement SSA, SAT, SABYouth Choirs, Community Choirs, School Choirs.Intro reappears before v3 which highlights loneliness again.Choirs have so much to say about and offer to the world as regards loneliness. Our choir really felt and performed this meaning of the song and it was a great opportunity to present our choir as a place where all can belong, hence the repeat of the last line at the end. Our choir enjoyed this so much, despite the serious message.I hope this arrangement can bring other choirs together as it did ours.Enjoy.
$1.99
Eleanor Rigby
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The Bealtes
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Julia Daintree
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Eleanor Rigby
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Julia Daintree
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SheetMusicPlus
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407787 By The Bealtes. By John Lennon, Paul McCartney. Arranged by Julia Daintree. 2...
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407787 By The Bealtes. By John Lennon, Paul McCartney. Arranged by Julia Daintree. 20th Century,Contemporary,Film/TV,Pop. 5 pages. Julia Daintree #990412. Published by Julia Daintree (A0.1407787). Flexible and engaging arrangement SSA, SAT, SABYouth Choirs, Community Choirs, School Choirs.Intro reappears before v3 which highlights loneliness again.Choirs have so much to say about and offer to the world as regards loneliness. Our choir really felt and performed this meaning of the song and it was a great opportunity to present our choir as a place where all can belong, hence the repeat of the last line at the end. Our choir enjoyed this so much, despite the serious message.I hope this arrangement can bring other choirs together as it did ours.Enjoy.
$1.99
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
The Weatherman Sea Shanty
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David Kai
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David Kai
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The Weatherman Sea Shanty
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David Kai
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SheetMusicPlus
Mixed Percussion Double Bass - Level 3 - Digital Download SKU: A0.1105118 By David Kai. By Traditional. Arranged by David Kai. Comedy,Folk. Full Performa...
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Mixed Percussion Double Bass - Level 3 - Digital Download SKU: A0.1105118 By David Kai. By Traditional. Arranged by David Kai. Comedy,Folk. Full Performance. Duration 116. David Kai #708365. Published by David Kai (A0.1105118). A humourous Canadian version of the famous Wellerman sea shanty. A sure sign that the author has been cooped up inside for too long this winter! This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. Music: traditional Words: David Kai ©2021 THE WEATHERMAN SEA SHANTY (Wellerman parody) Words: David Kai ©2021 Music: traditional That groundhog saw its shadow, sure That means this winter is six weeks more It’s going to freeze me to the core This cold Canadian winter CHORUS: Soon may the weatherman come And make it so I don’t freeze my buns So my feet will not go numb On this cold Canadian winter One day well I was mad as sin I forgot to plug my Priius in I had to bring all the batteries in This cold Canadian winter CHORUS: On the coldest day you ever did see I had to take my dog to pee He ended up stuck to a tree This cold Canadian winter CHORUS: When it freezes out into the sea Ice fishing is the place to be Twenty pounds is a pretty good block for me This cold Canadian winter CHORUS: (2X).
$1.99
Nocturne No. 20, for Solo Viola
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Classical
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Frederic Chopin
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Austin Harning
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Nocturne No. 20, for Solo Viol
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Austin Harning
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SheetMusicPlus
Viola - Digital Download SKU: A0.1071657 Composed by Frederic Chopin. Arranged by Austin Harning. Instructional,Romantic Period,Standards. Full Performan...
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Viola - Digital Download SKU: A0.1071657 Composed by Frederic Chopin. Arranged by Austin Harning. Instructional,Romantic Period,Standards. Full Performance. Duration 248. Austin Harning #3415027. Published by Austin Harning (A0.1071657). Arrangement of Chopin's twentieth nocturne for unaccompanied viola.Written in 1830, the original piano piece was dedicated to his sister Ludwika. The piece would not be published until 26 years after Chopin's death. Known for its somber and (arguably) haunting tone, the nocturne is most famously featured in Roman Polanski's 2002 film The Pianist, which follows the Polish pianist Władysław Szpilman during the Second World War.This arrangement is meant to capture the tone and emotion of the original piece, and utilize the darker and full tone of the viola. I hope you enjoy this piece as much as I did writing and playing it.
$1.99
Que Pasa
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Jazz
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Joe Henderson
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Horace Silver
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Que Pasa
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George Kaplan
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SheetMusicPlus
Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Intera...
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Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
$9.99
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