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1351
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.96 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Double Concerto for Oboe and Bassoon with Piano and Percussion
Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accomp…
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Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accompaniment,Snare Drum,Tambourine,Triangle - Level 5 - Digital Download SKU: A0.918688 Composed by Jenni Brandon. Contemporary. Score and parts. 86 pages. Jenni Brandon Music #5720435. Published by Jenni Brandon Music (A0.918688). Double Concerto for Oboe and Bassoon with Wind Symphony (JB 136) by Jenni Brandon: This piece tells the story of our Galaxy, of the great unknown and what lies beyond, and where we belong within this vastness of space. Written for Scott Pool, Rogene Russell and the University of Texas at Arlington Wind Symphony under the direction of Douglas Stotter.This work was funded by a grant from the UT Arlington Research Enhancement Program. This is a great recital work to showcase excellent college or professional double reed performers. This work is also available as a Double Concerto for Oboe and Bassoon with Wind Symphony (JB 156) through Jenni Brandon Music - www.jennibrandon.comSingle movement with sections: I. The Spiral Galaxy; II. Travelling through the Milky Way; III. The Orion Spur: The Blue Planet Waltz; IV. Supermassive Black Hole: Falling into the abyss…; V. Dark Matter: …an elementary particle that pervades the universe.; VI. The Orion Nebula: We are made of star-stuff.; ...Flying through the Spiral GalaxyDuration 18:30. Instrumentation: oboe, bassoon, piano, percussion(suspended cymbal, glockenspiel, triangle, gong, snare drum, tambourine, sand block, Djembe)When printing - print two copies of the oboe/bassoon solo part as they are on the same part.Jenni Brandon Musicwww.jennibrandon.comASCAP
$35.00
31.38 €
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Jenni Brandon
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II
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Double Concerto for Oboe and Bassoon with Piano and Percussion
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Jenni Brandon Music
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SheetMusicPlus
André David: Héliade for C trumpet, alto saxophone, piano and percussion
Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment,Trumpet - Level 5 - Dig…
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Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment,Trumpet - Level 5 - Digital Download SKU: A0.534735 Composed by André David: Héliade for C trumpet, alto saxophone, piano and percussion. Concert,Contemporary. Score and parts. 68 pages. Musik Fabrik Music Publishing #6529909. Published by Musik Fabrik Music Publishing (A0.534735). An modernist work in one extended movement for mixed quartet by the noted French composer
$44.95
40.3 €
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André David: Héliade for C trumpet, alto saxophone, piano and percussion
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composer
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André David: Héliade for C trumpet, alto saxophone, piano and percussion
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Musik Fabrik Music Publishing
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SheetMusicPlus
Divertissement for Oboe, Piano, and Percussion
Small Ensemble Multi-Percussion,Oboe,Piano Accompaniment - Level 4 - Digital Download S…
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Small Ensemble Multi-Percussion,Oboe,Piano Accompaniment - Level 4 - Digital Download SKU: A0.755117 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 77 pages. Sy Brandon #3396107. Published by Sy Brandon (A0.755117). Divertissement was composed for the Cadence Music Ensemble. A divertissement is a multi-movement composition designed to divert, entertain or to amuse. The title came about as a result of the desire of Cadence for a piece that would be full of energy, have interplay between instruments, have lyrical lines, be able to reach all types of audiences, and contain a show stopper. There are six contrasting movements in this composition; Intrada, Nocturne, Waltz, Marche, Romanza, and Galop. The Intrada is energetic and playful with a lot of interplay between instruments. The Nocturne, being a night piece, is both lyrical and mysterious. The Waltz is in a flowing waltz tempo with occasional shifts away from three beats in the measure. The bass drum in this movement supports the waltz rhythm at times and at other times uses syncopation to contrast the other instruments. The Marche is not a piece that would be used in a parade. It is a march that exists in the mind of a child who is playing with toy soldiers; therefore there is playfulness and humor that would not occur in a functional march. Lyrical lines and expressiveness are the predominating features of the Romanza. The piece comes to a rousing close with the Galop, which is a perpetual motion type of movement with a lot of rhythmic variety.
$14.99
13.44 €
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Sy Brandon
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Divertissement for Oboe, Piano, and Percussion
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Sy Brandon
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SheetMusicPlus
Fortuna Dances for Orchestral Ensemble
Composed by James Nathaniel Holland. Contemporary Classical, World, Hanukkah, Bar or Bat M…
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Composed by James Nathaniel Holland. Contemporary Classical, World, Hanukkah, Bar or Bat Mitzfah. Score, Set of Parts. 30 pages. Published by James Nathaniel Holland (S0.190981). - Score,Set of Parts - Contemporary Classical,World,Hanukkah,Bar or Bat Mitzfah - James Nathaniel Holland
$7.95
7.13 €
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James Nathaniel Holland
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Fortuna Dances for Orchestral Ensemble
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James Nathaniel Holland
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SheetMusicPlus
Thailand Royal Anthem: Phleng Sansoen Phra Barami
Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schuro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat    (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.  He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
4.47 €
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Pyotr Schurovsky
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Thailand Royal Anthem: Phleng Sansoen Phra Barami
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cycle of the Spheres for Alto Sax, Piano, and Percussion
Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment - Level 5 - Digital Dow…
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Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment - Level 5 - Digital Download SKU: A0.755123 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 33 pages. Sy Brandon #3396747. Published by Sy Brandon (A0.755123). Cycle of the Spheres honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity. The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The second movement was a hymn song for the souls of the dead and is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. A song of redemption and hope for the survivors is the theme for the third and final movement Resiliency of the Spirit.
$14.99
13.44 €
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Sy Brandon
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Cycle of the Spheres for Alto Sax, Piano, and Percussion
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Sy Brandon
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SheetMusicPlus
Gaelic Faram (Jig in Kiev) for 2 Pianos & 2 Percussionists (15 mins)
Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Compose…
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Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 204 pages. Intensely Pleasant Music #3424709. Published by Intensely Pleasant Music (A0.890710). Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists - 15 minutes. SCORE & PARTS Designed as a companion piece for Bartok’s famous Sonata for 2 pianos and percussion, Gaelic Faram (Jig in Kiev) was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) and percussionists Dmytro Ulyanov and Yevhen Ulyanov for the final concert of the Kiev Chamber Music Session Festival 2012. Fully revised 2016. This is a note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The percussion is either designed to be set out in 4 groups that the performers move between, or if enough percussion is available for each percussionist to have their own (eg: tubular bells, xylophone, drum kit), then they can be set out in two groups, as in the pictures below. [In this 2016 revision, Percussionist II also uses one timp.][Also available: Scene from Gaelic Faram (Jig in Kiev) - a new arrangement of a 6-minute scene from the full 15-minute piece, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).]
$19.99
17.92 €
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John Pitts
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Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
3.58 €
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Mark S
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Professor M & M's Jive Detector
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Geofonica Artistworks
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SheetMusicPlus
O Sole Mio Arranged for Tenor and Small Ensemble
Composed by Giovanni Capurro, Eduardo Di Capua, Alfredo Mazzucchi . Arranged by James Nath…
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Composed by Giovanni Capurro, Eduardo Di Capua, Alfredo Mazzucchi . Arranged by James Nathaniel Holland. Opera, European, Pop. Score, Set of Parts. 15 pages. Published by James Nathaniel Holland (S0.91191). - Score,Set of Parts - Opera,European,Pop - James Nathaniel Holland
$8.95
8.02 €
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Giovanni Capurro, Eduardo Di Capua, Alfredo Mazzucchi
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O Sole Mio Arranged for Tenor and Small Ensemble
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James Nathaniel Holland
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SheetMusicPlus
Fanfare - Men and Angels
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1308910 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Contest,Easter,Festival,Holiday,Religious. Brass Band. 39 pages. John van Gulik #898168. Published by John van Gulik (A0.1308910). An Easter fanfare piece based on the tunes “Christ the Lord is Risen Today†and “Crown Him with many Crownsâ€, this piece was used in the European Brass Band Championships.Standard Instrumentation :Soprano, Solo, Repiano, 2nd, and 3rd CornetsFlugel HornSolo, 1st and 2nd Horns1st and 2nd Baritones1st, 2nd, and Bass TrombonesEuphonium, Eb and Bb BassPercussion and TimpaniComes with full score in letter/landscape format for double sided printing and binding on short edge.  All parts included in letter/portrait format.Note: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
17.93 €
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John van Gulik
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Fanfare - Men and Angels
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John van Gulik
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
69.88 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
26.85 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score (Reduced Score)
Small Ensemble Hand Percussion,Piano Duet - Level 5 - Digital Download SKU: A0.730491
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Small Ensemble Hand Percussion,Piano Duet - Level 5 - Digital Download SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 140 pages. James Nathaniel Holland #4717661. Published by James Nathaniel Holland (A0.730491). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. Piano Score with Story. Full Orchestral Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$15.95
14.3 €
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score
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James Nathaniel Holland
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SheetMusicPlus
Alle Jahre wieder (every year again) for family band
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - Digital Download SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
4.47 €
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Friedrich Silcher, Wilhelm Hey
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download
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Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
8.96 €
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Thomas Oboe Lee
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Percussion Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Sonata for Piano and Percussion
Small Ensemble Bass Drum,Cymbals,Piano,Snare Drum,Timpani,Xylophone - Level 5 - Digital Do…
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Small Ensemble Bass Drum,Cymbals,Piano,Snare Drum,Timpani,Xylophone - Level 5 - Digital Download SKU: A0.863716 Composed by Jordan Grigg. 20th Century,Concert,Contemporary,Standards. Score and parts. 43 pages. Jordan Grigg #3390527. Published by Jordan Grigg (A0.863716).
$13.95
12.51 €
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Jordan Grigg
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Sonata for Piano and Percussion
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Jordan Grigg
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SheetMusicPlus
Abhorrence (string quartet, piano and percussion)
Large Ensemble Bass Drum,Cello,Cymbals,Piano Accompaniment,Tom Tom,Viola,Violin - Level 5 …
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Large Ensemble Bass Drum,Cello,Cymbals,Piano Accompaniment,Tom Tom,Viola,Violin - Level 5 - Digital Download SKU: A0.864039 Composed by Jordan Grigg. Concert,Contemporary,Standards. Score and parts. 27 pages. Jordan Grigg #3867461. Published by Jordan Grigg (A0.864039).
$19.95
17.88 €
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Jordan Grigg
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Abhorrence
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Jordan Grigg
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SheetMusicPlus
Desolation (for string quartet, piano and percussion)
Small Ensemble Cello,Cymbals,Piano,Tom Tom,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Cymbals,Piano,Tom Tom,Viola,Violin - Level 5 - Digital Download SKU: A0.863267 Composed by Jordan Grigg. 20th Century,Concert,Contemporary,Standards. Score and parts. 13 pages. Jordan Grigg #3386889. Published by Jordan Grigg (A0.863267).
$5.95
5.33 €
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Jordan Grigg
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Desolation
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Jordan Grigg
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SheetMusicPlus
Thérèse Brenet : Le Fascinateur for narrator, celtic harp (troubadour harp) piano and percussion sco
Small Ensemble Harp,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.532847
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Small Ensemble Harp,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.532847 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 54 pages. Musik Fabrik Music Publishing #61899. Published by Musik Fabrik Music Publishing (A0.532847). Le Fascinateur is scored for narrator, celtic harp, piano and percussion. The texts are taken from a poem by the astrophysicist Jean-Pierre Luminet. Nous nous étions plu, in Griphes, followed by Topiques, (Gérard Oberlé, Manoir de Pron, Nivernais, 1989). The juxtaposition suggests in epigram a quotation from Gaston Bachelard, which could apply to the musical score with an equal pertinence, since the music is, for Thérèse Brenet, the echo of the Cosmos “All of the words which are called to greatness by a poet are the keys to the universe, to the double universe of the cosmos and of the depths of the human soul.â€.
$25.95
23.26 €
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Therese Brenet
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Thérèse Brenet : Le Fascinateur for narrator, celtic harp
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Musik Fabrik Music Publishing
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SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arr…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26 pages. Colin Kirkpatrick Publications #4325529. Published by Colin Kirkpatrick Publications (A0.522167). These two courantes are well-known dances from the famous collection entitled Terpsichore by Michael Praetorius. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. They are attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement with alternative transpositions makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.Â
$11.99
10.75 €
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Unknown
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Part 1 (C, B flat, E flat)
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Two Courantes - Dances 151 and 152 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Poema de Natal (1996) for mezzo-soprano, clarinet, trombone, piano and percussion
Small Ensemble Clarinet,Percussion,Trombone,Voice - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Clarinet,Percussion,Trombone,Voice - Level 4 - Digital Download SKU: A0.869182 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 29 pages. Thomas Oboe Lee #31001. Published by Thomas Oboe Lee (A0.869182). Instrumentation: B-clarinet Tenor trombone Percussion: triangle, 2 small cymbals, tambourine, snare drum, bass drum Piano Mezzo-soprano POEMA DE NATAL - Vinicius de Moraes Para isso fomos feitos: Para lembrar e ser lembrados, Para chorar e fazer chorar, Para enterrar os nossos mortos -- Por isso temos braços longos para os adeuses, Mãos para colher o que foi dado, Dedos para cavar a terra. Assim será nossa vida; Uma tarde sempre a esquecer, Uma estrêla a se apagar na treva, Um caminho entre dois túmulos -- Por isso precisamos velar, Falar baixo, pisar leve, ver A noite dormir em silêncio. Não há muito que dizer: Uma canção sobre um berço, Um verso, talvez, de amor, Uma prece por quem se vai -- Mas que essa hora não esqueça E que por ela os nossos corações Se deixem, graves e simples. Pois para isso fomos feitos: Para a esperança no milagre, Para a participacão da poesia, Para ver a face da morte -- De repente, nunca mais esperaremos ... Hoje a noite é jovem; da morte apenas Nascemos, imensamente.
$9.99
8.96 €
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Thomas Oboe Lee
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Poema de Natal
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Thomas Oboe Lee
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SheetMusicPlus
Magic Christmas for Strings, Bells and Piano Four-Hands
Large Ensemble Hand Percussion,Handbell,Marimba,Piano,Vibraphone,Violin - Level 3 - Digita…
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Large Ensemble Hand Percussion,Handbell,Marimba,Piano,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.913920 Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. Christmas,Concert,Holiday,Instructional,Standards. Score and parts. 6 pages. Lena Orsa #6623881. Published by Lena Orsa (A0.913920). Magic Christmas, version for strings, bells and piano four-hands.
$5.99
5.37 €
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Lena Orsa
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Magic Christmas for Strings, Bells and Piano Four-Hands
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Lena Orsa
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SheetMusicPlus
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