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Song Without Words: Viola
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Venetian Gondola Song (String Quintet)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.995331 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.995331 Composed by Felix Bartholdy Mendelssohn. Arranged by D. Berry. Contemporary. Score and parts. 12 pages. D. Berry #4812101. Published by D. Berry (A0.995331). String arrangement of Venetian Gondola Song in G Minor from Mendelssohn's Songs without Words, originally for piano. This arrangement comes with alternate parts so that it can be played by an ensemble of either 2 violins, 2 violas and 1 cello, or 2 violins, 1 viola, and 2 cellos. .
$10.00
8.96 €
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Felix Bartholdy Mendelssohn
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Venetian Gondola Song
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D. Berry
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
29.54 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Songs Without Words Opus 67 No. 4
Chamber Music, Orchestra Violins, Violins 2, Violas, Cellos, Double Basses - Grade 5 - Dig…
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Chamber Music, Orchestra Violins, Violins 2, Violas, Cellos, Double Basses - Grade 5 - Digital Download SKU: FX.FX072041 Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Arrangement. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX072041. Published by FLEX Editions - Digital Sheet Music (FX.FX072041). Instruments: Violins 1 (6 parts) Violins 2 (6 parts) Violas (4 parts) Cellos (3 parts) Double Basses (2 parts); Difficuly Level: Grade 5; Duration: 1 minutes 50 seconds; Musical Style: Classical; Category: Arrangement; Composer: Felix Mendelssohn; Arranger: Eric Vireton.
$27.95
25.06 €
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Felix Bartholdy Mendelssohn
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Difficuly Level: Grade 5
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Songs Without Words Opus 67 No. 4
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Two Songs Without Words for String Quartet
Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed…
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Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed by Bronson I. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 187. Ivan Howard #58ukgthy9yGFywBqZ15xOI. Published by Ivan Howard (A0.484893). Key: C major.A two movement Lyric Piece for String Quartet. This being the First Movement, Bit. Each movement is short, and hopefully embodies the fullness of their title names. I tried to keep each movement as short as possible, making them somewhat difficult sounding but easy sounding to the listener, while hopefully playable at first or second Sight-Reading by the Advanced Quartet. I. Bit- 0:30 II. Love's Eternal Kiss- 2:37.
$3.99
3.58 €
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Bronson I
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Two Songs Without Words for String Quartet
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Ivan Howard
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SheetMusicPlus
Twelve Serious Songs from the Pali for Mezzo-soprano, Viola and Cello (1997-2013)
Small Ensemble Cello,High Voice,Viola - Level 4 - Digital Download SKU: A0.939742 C…
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Small Ensemble Cello,High Voice,Viola - Level 4 - Digital Download SKU: A0.939742 Composed by Richard St. Clair. 20th Century,Sacred. Score and parts. 33 pages. Richard St. Clair #3140783. Published by Richard St. Clair (A0.939742). These songs are to be sung in the original language of early Buddhism called Pali. The style of these songs was inspired by and (without slavish imitation) emulates the master composers of the Ars Nova period (14th century CE) such as Machaut, Landini and Ciconia. The text is Buddhist, from the Pali Canon or the collection of teachings of early Buddhism. The words are mainly from the Buddha Shakyamuni (or Gotama), who lived ca. 563-483 BCE. A full translation of the lyrics appears at the end of the score. The music is chiefly modal/tonal throughout.
$20.00
17.93 €
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Richard St
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Twelve Serious Songs from the Pali for Mezzo-soprano, Viola and Cello
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Richard St. Clair
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SheetMusicPlus
Serenity
Flute, Viola/Cello, Harp/Piano - Intermediate-Advanced - Digital Download SKU: F2.FM277…
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Flute, Viola/Cello, Harp/Piano - Intermediate-Advanced - Digital Download SKU: F2.FM277 Composed by Eugene Magalif. Score and Parts. 17 pages. Forton Music - Digital #FM277. Published by Forton Music - Digital (F2.FM277). ISBN 9790570481767.Flute, cello and harp or piano. Or flute, viola and harp or piano Written almost as a song without words with a flowing, singing melody, this piece is also available for other instruments.
$12.95
11.61 €
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Eugene Magalif
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Serenity
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Forton Music - Digital
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
22.41 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
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