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Percussion - Digital Download SKU: S9.Q582180 Composed by Siegfried Fink. Solo fÃ…
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Percussion - Digital Download SKU: S9.Q582180 Composed by Siegfried Fink. Solo für Percussion. Downloadable. Musikverlag Zimmermann - Digital #Q582180. Published by Musikverlag Zimmermann - Digital (S9.Q582180). German • English • French.Ein Gemisch von karibischen, indonesischen, bulgarischen und brasilianischen Rhythmen sorgt für Kontrast, der durch die Wirkung plötzlicher Schlegelwechsel erhöht wird. Literatur für die Oberstufe.
$9.99
8.95 €
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Siegfried Fink
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Sudden change
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Turn of the Tide
Flugelhorn,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1350163 By …
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Flugelhorn,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1350163 By Will Savage. By Will Savage. Classical,Jazz. Score and individual part. 12 pages. Will Savage #934942. Published by Will Savage (A0.1350163). 'Turn of the Tide' - to reverse the general course of events.Turn of the Tide is about an on-going war in a land far away. One of the last remaining tribes in the human race is losing a great battle and they are slowly, but surely becoming extinct. In a sudden change of events, the opposing tribe dies of an unknown disease, and the music unusually lifts at this point, from C Minor to G major. The Tribe then discovers the damage that the world has been left in. We descend back to C Minor from a big climax as the once cheerful tribe all breathe their last breath. There is no more population on planet earth.Instrumentation:Solo Flugelhorn (Instrument in Bb)+ Piano Accompanimentsavagesmusic.com/turn-of-the-tide
$15.04
13.48 €
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Will Savage
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Turn of the Tide
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Will Savage
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
29.53 €
#
Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
22.36 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Echos of EiÌkosi - Score Only
Level 5 - Digital Download SKU: A0.1322401 Composed by Amos Elkana. 21st Century,Co…
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Level 5 - Digital Download SKU: A0.1322401 Composed by Amos Elkana. 21st Century,Contemporary. 14 pages. Amos Elkana #910699. Published by Amos Elkana (A0.1322401). Echos of EÃkosi, a dynamic and vibrant composition crafted for the Meitar Ensemble's 20th anniversary, is a testament to the fusion of traditional and contemporary musical elements. This piece, encapsulating both the essence of virtuosity and the avant-garde, is written for a sextet accompanied by intricate electronics. It is a relatively short composition, but it packs a substantial punch in its brief duration.The music of Echos of EÃkosi is characterized by its vigorous energy and its mercurial shifts in mood and dynamics, creating an auditory landscape that is as unpredictable as it is thrilling. These sudden changes demand not only technical proficiency from the musicians but also a deep emotional understanding of the piece's nuanced shifts. The electronics component adds an additional layer of complexity, blending with the acoustic instruments to create a rich tapestry of sound.The sextet, comprising highly skilled musicians, is guided by a conductor who plays a pivotal role in navigating the challenging score. The conductor's expertise is crucial in ensuring the seamless integration of the electronics with the live instruments, and in managing the quicksilver changes in tempo and intensity. The result is a performance that is both a showcase of the musicians' technical abilities and a deeply expressive interpretation of the composition's intricate emotional landscape.In summary, Echos of EÃkosi is not just a musical piece but an adventurous journey through a spectrum of sonic textures and emotions, making it a fitting tribute to the Meitar Ensemble's two decades of artistic exploration and achievement.
$20.00
17.92 €
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Amos Elkana
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Echos of EiÌkosi - Score Only
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Amos Elkana
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SheetMusicPlus
HUNGARIAN DANCE NO5 – BRASS QUINTET
Level 3 - Digital Download SKU: A0.1110662 Composed by Johannes Brahms (1833-1897).…
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Level 3 - Digital Download SKU: A0.1110662 Composed by Johannes Brahms (1833-1897). Arranged by BRIAN W. COPPING. 19th Century,Contest,Festival,Romantic Period. 34 pages. EMK Music #712963. Published by EMK Music (A0.1110662). This well known piece has been arranged for Brass Quintet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), F Horn, Trombone/Euphonium and Bass. There are alternative parts for Eb Horn (F Horn), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef. A nice ‘showy’ piece with sudden changes of tempo and many flourishes. A good choice for exams and eisteddfods.
$14.00
12.55 €
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Johannes Brahms
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HUNGARIAN DANCE NO5 – BRASS QUINTET
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EMK Music
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SheetMusicPlus
Silent Night--duet for F horn
Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: …
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786759 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431071. Published by Beka Wilson (A0.786759). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
8.95 €
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Joseph Mohr, Franz Gruber
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Silent Night--duet for F horn
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Beka Wilson
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SheetMusicPlus
Silent Night--duet for C bass clef instruments
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786754…
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Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786754 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431061. Published by Beka Wilson (A0.786754). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
8.95 €
#
Joseph Mohr, Franz Gruber
#
Silent Night--duet for C bass clef instruments
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Beka Wilson
#
SheetMusicPlus
Silent Night--duet for C treble clef instruments
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786755 Composed by Joseph Mo…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786755 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. 6 pages. Beka Wilson #6431063. Published by Beka Wilson (A0.786755). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
8.95 €
#
Joseph Mohr, Franz Gruber
#
Silent Night--duet for C treble clef instruments
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Beka Wilson
#
SheetMusicPlus
Silent Night--viola/viola/harp trio
Small Ensemble,Strings Harp,Viola - Level 4 - Digital Download SKU: A0.786751 Compo…
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Small Ensemble,Strings Harp,Viola - Level 4 - Digital Download SKU: A0.786751 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 8 pages. Beka Wilson #6431051. Published by Beka Wilson (A0.786751). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--8 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.Want this arrangement in a different key or for a different combination of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
8.95 €
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Joseph Mohr, Franz Gruber
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Silent Night--viola/viola/harp trio
#
Beka Wilson
#
SheetMusicPlus
Silent Night--violin/violin/harp trio
Small Ensemble,Strings Harp,Violin - Level 4 - Digital Download SKU: A0.786752 Comp…
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Small Ensemble,Strings Harp,Violin - Level 4 - Digital Download SKU: A0.786752 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 8 pages. Beka Wilson #6431055. Published by Beka Wilson (A0.786752). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--8 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.Want this arrangement in a different key or for a different combination of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
8.95 €
#
Joseph Mohr, Franz Gruber
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Silent Night--violin/violin/harp trio
#
Beka Wilson
#
SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
8.96 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.53 €
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
My Boy Jack (Downloadable)
SATB soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1…
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SATB soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1.3429-E Composed by David Ashley White. 10 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3429-E. Published by Galaxy Music Corporation - Digital (MQ.1.3429-E). English.The great English author, Rudyard Kipling (1865–1936), wrote the poem My Boy Jack during the early years of World War I. The poem quickly came to be identified as Kipling’s lament over the death of his son John, who was killed during the Battle of Loos in France in 1915. However, it is just as likely that the poem is a tribute to all who were lost during The Great War, and to those who mourned them. In this setting, the composer casts the forlorn questioner not as one person--a grieving parent--but rather as a mixed solo quartet, representing everyone. The harmonic language in the poem’s first three stanzas is intended to portray the sorrow and angst that Kipling’s words so effectively convey. In the last stanza, however, the tone of the poem suddenly changes, becoming more positive and resolute: Then hold your head up all the more, this tide, and every tide… To reflect this shift, the setting uses a quasi-English folksong style, one that is more lyrical and direct. Duration: 3:30.
$2.65
2.37 €
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David Ashley White
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My Boy Jack
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Love Is All Around
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797726 By The Troggs. B…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797726 By The Troggs. By Reg Presley. Arranged by Derek Hasted. Contemporary,Film/TV,Pop. Score and parts. 21 pages. Derek Hasted #3879399. Published by Derek Hasted (A0.797726). LOVE IS ALL AROUND - easy arrangement for 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Featured in the film 'Four Weddings and a Funeral' and covered by dozens of artists, no two versions are identical! This is a proven arrangement for four guitars (or a large ensemble) and it's packed with 'call & response' phrasing with plenty of interest for all the players. There's a sudden key-change in the middle which adds hugely to the enjoyment of playing (and hearing!) this arrangement. Arranged for players with modest experience, this piece locks together tightly to make a low-risk crowd pleaser in any concert! There are no page turns and all the parts are nicely under the fingers.Guitar 4 is supplied in treble and bass clefs, suiting a classical guitar with bottom string tuned to D, or a contra or bass guitar in normal tuning. In a large ensemble, having a mix of normal and octave Guitar 4 parts will make the sound even bigger...I hope you enjoy playing this piece!
$4.99
4.47 €
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The Troggs
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Love Is All Around
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Derek Hasted
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SheetMusicPlus
Emoticons III for Reed Quintet
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digita…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
13.43 €
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Sy Brandon
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Emoticons III for Reed Quintet
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Sy Brandon
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SheetMusicPlus
Now Let Me Fly (TBB)
TBB chorus - Digital Download SKU: C7.CGE59 Composed by Arr. Victor C. Johnson. Arr…
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TBB chorus - Digital Download SKU: C7.CGE59 Composed by Arr. Victor C. Johnson. Arranged by Victor C Johnson. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE59. Published by Chorister's Guild - Digital (C7.CGE59). UPC: 749193021620.Specifically designed for young men's voices, Jeanne's rousing, spirited arrangement features a vocal hoedown section which terraces the vocal parts one by one until there is a sense of vocal energy which demands a sudden ending to the frenzy. Several surprises occur along the way utilizing rhythmic repetition which is indicative of folk music. The tenor line resides within a cambiata register, staying true to the beginning stages of unchanged voices.
$2.10
1.88 €
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Arr
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Now Let Me Fly
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Chorister's Guild - Digital
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SheetMusicPlus
Goin' Down to Cairo (TBB)
TBB chorus - Digital Download SKU: C7.CGE66 Composed by Arr. Jeanne Julseth. Arrang…
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TBB chorus - Digital Download SKU: C7.CGE66 Composed by Arr. Jeanne Julseth. Arranged by Jeanne Julseth. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE66. Published by Chorister's Guild - Digital (C7.CGE66). UPC: 749193021323.Specifically designed for young men's voices, Jeanne's rousing, spirited arrangement features a vocal hoedown section which terraces the vocal parts one by one until there is a sense of vocal energy which demands a sudden ending to the frenzy. Several surprises occur along the way utilizing rhythmic repetition which is indicative of folk music. The tenor line resides within a cambiata register, staying true to the beginning stages of unchanged voices.
$2.10
1.88 €
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Arr
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Goin' Down to Cairo
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Chorister's Guild - Digital
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartho…
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Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
40.33 €
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Felix Bartholdy Mendelssohn
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bar…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
40.33 €
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Felix Bartholdy Mendelssohn
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
He Arose (Trio for Guitar, Cello and Piano)
Cello,Guitar,Piano - Level 3 - Digital Download SKU: A0.522893 Composed by Robert L…
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Cello,Guitar,Piano - Level 3 - Digital Download SKU: A0.522893 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 16 pages. John A. Dempsey #3002831. Published by John A. Dempsey (A0.522893). Also known as Hallelujah, Christ Arose and Low in the Grave He Lay, Â this trio for guitar, cello and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and the elation of the season. Â This hymn arrangement, complete with mood and tempo changes, reflects moments of quiet beauty, prayerful contemplation, sudden joy and ultimate jubilation. Â Paderewski composed the serene incidental music, a nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â Key: C major. Â 12 pages of music (that includes separate two-page parts for guitar and cello). Â Guitar/Cello Level: Intermediate. Â Piano Level: Late Intermediate
$11.99
10.75 €
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Robert Lowry, Ignaz Jan Paderewski
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He Arose
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John A. Dempsey
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SheetMusicPlus
He Arose (Trio for Trumpet, Horn in F and Piano)
Small Ensemble B-Flat Trumpet,Horn,Piano - Level 3 - Digital Download SKU: A0.522906
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Small Ensemble B-Flat Trumpet,Horn,Piano - Level 3 - Digital Download SKU: A0.522906 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 14 pages. John A. Dempsey #3007965. Published by John A. Dempsey (A0.522906). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this trio for Bb trumpet, French horn and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, contains moments of quiet beauty, prayerful reflection, sudden joy and ultimate jubilation. Â Paderewski composed the serene incidental music, a nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â Concert Key (Piano): F major. Â Trumpet Key: G major. Â Horn Key: C major. 10 pages of music (that includes separate parts for Bb trumpet and French horn. Â Trumpet/Horn Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.75 €
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Robert Lowry, Ignaz Jan Paderewski
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He Arose
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John A. Dempsey
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SheetMusicPlus
He Arose (Trio for Flute, Horn in F and Piano)
Instrumental Duet,Piano Flute,Horn,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Flute,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523276 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #3417591. Published by John A. Dempsey (A0.523276). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this trio for flute, French horn and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, reflects moments of quiet beauty, prayerful reflection, sudden joy and ultimate jubilation. Â Paderewski composed the serene instrumental music, a nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â Concert Key (Piano): Bb major. Â Horn Key: F major. Â Flute Key: Bb major. Â 14 pages of music (that includes separate two-page parts for flute and horn). Â Flute/Horn Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.75 €
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Robert Lowry, Ignaz Jan Paderewski
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He Arose
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John A. Dempsey
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SheetMusicPlus
Clap Clap
Large Ensemble Body Percussion - Level 2 - Digital Download SKU: A0.961906 Composed…
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Large Ensemble Body Percussion - Level 2 - Digital Download SKU: A0.961906 Composed by Thomas Sweeper. Contemporary. Score and parts. 16 pages. Thomas Sweeper #567624. Published by Thomas Sweeper (A0.961906). Clap Clap is a body percussion piece for small or large ensembles. All of the parts use solely hand claps throughout, however dynamics and accents should be observed in the performance. This piece uses 6 parts, all of which can be doubled by as many players as necessary. Great for something a little different in any program, Clap Clap encourages independence and ensemble playing, and challenges players with sudden time signature and feel changes. Try adding some theatrical flair to enhance a performance! Note: The sample recording uses various percussion sounds to make each of the 6 parts clearly distinct. All parts should be hand claps in a performance.
$30.00
26.89 €
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Thomas Sweeper
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Clap Clap
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Thomas Sweeper
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.55 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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