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1
1809 - The Solent
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Leve…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turner’s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my composition’s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.
$3.99
3.58 €
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J Farrow
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1809 - The Solent
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Jamie Farrow
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SheetMusicPlus
The Day of Resurrection! (Ellacombe) (Downloadable)
Congregation, brass quintet, timpani, and organ - Moderately Easy - Digital Download SK…
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Congregation, brass quintet, timpani, and organ - Moderately Easy - Digital Download SKU: MQ.20-407-E Composed by Robert Lehman. Easter. Full score. 29 pages. MorningStar Music Publishers - Digital Sheet Music #20-407-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-407-E). Three stanzas of text are set to the hymn tune ELLACOMBE. An introduction quotes snippets of the tune, followed by stanza one for unison congregation with the brass echoing imitatively. The texture changes in stanza two as the French horn takes the foreground in the accompaniment, with the organ supporting the congregation. The final stanza has the trumpets leaping in baroque-like fanfares at first, then the imitative echoes return. Dignified but joyful, this majestic setting will add to your Easter service.Included Instrumental Parts: Trumpet I and II in C and B-flat, Horn in F, Trombone I and II, Timpani. Organist plays from full score.
$35.00
31.38 €
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Robert Lehman
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The Day of Resurrection!
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.4 €
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Erik Satie
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.47 €
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Erik Satie
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Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.4 €
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Erik Satie
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
#
SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
17.88 €
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Erik Satie
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
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RayThompsonMusic
#
SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
17.88 €
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Erik Satie
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Satie: Parade III.Acrobates
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RayThompsonMusic
#
SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
17.92 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Lake Of Dreams
3 Ssax. 3 Asax. 3 Tsax. 3 Bsax. - Intermediate-Advanced - Digital Download SKU: F2.FM63…
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3 Ssax. 3 Asax. 3 Tsax. 3 Bsax. - Intermediate-Advanced - Digital Download SKU: F2.FM634 Composed by Jachin Pousson. For 12-part Saxophone Choir. Score and parts. 129 pages. Forton Music - Digital #FM634. Published by Forton Music - Digital (F2.FM634). ISBN 9790570485338.For the opening bar, the performers are to begin the individual parts offstage, walking to their designated posi ons while playing the percussive of textural effects. Players may reach their posi ons freely in their own me but it is necessary to reach their places no later than bar 12. The func ons of the layers of material in this piece are o en changing roles slowly, allowing something that was a background texture to develop into something featured in the foreground, and vice versa. The transi ons between these roles are o en ambiguous, therefore keen a en on to dynamic balance is necessary to avoid the overall sound from becoming too clu ered or opaque. Balance voices mostly for transparency but allow material with notated accents, staccato marks or tenutos to stand out against the rest. Regarding rhythm, the exact tempo changes during accelerando or ritardando are not as important as a general feeling of surge and release. It is suggested that the 7/8 signature be conducted as one pulse for each bar, except where it is crucial to play rhythms precisely, for example at places of orchestrated crescendo in 8th notes (e.g. bar 136). This is in the interest of the feeling of me flowing subjec vely, in streams and ripples as in a dream.
$27.95
25.06 €
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Jachin Pousson
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Lake Of Dreams
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Forton Music - Digital
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SheetMusicPlus
Irish Washerwoman
Small Ensemble Alto Recorder,Descant Recorder - Digital Download SKU: A0.483124 Com…
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Small Ensemble Alto Recorder,Descant Recorder - Digital Download SKU: A0.483124 Composed by Irish Traditional. Arranged by Robert McCormack. Celtic,Children,Instructional,Irish,Multicultural,Standards,World. Score and parts. 1 pages. Published by Robert McCormak (A0.483124). PLAYABLE ELEMENTARY RECORDER ENSEMBLE Arrangement is designed for elementary soprano and alto recorders in two parts and is suitable for elementary ensembles with guitar chords included. Some melodic simplification has been used for playability. The parts interact with each other such that students rely on each other to create the music. This is a very usable option with room for extended activities like dancers doing the Irish Jig in the foreground or drummers (a bodhrán perhaps?) keeping the beat. Perfect for the classroom and stage performance. A fun and easy way for students to experience ensemble playing and performing. An additional playability change is found in Part B, where the melody is juxtaposed between both parts, thereby avoiding higher-level interval jumps. A second copy of the arrangement is offered with the alto part transposed for teachers who prefer to teach alto recorder using soprano fingering.
$1.99
1.78 €
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Irish Traditional
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Irish Washerwoman
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Robert McCormak
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SheetMusicPlus
Amazing Grace - for adaptable wind trio (SAB)
Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,…
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Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1143721 Composed by John Newton. Arranged by John McAllister. Folk,Multicultural,Religious,Spiritual,Traditional,World. 21 pages. John McAllister #744044. Published by John McAllister (A0.1143721). This is an arrangement of the famous folk tune Amazing Grace. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00
4.48 €
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John Newton
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Amazing Grace - for adaptable wind trio
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John McAllister
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SheetMusicPlus
Can Can - for adaptable wind trio (SAB)
Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Barito…
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Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1143719 Composed by Jaques Offenbach. Arranged by John McAllister. 19th Century,Classical,Historic,Instructional,Opera. 39 pages. John McAllister #744042. Published by John McAllister (A0.1143719). This is an arrangement of the famous Can Can by Offenbach. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00
4.48 €
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Jaques Offenbach
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Can Can - for adaptable wind trio
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John McAllister
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SheetMusicPlus
Carousel - Score Only
Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Published by Robert A. Howard (A0.1407270). Carousel is flexibly scored in up to seven instrumental parts. The piece attempts to evoke the motion and momentum of a fairground merry-go-round. This work is texturally cumulative as each of the 7 parts is added in turn, in crescendo, until the whole ensemble is playing and repeating, in a series of contrasting, but related musical figures. The simplicity of the piece's concept belies the increasing complexity of the music. Note: this document is the score (includes transpositions). The set is also available by searching via the COMA Music Library. No audio track is provided due to the flexibility and variability of the work.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.68 €
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Robert A
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Carousel - Score Only
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Robert A. Howard
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SheetMusicPlus
Divertimento in D K136
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216331 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Adrian Gurung. Classical,Romantic Period. 17 pages. Adrian Gurung #812939. Published by Adrian Gurung (A0.1216331). This movement from Mozart's from Divertimento in D K136 is a beautiful piece that captures the essence of the early Romantic Period. The ebb and flow, and the distribution of lines going in and out of the foreground give the piece forward movement which makes it gentle yet captivating. The arranger has tried to stay true to the composer's intentions while still making adjustments here and there to create the best presentation for the ensemble. Â
$5.99
5.37 €
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Wolfgang Amadeus Mozart
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Divertimento in D K136
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Adrian Gurung
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SheetMusicPlus
Perfect
Small Ensemble - Level 4 - Digital Download SKU: A0.1026945 By Fairground Attractio…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1026945 By Fairground Attraction. By Mark Nevin. Arranged by Daryl McKenzie. Pop. Score and parts. 18 pages. Daryl McKenzie #632428. Published by Daryl McKenzie (A0.1026945). Arranged in the style of for Vocal (no voice part included) with Small Band (Tenor Sax, Trumpet, Trombone, Piano, Guitar 1 Electric, Guitar 2 Acoustic, Bass, Drums) Key of Eb More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$29.99
26.88 €
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Fairground Attraction
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Perfect
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Daryl McKenzie
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SheetMusicPlus
Z Dance (Piano Trio)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.734634 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.734634 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 57 pages. Joseph Hasper #22159. Published by Joseph Hasper (A0.734634). Z Dance is a multi-textured movement for piano trio set in a lively, post modern contrapuntal style. Rhythmic impulse is the focus of this piece, and the violin, cello and piano each take turns in the foreground, middle ground and background. Composed in 2010, the piece was conceived as ballet music to go with ABC Dance and Hope Dance. The duration is approximately 6'15.
$12.99
11.65 €
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Joseph Hasper
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Z Dance
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Joseph Hasper
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SheetMusicPlus
String Sextet No. 1
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.131…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1317600 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 130 pages. John Michael Pekowski #906270. Published by John Michael Pekowski (A0.1317600). String Sextet No. 1 (2019-2023) is based upon the Symphonic Suite Sketches (2019-2020), which were charted in painstaking detail in preparation for subsequent orchestration. Quasi-symmetry and numerical coherence are attempted within the background, middle ground, and foreground creating a moiré pattern within the temporal and pitch-interval axes. At the discretion of the performers, movements and measures may be reordered, skipped, or repeated. Tremolo may be considered shorthand for rhythmic indeterminism, and double stops may be considered divisi, in the case of string orchestra.
$61.00
54.68 €
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John Michael Pekowski
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String Sextet No. 1
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John Michael Pekowski
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SheetMusicPlus
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