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You've selected:
Rob Ames
String Orchestra
Sheetmusic to print
15 sheet music found
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1
Apollo 13: Main Theme (James Horner) - String Orchestra
String Orchestra
By James Horner. Arranged by Rob Bushnell. Score, Set of Parts. 17 pages. Published by…
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By James Horner. Arranged by Rob Bushnell. Score, Set of Parts. 17 pages. Published by RBMusic
$29.99
26.88 €
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String Orchestra
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James Horner
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Apollo 13: Main Theme
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RBMusic
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SheetMusicPlus
Evermore (from Beauty And The Beast) (arr. James Kazik) - Conductor Score (Full Score)
String Orchestra
String Orchestra - Level 3-4 - Digital Download SKU: HX.398699 By Josh Groban. Arra…
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String Orchestra - Level 3-4 - Digital Download SKU: HX.398699 By Josh Groban. Arranged by James Kazik. This edition: scorch. Disney,Film/TV,Musical/Show. 10 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.398699).
$5.00
4.48 €
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String Orchestra
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Josh Groban
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Evermore
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Hal Leonard - Digital
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
44.77 €
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String Orchestra
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Old Rosin the Beau
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.786006 Composed by Traditiona…
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String Orchestra - Level 2 - Digital Download SKU: A0.786006 Composed by Traditional. Arranged by Andrew R. Guarrine. Folk. Score and parts. 9 pages. GuarrineMusic #6088399. Published by GuarrineMusic (A0.786006). This folksong from the 19th century is also known as Acres of Claims, Lincoln and Liberty (and several other names) is probably of British or Irish origin was first published in 1838 as a waltz. This arrangement is in 4/4 with independence in all parts, the violins need to know low 2’s (1st will play up to high G), ‘cello uses C and C#, the bass plays C# on the G string. Slurs in all parts except the bass and uses 1st/2nd endings. Fun piece to perform. Key of G Grade 2
$12.95
11.61 €
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String Orchestra
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Traditional
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Old Rosin the Beau
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GuarrineMusic
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SheetMusicPlus
Beethoven: Eleven Bagatelles Op. 119 for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1232069 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1232069 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and Parts. 71 pages. Jmsgu3 #827745. Published by jmsgu3 (A0.1232069). Full score and performance parts for String Orchestra.Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle.No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$99.95
89.58 €
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String Orchestra
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Ludwig van Beethoven
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Beethoven: Eleven Bagatelles Op. 119 for String Orchestra
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jmsgu3
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SheetMusicPlus
Beethoven: Eleven Bagatelles Op. 119 String Orchestra - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1232022 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1232022 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 38 pages. Jmsgu3 #827696. Published by jmsgu3 (A0.1232022). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$49.95
44.77 €
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String Orchestra
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Ludwig van Beethoven
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Beethoven: Eleven Bagatelles Op. 119 String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Vere Languores for String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1042748 Composed by Tomas Lui…
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String Orchestra - Level 3 - Digital Download SKU: A0.1042748 Composed by Tomas Luis de Victoria. Arranged by Robert Luke Thompson. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and Parts. 12 pages. Monkspath Music #647532. Published by Monkspath Music (A0.1042748). Vere Languores is a text often used in sacred motets, drawing from Isaiah 53:4, and Crux Fidelis. Tomás Luis de Victoria, an accomplished singer, organist, and Catholic priest, is an important Spanish composer of the 16th-century Counter-Reformation, alongside other heavyweight names such as the Italian composer, Giovanni Pierluigi da Palestrina. Victoria’s first book of motets (Motecta I), published in 1572, features Vere languores as the eleventh work. This arrangement has been transposed to a more strings friendly key, and where appropriate, breath marks have been suggested to align with the original text. A worthwhile addition for any concert, programme, or service, especially those in a sacred venue with impressive acoustics, such as a church or cathedral. For further pieces, view the Monkspath Music catalogue and click here!
$24.99
22.4 €
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String Orchestra
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Tomas Luis de Victoria
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Vere Languores for String Orchestra
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Monkspath Music
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SheetMusicPlus
Master Of Puppets
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.1387410 By Metallica. By Clif…
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String Orchestra - Level 5 - Digital Download SKU: A0.1387410 By Metallica. By Cliff Burton, James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Robert Dixon. Rock. 63 pages. Robert Dixon #971258. Published by Robert Dixon (A0.1387410). Very Advanced Arrangement that stays very true to the original recording for String Orchestra and Drumset.
$50.00
44.81 €
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String Orchestra
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Metallica
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Master Of Puppets
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Robert Dixon
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
8.95 €
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String Orchestra
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Stairway to Heaven: 3rd Violin (Viola [TC])
String Orchestra
String Orchestra - Digital Download SKU: AX.00-PC-0002568_VN3 3rd Violin (Viola …
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String Orchestra - Digital Download SKU: AX.00-PC-0002568_VN3 3rd Violin (Viola [TC]). By Led Zeppelin. By Jimmy Page and Robert Plant. Arranged by James Uhl. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002568_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002568_VN3). ISBN 9780757936227. UPC: 654979073048.This classic rock ballad is familiar to all -- children, parents, and grandparents alike. Following a traditional introduction, the melody is stated initially in the first violins then shared with the remainder of the ensemble. There is lots of rhythm in this nostalgic classic hit. (2:53).
$5.99
5.37 €
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String Orchestra
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Led Zeppelin
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Stairway to Heaven: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
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