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You've selected:
But It\\\\
High voice
Sheetmusic to print
25 sheet music found
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1
Does It Matter?
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike …
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
3.58 €
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High voice
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Mike Lyons
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Does It Matter?
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Lyons Music Services
#
SheetMusicPlus
Baby, It's Cold Outside
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exultet Music #3618727. Published by Exultet Music (A0.622269). One of the most performed songs during the Christmas season has been freshly arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Song starts as usual where the Tenor is asking the Soprano to stay, but in this version, in the second verse, the Soprano turns the tables on the Tenor. Accessible and appropriate for any school or concert program. .
$4.99
4.47 €
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High voice
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Ray Charles & Betty Carter
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Baby, It's Cold Outside
#
Exultet Music
#
SheetMusicPlus
You Call It Madness (But I Call It Love) (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470751 Jazz,Standards. Real Book - Melody/C…
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(High Voice) - Digital Download SKU: HX.470751 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470751).
$1.99
1.78 €
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High voice
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You Call It Madness
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Hal Leonard - Digital
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SheetMusicPlus
Danny Boy (Funeral Version) (High Vocal Solo)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frede…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish,Multicultural,Praise & Worship,Sacred,World. 5 pages. Exultet Music #5718379. Published by Exultet Music (A0.626415). This version not only is the ballad that is most closely associated with Irish communities, but it combines the famous Ave Maria by Franz Schubert. Â The piece starts as the normal duet but when the phrase begins you'll kneel and say an Ave there for me is where the Ave Maria begins as duet and then the original tune comes back in at a later point. Â Scored for a High Vocal Solo with Piano accompaniment. Â Accessible for all levels of singing and playing and can used for a variety of venues. An accompaniment track is also available.
$4.99
4.47 €
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High voice
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Frederic Weatherly, Franz Schubert
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Danny Boy
#
Exultet Music
#
SheetMusicPlus
Farewell! Old Cottage (High voice)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821425 Composed by Steph…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821425 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6357769. Published by Maggs (A0.821425). This is a lesser known song written by American composer Stephen Foster, but it’s well worth singing. This arrangement, in the key of Bb, is appropriate for a high singer, with a range of just over an octave (F to G). It is also available on SMP for medium low voice (Key of F - range C to D) and medium high voice (Key of G - range D to E).
$2.99
2.68 €
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High voice
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Stephen Foster
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Farewell! Old Cottage
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Maggs
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SheetMusicPlus
Bright Star
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004577 Composed by Nico…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004577 Composed by Nicola Jane Buttigieg. Contemporary. 5 pages. Nicola Jane Buttigieg #3626355. Published by Nicola Jane Buttigieg (A0.1004577). 'Bright Star' is a setting of the poem with the same name by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the second piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
1.78 €
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High voice
#
Nicola Jane Buttigieg
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Bright Star
#
Nicola Jane Buttigieg
#
SheetMusicPlus
Lady in the Meads
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nico…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #3626385. Published by Nicola Jane Buttigieg (A0.1004580). 'Lady in the Meads' is a setting from the poem 'La Belle Dame sans Merci' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fifth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
1.78 €
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High voice
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Nicola Jane Buttigieg
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Lady in the Meads
#
Nicola Jane Buttigieg
#
SheetMusicPlus
They Glide, Like Phantoms
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004579 Composed by Nico…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #3626381. Published by Nicola Jane Buttigieg (A0.1004579). 'They Glide, Like Phantoms' is a setting from the poem 'The Eve of St Agnes' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fourth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
1.78 €
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High voice
#
Nicola Jane Buttigieg
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They Glide, Like Phantoms
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Nicola Jane Buttigieg
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SheetMusicPlus
Listen to the Lambs (high-voice solo)
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Tradi…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,Sacred,Spiritual. 3 pages. David Neff #6475227. Published by David Neff (A0.829054). Here is a fresh arrangement for solo voice and piano of Listen to the Lambs, one of the most hauntingly beautiful spirituals in the African-American heritage. The song is best known in a choral arrangement by Nathaniel Dett, but it cries out for solo treatment as well. This is a high-voice arrangement. Medium-voice and high-voice arrangements will also be available.
$4.99
4.47 €
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High voice
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Traditional African-American Spiritual
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Listen to the Lambs
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David Neff
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SheetMusicPlus
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
3.54 €
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High voice
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James Nathaniel Holland
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Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.94 €
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High voice
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.14 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.26 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Silent Night (arr. D. Howell - Tenor/Soprano - C)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
1.78 €
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High voice
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Music by Franz Gruber, Words by Joseph Mohr
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Silent Night
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Creative Measures
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SheetMusicPlus
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602791. Published by Really Good Music, LLC. (A0.868828). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (Eb4 – G5) for high voice.
$5.95
5.33 €
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High voice
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Giovanni BONONCINI
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BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Life On Mars
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. B…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #4351211. Published by Austin Ralphson (A0.563641). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies.I have kept much of the piano accompaniment the same as David Bowie composed. The soloist should really go for it on the octave leaps into the choruses. An essential addition to any programme, this pack provides piano and vocal parts in C, D and (the original) E major keys to cater for different vocal ranges. It is a great crowd-pleaser!
$9.99
8.95 €
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High voice
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David Bowie
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Life On Mars
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Austin Ralphson
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SheetMusicPlus
There Was a Time - High voice
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Steph…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
2.68 €
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High voice
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Stephen Foster
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There Was a Time - High voice
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Maggs
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SheetMusicPlus
LITANY TO THE HOLY SPIRIT
High voice
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.917614 Composed by Will …
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High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.917614 Composed by Will Taylor. Praise & Worship,Sacred,Standards. 3 pages. Will Taylor's Music #5337105. Published by Will Taylor's Music (A0.917614). This is a new setting of verses from Robert Herrick's poem of the same name. The song is written for solo voice, but with the addition of a lower part, it can also be performed as a duet or by upper voice choir.
$3.50
3.14 €
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High voice
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Will Taylor
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LITANY TO THE HOLY SPIRIT
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Will Taylor's Music
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SheetMusicPlus
Venite, Inginocchiatevi by W. A Mozart Soprano & Piano
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.527078 Composed by W. A Mozart. Ar…
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High Voice,Vocal Solo - Digital Download SKU: A0.527078 Composed by W. A Mozart. Arranged by Roxana Belibou. Classical,Opera. 8 pages. Roxana E Belibou #4887805. Published by Roxana E Belibou (A0.527078). IN THE VIDEO IT IS JUST THE PIANO PART, BUT THE SCORE HAS BOTH PARTS-VOICE & PIANO.
$6.99
6.26 €
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High voice
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W
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PIANO.
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Venite, Inginocchiatevi by W. A Mozart Soprano & Piano
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Roxana E Belibou
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SheetMusicPlus
Love Is Little (high voice)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by Davi…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
4.47 €
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High voice
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
Periwinkle
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alic…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
15.19 €
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High voice
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
Song Of The Angel
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
4.47 €
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High voice
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
The Lord bless you and keep you (solo/high)
High voice
Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
3.58 €
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High voice
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John Rutter (1945-)
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The Lord bless you and keep you
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Oxford University Press Digital
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SheetMusicPlus
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