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Sheetmusic to print
11 sheet music found
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1
Little David, Play On Your Harp (arr. Richard Walters) (High Voice)
High voice
Piano Accompaniment,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477593 Arr…
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Piano Accompaniment,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477593 Arranged by Harry T. Burleigh and Richard Walters. This edition: scorch. Children,Sacred. Score. 4 pages. Hal Leonard - Digital #482550. Published by Hal Leonard - Digital (HX.1477593).
$4.99
4.47 €
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High voice
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Little David, Play On Your Harp
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Hal Leonard - Digital
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SheetMusicPlus
For Terry--Four Songs
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #6265255. Published by Maria Thompson Corley (A0.845948). These four songs were commissioned by Louise Toppin. The texts are by and about the composer's late brother, Terry (1963-88). The first, For Terry, has whole tone harmonies. Poem has a gospel/funk feel with a short moment of reggae. L'orangerie is distinctly French in its inspiration. The poignant final song, The Visitor, quotes Mendelssohn's Introduction and Rondo Capriccioso, which was the only piano piece Terry would play on request. He always stopped after the easy part. The text is based on a dream the composer had a few months after her brother's death.
$18.99
17.02 €
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High voice
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Maria Thompson Corley
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For Terry--Four Songs
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Maria Thompson Corley
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.26 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
David of the White Rock
High voice
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. …
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High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
4.47 €
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High voice
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David of the White Rock
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Schott Music - Digital
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SheetMusicPlus
Just Like That September 2011
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj …
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
8.95 €
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High voice
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Benj Pasek and Justin Paul
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
God So Loved the World (Solo voice version)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Rober…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
2.68 €
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High voice
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contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
Over The Rainbow
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773869 By Judy Garland. …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773869 By Judy Garland. By Harold Arlen and Pleasant Ann Gehman. Arranged by Anthony Giamanco. Contemporary. 6 pages. Whole Tone Press #5994675. Published by Whole Tone Press (A0.773869). This beautiful ballad from the beloved film The Wizard of Oz is arranged in an elegant jazz style for high voice solo with piano accompaniment (in the key of E-flat). The piano part is well-suited to the advanced intermediate player, and includes jazz voicings and chord symbols. A great piece for concert and recitals!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.
$4.99
4.47 €
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High voice
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Judy Garland
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Over The Rainbow
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Whole Tone Press
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.94 €
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High voice
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
Miscellaneous: Little David, Play On Your Harp (arr. Richard Walters) (High Voice) - voice & piano (High Voice)
High voice
Instantly printable sheet music by Miscellaneous for voice & piano (High Voice) of MED…
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Instantly printable sheet music by Miscellaneous for voice & piano (High Voice) of MEDIUM skill level. / children,sacred
$6.97
6.25 €
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High voice
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Miscellaneous
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Virtualsheetmusic
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