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Sing We And Chant It
avanced
Choral SATB
Sheetmusic to print
2 sheet music found
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1
Sing We and Chant It
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Pat Holmberg
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Sing We and Chant It
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Patricia Tanttila Holmberg
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.852527 Composed by Pat Holmberg. Jazz. Octavo. 5 pages. Patricia Tanttila Holmberg #19491. Publi...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.852527 Composed by Pat Holmberg. Jazz. Octavo. 5 pages. Patricia Tanttila Holmberg #19491. Published by Patricia Tanttila Holmberg (A0.852527). 2017 Choral Contest Entry This piece - with flute accompaniment only - is new music with a jazzy feel and text from an old 16th century madrigal. As the piece progresses, the fa-la-las are mixed in with some jazz scatting syllables. Sort of a fun, novelty piece. BMI www.patholmberg.com
$2.25
Gaudeamus
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Choral SATB
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INTERMEDIATE/ADVANCED
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
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