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A Title Without Words
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Euphonium, Piano (duet)
Sheetmusic to print
2 sheet music found
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1
Romance No. 2 in F, Op. 50 for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Ludwig van Beethoven
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Cherry, Gordon
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Romance No. 2 in F, Op. 50 for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon C...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
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