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2 sheet music found
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1
Pantomime [Harpsichord] (possible to play by piano also)
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Harpsichord
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ADVANCED
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Classical
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Masakazu YAMAMOTO
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Pantomime [Harpsichord]
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Motch Music
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SheetMusicPlus
Harpsichord - Level 5 - Digital Download SKU: A0.912080 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 8 ...
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Harpsichord - Level 5 - Digital Download SKU: A0.912080 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 8 pages. Motch Music #518011. Published by Motch Music (A0.912080). Original work by Masakazu Yamamoto.Work for harpsichord. It expresses the comical move of the clown. In the rubato part, the player must improvise with the specified chords. In addition, rapid arpeggio and the transition of the harmony by the finger pedal is also a point. Still, the player is free to use the stop. This work can be also played as a piano work. Duration : 6 minutes around. This work was commissioned by the executive committee of the 2016 International Competition for Early Music (Yamanashi) as a set contemporary piece in the final round of harpsichord section. Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)â??Music For Children (Sheet Music Plus / Sheet Music Direct) â??Arrangement (Sheet Music Plus / Sheet Music Direct)â??Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$14.50
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Harpsichord
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Classical
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Du...
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
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