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And I\\\'m Here
Alto Saxophone and Piano
Sheetmusic to print
9 sheet music found
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1
LORD, I'M COMING HOME (for Alto Sax and Piano with Score/Part)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617577 Composed by Willia…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617577 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789257. Published by The Lanier Company (A0.617577). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
6.24 €
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Alto Saxophone and Piano
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William J
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
When There Are Nine (Alto Saxophone and Piano)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.969872 Composed by Amy Du…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.969872 Composed by Amy Dunker. Concert,Contemporary. Score and part. 9 pages. Amy Dunker #6083303. Published by Amy Dunker (A0.969872). When There Are Nine is a fanfare of hope for the kind of equality that Justice Ruth Bader Ginsberg worked so diligently towards. When I'm sometimes asked when will there be enough [women on the Supreme Court] and I say, 'When there are nine,' people are shocked. But there'd been nine men, and nobody's ever raised a question about that. ― Ruth Bader GinsburgDuration: 3:15.
$8.00
7.15 €
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Alto Saxophone and Piano
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Amy Dunker
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3:15.
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When There Are Nine
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Amy Dunker
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SheetMusicPlus
Bach: Sheep May Safely Graze for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
29.43 €
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Alto Saxophone and Piano
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Johann Sebastian Bach
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.43 €
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Alto Saxophone and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.43 €
#
Alto Saxophone and Piano
#
J
#
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.43 €
#
Alto Saxophone and Piano
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Bach-Gounod
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Alto Saxophone and Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.1 €
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Alto Saxophone and Piano
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J
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Fuse
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernand…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
16.03 €
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Alto Saxophone and Piano
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Ave Maria (Bach/Gounod)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charl…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.
$6.95
6.21 €
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Alto Saxophone and Piano
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Charles Francois Gounod
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Ave Maria
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SAXpress.com
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SheetMusicPlus
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