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You've selected:
When It's Love
Alto Saxophone and Piano
Sheetmusic to print
9 sheet music found
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1
Salut d'Amour (Love's Greeting) for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528468 Composed by Edward…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528468 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6028895. Published by Diego Marani (A0.528468). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Eb Alto Sax reflects faithfully the original for violin and can be also used as music for weddings events.
$6.99
6.26 €
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Alto Saxophone and Piano
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Edward Elgar
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Salut d'Amour
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Diego Marani
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Ha…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.12 €
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Alto Saxophone and Piano
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G F Handel
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.27 €
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Alto Saxophone and Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Feast of Love - Alto Sax/Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844547 Composed by Robert…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844547 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517817. Published by Phil Beaman (A0.844547). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.47 €
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Alto Saxophone and Piano
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Robert Franz
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Feast of Love - Alto Sax/Piano
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Phil Beaman
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SheetMusicPlus
Paint It, Black
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1163884 By The Rolling St…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1163884 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by R. Salvario. Blues,Film/TV,Folk,Pop,Rock. Score and part. 10 pages. Brambilla-Morris Press #764239. Published by Brambilla-Morris Press (A0.1163884). Paint It Black Alto Sax Sheet MusicThis is an arrangement for the song Paint It Black and you will love how it sounds! No matter if you are a Rolling Stones or a Netflix's Wednesday fan! You will get the score and the individual part when you download the PDF.
$4.99
4.47 €
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Alto Saxophone and Piano
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The Rolling Stones
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Paint It, Black
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Brambilla-Morris Press
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.12 €
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Alto Saxophone and Piano
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G F Handel
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Being Alive
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1367024 Composed by Steph…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1367024 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951366. Published by Rodrigo Ramos (A0.1367024). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for Alto Sax and piano.
$5.99
5.37 €
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Alto Saxophone and Piano
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Stephen Sondheim
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Being Alive
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Rodrigo Ramos
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SheetMusicPlus
Eagles' Victory Song
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1170153 By Dirk Quinn Ban…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1170153 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Cadenza Editions. Patriotic. Score and part. 3 pages. Cadenza Editions #770522. Published by Cadenza Editions (A0.1170153). Fly Eagles Fly is a classic fight song that has been a staple of Philadelphia Eagles fans for decades. This sheet music allows musicians to play the iconic tune in their own style. The sheet music features the full score and chord progression, making it suitable for both beginner and advanced players.The history of Fly Eagles Fly dates back to the 1960s, when it was first introduced as the official fight song of the Philadelphia Eagles. The song quickly gained popularity among fans and has since become one of the most recognizable anthems in all of professional sports. Whether it's being played in the stands, at a tailgate, or in your own living room, Fly Eagles Fly is the perfect way to show your support for the Eagles and get in the spirit of game day.So why not bring a bit of Eagles spirit to your own music practice with this sheet music? Whether you're an avid Eagles fan or simply love the classic sound of this timeless tune, this sheet music is sure to bring a smile to your face and get your fingers moving. Get ready to play Fly Eagles Fly and show your support for the Philadelphia Eagles!
$4.99
4.47 €
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Alto Saxophone and Piano
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Dirk Quinn Band
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Eagles' Victory Song
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Cadenza Editions
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SheetMusicPlus
The Wedding Album, for Solo Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.95 €
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Alto Saxophone and Piano
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Various
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The Wedding Album, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
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