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12 Pieces
Tenor Saxophone and Piano
Sheetmusic to print
6 sheet music found
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70 Easy Classical Pieces For Tenor Saxophone & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.637855 Composed by Vario…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.637855 Composed by Various. Arranged by Eugene Egorov. Baroque,Classical,Romantic Period. Score and part. 101 pages. Eugene Egorov #4853675. Published by Eugene Egorov (A0.637855). 1. Pomp and Circumstance Edward Elgar 2. Andante (Surprise Symphony) Franz Joseph Haydn 3. Arioso Daniel Gottlob Turk 4. Lullaby Johannes Brahms 5. Melody Robert Schumann 6. Sarabande George Frideric Handel 7. Silent Night Franz Xaver Gruber 8. A Little Piece Robert Schumann 9. Carnival Of Venice Julius Benedict 10. La Donna E Mobile Giuseppe Verdi 11. Largo (The New World) Antonin Dvorak 12. Old French Song Peter Ilyich Tchaikovsky 13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky 14. We Wish You A Merry Christmas English Folk Song 15. Air Henry Purcell 16. Ode To Joy Ludwig Van Beethoven 17. Italian Polka Sergei Rachmaninoff 18. Minuet (In F Major) Wolfgang Amadeus Mozart 19. Solveig`s Song Edvard Grieg 20. Sonatina (In C Major) Muzio Clementi 21. Waltz Dmitri Kabalevsky 22. Alouette French Folk Song 23. Gaudeamus Igitur Johannes Brahms 24. Green Sleeves English Folk Song 25. Hongroise Adolphe-Charles Adam 26. Minuet (In F Major) Franz Joseph Haydn 27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart 28. Soldier's March Robert Schumann 29. Arietta Muzio Clementi 30. Emperor Waltz Johann Strauss Jr. 31. Grand March (Aida) Giuseppe Verdi 32. Happy Birthday To You Patty & Mildred J. Hill 33. Minuet (In D Minor) Johann Sebastian Bach 34. Santa Lucia Italian Folk Song 35. The Emperor's Hymn Franz Joseph Haydn 36. La Paloma Sebastian Yradier 37. Dance Of The Hours Amilcare Ponchielli 38. Fur Elise Ludwig Van Beethoven 39. Humoresque Antonin Dvorak 40. Minuet (In G Major) Johann Sebastian Bach 41. Toreador Song Georges Bizet 42. Turkish March Wolfgang Amadeus Mozart 43. Ave Maria Franz Schubert 44. Barcarolle Jacques Offenbach 45. In The Hall Of The Mountain King Edvard Grieg 46. Melody In F Anton Rubinstein 47. None But The Lonely Heart Peter Ilyich Tchaikovsky 48. Polovtsian Dance Alexander Borodin 49. Spanish Romance 50. Liebestraum (Dream Of Love) Franz Liszt 51. Arioso George Frideric Handel 52. O Mio Babbino Caro Giacomo Puccini 53. O Sole Mio Eduardo Di Capua 54. To A Wild Rose &.
$29.95
26.76 €
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Tenor Saxophone and Piano
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Various
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70 Easy Classical Pieces For Tenor Saxophone & Piano
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Eugene Egorov
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SheetMusicPlus
My Saxophone and Me (B flat version)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.32 €
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Tenor Saxophone and Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Debussy: Two Arabesques for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551662 Composed by Claud…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551662 Composed by Claude Debussy. Arranged by James Guthrie, ASCAP. 20th Century,Concert,Instructional,Standards. Score and part. 44 pages. Jmsgu3 #5330355. Published by jmsgu3 (A0.551662). Claude Debussy: Two Arabesques (L.66) Early Impressionistic pieces composed between 1888 and 1891.No. 1. Duration: ca. 3:30 Score: 12 pagesNo. 2. Duration: ca. 3:45 Score: 12 pages
$34.95
31.22 €
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Tenor Saxophone and Piano
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Claude Debussy
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Debussy: Two Arabesques for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Whimsy
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1374104 Composed by Lawr…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1374104 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958679. Published by Lawrence H Underwood (A0.1374104). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99
6.24 €
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Tenor Saxophone and Piano
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Lawrence H Underwood
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Whimsy
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Lawrence H Underwood
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SheetMusicPlus
A Night In Tunisia
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.03 €
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Tenor Saxophone and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
29.44 €
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Tenor Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
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