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Clarinet Ensemble
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1
Hanukkah Suite (for clarinet choir)
Clarinet Ensemble
Composed by Traditional. Arranged by Ralph Raymond Hays. Jewish, Christmas, Hanukkah…
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Composed by Traditional. Arranged by Ralph Raymond Hays. Jewish, Christmas, Hanukkah, Recital. Score, Set of Parts. 73 pages. Published by Ralph Raymond Hays
This lively and moving suite of tradition Hanukkah melodies will charm and delight audiences of all faiths. Masterfully arranged, each movement will challenge the ensemble and present stylistic variations ranging from Klezmer to Bach and Palestrina inspired counterpoint. The four movements are as follows: I. Yemei Ha'Chanukah (Hanukkah Oh Hanukkah), II. Moaz Tzur (Rock of Ages), III. Ner Li (I Have a Candle), and IV. S'vivon Sov Sov Sov (Dreidel, Spin Spin Spin) / Dreidel Song. This work is certain to be a highlight of any Winter Holiday concert.
$22.50
20.16 €
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Clarinet Ensemble
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Traditional
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Hanukkah Suite
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SheetMusicPlus
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
44.77 €
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Clarinet Ensemble
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J
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
42.97 €
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Clarinet Ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.97 €
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Clarinet Ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
L'chaim
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782448 Composed by …
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782448 Composed by Jerry Bock. Arranged by James Haynor. Contemporary. 21 pages. James Haynor #6598263. Published by James Haynor (A0.782448). L’ chaim ( To Life ) is a song from the 1964 musical Fiddler on the Roof. The Jewish people of Anatevka joyously sing a hopeful song in the face of an uncertain future. It also serves as a toast to celebrate a wedding agreement between Tevye and Lazar. Scored here for clarinet quintet, L’ chaim ( To Life ) makes a great encore or addition to a pops style concert or recital. ( Duration 2:23 )
$12.99
11.64 €
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Clarinet Ensemble
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Jerry Bock
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L'chaim
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James Haynor
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SheetMusicPlus
In the Hall of the Mountain King - Bb Clarinet Quartet
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1045422 Composed by…
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1045422 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 11 pages. Mark R Lewis #649987. Published by Mark R Lewis (A0.1045422). In the Hall of the Mountain King was originally written by Edvard Grieg as incidental music (basically background music) for a scene in Henrik Ibsen's play Peer Gynt. The truly distinctive sound has ensured that the piece has continued to be played and arranged for all sorts of groups in the almost century-and-a-half since the play was first performed. This particular arrangement by Mark R Lewis is for a Bb clarinet quartet. The melody jumps between all four parts and players will need to be able to play most of the range of the instrument regardless of which part they are playing. That said, most intermediate players should be able to play this piece given they have the range and it will be a challenge for less experienced players. This arrangement also available for Mixed Clarinet Quartet Range: A minor Clarinet 1 - 3+ octaves (B3 to D6) Clarinet 2 - 2 1/2 octaves (F#3 to B5) Clarinet 3 -
$11.99
10.75 €
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Clarinet Ensemble
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Edvard Grieg
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In the Hall of the Mountain King - Bb Clarinet Quartet
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Mark R Lewis
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SheetMusicPlus
Jupiter Chorale - Bb Clarinet Trio
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1046783 Composed by…
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1046783 Composed by Gustav Holst. Arranged by Mark R Lewis. 20th Century,Classical,Standards. 5 pages. Mark R Lewis #651292. Published by Mark R Lewis (A0.1046783). In the 1910s, Gustav Holst composed the seven movement orchestral suite The Planets. The whole work is very well known but the chorale from the Jupiter movement is often considered to be one of the most well written pieces of music in the Western Classical canon. The chorale has been arranged for clarinet trio by Mark R Lewis. The arrangement is not difficult at all with most of the difficulty coming from the range that needs to be played and/or playing with musicality beyond the notes and rhythms. That said, just about any high school student and most advanced middle school students will be able to play any part. Range: F major Clarinet 1 - 2+ octaves (A3 to C6) Clarinet 2 - 1+ octaves (C4 to E5) Clarinet 3 - 1 octave (F3 to F4).
$11.99
10.75 €
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Clarinet Ensemble
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Gustav Holst
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Jupiter Chorale - Bb Clarinet Trio
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Mark R Lewis
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SheetMusicPlus
The Dreidel Song - Clarinet Trio - Intermediate
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.734540 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.734540 Composed by Samuel E. Goldfarb (1891-1978). Arranged by Dennis Ruello. Children,Folk,Hanukkah,Jewish,Multicultural,World. 10 pages. Chicory Music #6296011. Published by Chicory Music (A0.734540). The Dreidel Song (Traditional Hanukkah Tune)The song I Have a Little Dreidel describes the creation of the four-sided spinning top that is used to play the traditional game of dreidel during the Festival of Lights. With its catchy, cheerful and spirited tune and simple to remember lyrics, the song quickly became a holiday classic. This arrangement for Clarinet Trio is written at the Intermediate Level.Performance Time Approx. 2 minutes 5 seconds.
$9.99
8.95 €
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Clarinet Ensemble
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Samuel E
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The Dreidel Song - Clarinet Trio - Intermediate
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Chicory Music
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SheetMusicPlus
O Chanukah! [Hanukkah] for Clarinets
Clarinet Ensemble
Woodwind Ensemble Clarinet - Digital Download SKU: A0.496341 Composed by Tradition …
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.496341 Composed by Tradition Hebrew melody. Arranged by Robert C. Olivia and Robert R. Olivia. Hanukkah,Holiday,Jewish,Praise & Worship,Traditional. 13 pages. Published by Robert C. Olivia (A0.496341). This is a well written arrangement with excellent voice leading for any level ensemble and constructed for a minimum of K 6-12. You will receive conductor score and parts all-inclusive in one pdf download. Midi audio sample is available to listen to. Instrumentation: Clarinets1, Cls 2, Cls 3, Alto Cl in Eb, Bass Cl in Bb About the arranger: Robert R. Olivia Robert R. Olivia was an elementary band director from 1959 to 1975 in the Plainfield Public Schools [NJ]. He wrote many arrangements for his bands and jazz bands. Teaching young people to learn to play an instrument and music education was a passion of his life. My website: www.robertolivia.com My contact: robertolivia655@comcast.net or via www.robertolivia.com.
$20.00
17.92 €
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Clarinet Ensemble
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Tradition Hebrew melody
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O Chanukah! [Hanukkah] for Clarinets
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Robert C. Olivia
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SheetMusicPlus
O Little Town of Bethlehem (Clarinet Quartet)
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1110867 Composed by…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1110867 Composed by Lewis H. Redner and Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #713162. Published by John A. Dempsey (A0.1110867). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, O Little Town of Bethlehem is arranged here as a Bb clarinet quartet. Â The incidental music, composed by Edward MacDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 16 pages of music (that includes the score and separate two-page parts for clarinet 1, clarinet 2, clarinet 3 and clarinet 4). Â Concert Key: Eb major. Clarinet Key: F major
$11.99
10.75 €
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Clarinet Ensemble
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Lewis H
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
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