Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
37
Sheet Music
Books
2
Music
Equipment
2,919
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
4642
PIANO & KEYBOARDS
Piano solo
5633
Piano, Voice
2386
Easy Piano
990
Piano, Vocal and Guitar
649
1 Piano, 4 hands
428
C Instruments
211
Organ
172
Piano Accompaniment
107
2 Pianos, 4 hands
82
Piano Trio: piano, violin, cello
64
Piano (band part)
39
Big Note Piano
29
Piano Quartet: piano, violin, viola, cello
18
Accordion
17
Organ, Piano (duet)
9
Piano Quintet: piano, 2 violins, viola, cello
7
Harpsichord
5
Piano Quartet: piano, 2 violins, cello
4
Accordion ensemble
2
2 Pianos, 8 hands
2
Melody line, Piano
1
Piano ensembles
1
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
300
Guitar
290
Bass guitar
95
Melody line, (Lyrics) and Chords
67
2 Guitars (duet)
45
Guitar (band part)
43
Ukulele
43
4 Guitars (Quartet)
35
Mandolin
28
Lyrics and Chords
23
Piano, Guitar (duet)
14
Dulcimer
11
Banjo
9
Mandolin, Guitar (duet)
7
Guitar Ensemble
6
2 Dulcimers (duet)
4
3 Guitars (trio)
3
Guitar, Orchestra
1
Guitar, Violin, Cello (trio)
1
Mandolin, Piano (duet)
1
2 Ukuleles
1
Electric Bass (band part)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1752
Choral 2-part
333
Choral 3-part
324
Choral TTBB
287
Choral SSAA
203
Choral Unison
176
Vocal duet, Piano
167
Voice solo
144
Soprano voice, Piano
37
Tenor voice, Piano
31
Vocal duet
30
Alto voice, Piano
27
Baritone voice, Piano
23
High voice
15
Medium voice, Piano
6
Low voice, Piano
5
Choral
4
Tenor voice
4
Voix Masculines
2
Soprano voice
2
Medium Voice
1
Mezzo-Soprano voice, Piano
1
Soli, Mixted choir and accompaniment
1
Choral SSAATTBB
1
Voice, Guitar
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
1395
Clarinet Quartet: 4 clarinets
776
2 Saxophones (duet)
614
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
370
Flute and Piano
353
Flute
312
Flute, Oboe, Clarinet, Bassoon
296
2 Flutes (duet)
294
Clarinet and Piano
294
2 Clarinets (duet)
279
Saxophone
251
Flute Quartet: 4 flutes
242
Clarinet
233
Alto Saxophone and Piano
231
Oboe, Piano (duet)
226
Saxophone, Clarinet (duet)
217
Saxophone Quintet: 5 Saxophones
199
Saxophone ensemble
187
Saxophone (band part)
178
Tenor Saxophone and Piano
163
Clarinet, Violin (duet)
148
Flute, Clarinet (duet)
142
Clarinet Ensemble
139
Soprano Saxophone and Piano
132
2 Oboes (duet)
130
Clarinet, Trumpet (duet)
127
Baritone Saxophone, Piano
104
Oboe, Clarinet (duet)
101
Oboe, Bassoon (duet)
93
Alto Saxophone
83
Clarinet and Viola
80
Flute, Violin
78
Tenor Saxophone
77
Oboe (band part)
74
Flute, Saxophone (duet)
71
Oboe, Flute
71
Oboe
70
Flute, Viola (duet)
66
Flute ensemble
62
Flute, Trumpet (duet)
60
Clarinet Quintet: 5 clarinets
58
Bass Clarinet, Piano
55
2 Recorders (duet)
53
English horn, Piano
51
Flute Trio: 3 flutes
47
3 Clarinets (trio)
44
3 Saxophones (trio)
42
Recorder
34
Clarinet, Bassoon (duet)
28
Clarinet (band part)
26
Flute, Clarinet and Bassoon.
24
Flute, Oboe (duet)
22
Flute and Guitar
22
Flute Quintet : 5 flutes
19
Recorder Quartet
18
2 Clarinets, Piano
18
Clarinet, Cello (duet)
17
Clarinet, Guitar (duet)
17
Oboe, Clarinet, Bassoon (trio)
16
Descant (Soprano) Recorder
16
Flute, Violoncello
16
Flute (band part)
15
Flute, Cello, Piano (trio)
14
Flute, Oboe, Clarinet (trio)
12
English Horn
12
Piccolo, Piano
12
Soprano Saxophone
11
Oboe, Cello
11
Flute, Violin, Piano
11
Flute, Clarinet, Piano (trio)
10
2 English horns and Pianoforte
8
Flute, Oboe, Bassoon
8
Flute, Violin and Violoncello
7
Oboe and viola (duet)
7
Oboe, Violin (duet)
6
Flute, Bassoon, and Piano
6
Clarinet, Cello, Piano (trio)
6
3 Recorders (trio)
6
Baritone Saxophone
5
Clarinette, Viola and Piano (trio)
5
2 Flutes, Piano
5
Descent (Soprano) Recorder, Piano
5
Clarinet, Bassoon, Piano (trio)
4
Treble (Alto) Recorder, Piano
4
Ocarina
4
Flute, Trombone (duet)
4
2 Saxophones, Piano
4
Clarinet, Trombone (duet)
4
Flute, Oboe, Piano (trio)
4
5 Recorders
4
Oboe, Cello and Piano
4
Tenor Recorder
4
English Horn, Guitar (duet)
4
Treble (Alto) Recorder
4
Flute, Viola and Piano
4
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Saxophone and Guitar
3
Clarinet, Tuba
3
Oboe, Clarinet and Piano (Trio)
3
Recorder Ensemble
3
Recorder, Piano
3
Pennywhistle
3
Oboe, Violin, Piano
3
Flute, harp and violin
3
Flute, Violin, Violoncello and Piano
2
Oboe, Bassoon and Piano
2
Harmonica
2
Clarinet, Double bass (duet)
2
4 Oboes
2
Flute, Organ (duet)
2
Clarinet, Harp (duet)
2
Oboe, Guitar (duet)
2
Oboe, Trumpet (duet)
1
Clarinet, Orchestra
1
Eb Instruments
1
Piccolo
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Trombone (duet)
1
Flute, Tuba (duet)
1
Bagpipe
1
Oboe ensemble
1
2 Clarinets, Bassoon
1
Flute, Clarinet, Violin (trio)
1
Flute, Viola and harp
1
Flute, trombone and piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
367
Brass quartet : 2 trumpets, trombone, tuba
230
Trombone and Piano
221
Trumpet, Piano
192
Trumpet
169
Trombone (band part)
154
Trumpet, Saxophone (duet)
153
French Horn and Piano
142
2 Trumpets (duet)
140
Trombone
136
2 Trombones (duet)
135
Trumpet (band part)
130
Tuba and Piano
119
Trumpet, Trombone (duet)
119
Brass Quartet: 4 trombones
82
Brass Quartet: 2 trumpets, horn, trombone
67
Euphonium, Piano (duet)
62
French horn
59
Brass Quartet: 4 horns
56
2 French horns (duet)
55
English horn, Piano
51
Trombone ensemble
36
Brass Quartet
35
Trumpet ensemble
35
2 Tubas (duet)
33
Brass Quartet: 4 trumpets
29
2 Euphoniums and 2 Tubas
21
French horn (band part)
19
4 Tubas
19
Trumpet, Horn (duert)
19
Tuba
18
Tuba (band part)
16
Brass Trio
13
English Horn
12
Horn Ensemble
11
3 Trombones (trio)
10
2 English horns and Pianoforte
8
Bass Trombone and Piano
5
Trumpet, Tuba (duet)
5
Euphonium
5
Trombone, Horn (duet)
5
English Horn, Guitar (duet)
4
Trumpet, Cello (duet)
4
Tuba and Organ
4
2 Euphoniums (duet)
3
Horn, Cello (duet)
3
Trumpet, Trombone, Piano
3
Bass Trombone
3
Trumpet, Cello, Piano
2
French horn and Basson (duet)
2
Trumpet, Bassoon (duet)
2
Euphonium, Tuba (duet)
2
Horn, Tuba (duet)
2
Trombone, Violin (duet)
1
Trombone, Tuba (duet)
1
Clarinet, Horn (duet)
1
3 French horns (trio)
1
Trumpet, violin (duet)
1
Trumpet, Harp
1
Tuba ensemble
1
Cornet and Piano
1
Bb Instruments
1
French Horn and Harp
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1100
Violin
534
Violin, Cello (duet)
491
Violin and Piano
423
String Trio: violin, viola, cello
322
Cello, Piano
298
Viola, Piano
275
Cello
257
2 Violins (duet)
201
Viola
191
2 Cellos (duet)
162
Violin, Viola (duet)
161
2 Violas (duet)
148
Harp
117
Double bass, Piano (duet)
89
String Quintet: 2 violins, viola, cello, bass
68
4 Cellos
67
String Trio: 2 violins, cello
56
Double Bass
48
Viola, Cello (duet)
41
Doublebass (band part)
41
String Quartet : 4 violas
34
2 Double basses (duet)
34
Viola (band part)
31
Violin (band part)
29
String quartet: 4 violins
26
String Trio: 3 cellos
21
Violin, Guitar (duet)
20
Violin, Bassoon (duet)
20
String Trio: 3 violins
15
2 Harps (duet)
14
String Trio: 2 violins, viola
13
Cello, Guitar (duet)
12
Piano Trio: Violin, Viola, Piano
11
Violin ensemble
11
String Quintet: 2 violins, 2 violas, cello
11
Viola ensemble
10
Cello, String Bass (duet)
8
Cello (band part)
6
Viola, Guitar (duet)
6
Harp, Flute (duet)
5
Viola and Bassoon
5
Cello, Orchestra
5
Violin, Clarinet, Piano (trio)
5
4 Double Basses
4
Cello, Organ
4
String Quintet: 2 violins, viola, 2 cellos
3
Violin, Organ
3
String Trio: 3 violas
3
4 Harps
3
Viola, Organ
3
Harp, Violin (duet)
2
Harp, Voice
2
Flute, Doublebass (duet)
2
Violin, Tuba (duet)
2
Cello Ensemble
2
Harp, Violin, Violoncello
2
2 Cellos, Piano
2
String trio
1
Violoncello, Basso continuo
1
2 Violins, Piano
1
Harp, Trombone (duet)
1
Viola and Harp
1
Harp and mandolin
1
Harp, Cello (duet)
1
Violin, Cello, Clarinet
1
2 Violas, Piano
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
1327
String Orchestra
449
Orchestra
423
Jazz Ensemble
359
Brass ensemble
308
Handbells
251
Drums
127
Chamber Orchestra
127
Jazz combo
77
Marching band
67
Percussion Ensemble
50
Drum (band part)
37
Marimba
18
Xylophone, Piano
16
Percussion (band part)
15
Vibraphone
9
Xylophone
5
School Ensemble
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
Snare drums
2
Vibraphone and Marimba
2
Piano and Orchestra
2
Brass Quintet: other combinaisons
1
Timpani
1
Orchestra, Violin
1
2 Marimbas
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
8
Music Theory
1
You've selected:
TIME 4
Soprano voice, Piano
Sheetmusic to print
37 sheet music found
<
1
26
Here is the Time
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962582 Composed by G.…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962582 Composed by G.F. Skipworth. Concert. 4 pages. George Skipworth #6672785. Published by George Skipworth (A0.962582). On a text by William Moore, for soprano or mezzo and piano - moderate difficulty.
$3.50
3.14 €
#
Soprano voice, Piano
#
G
#
Here is the Time
#
George Skipworth
#
SheetMusicPlus
The Birds
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.58 €
#
Soprano voice, Piano
#
Sally Whitwell
#
The Birds
#
Sally Whitwell
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.5 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.81 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
#
Judith Cloud
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
#
Soprano voice, Piano
#
Maurice Ravel
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
#
Soprano voice, Piano
#
Ruggiero Leoncavallo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Schwips-lied (The Tipsy Polka)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Jo…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
11.64 €
#
Soprano voice, Piano
#
Johann Strauss Jr
#
Schwips-lied
#
Scott S. Stewart
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
#
Judith Cloud
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
#
Judith Cloud
#
SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P.…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.26 €
#
Soprano voice, Piano
#
P
#
The Light of the World is Jesus/This Little Light of Mine--vocal solo
#
Beka Wilson
#
SheetMusicPlus
Civility
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.26 €
#
Soprano voice, Piano
#
Melanie B
#
Civility
#
Melanie B Guerin
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.02 €
#
Soprano voice, Piano
#
Richard Wagner
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
The Wexford Carol for sopran and piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Ir…
(+)
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Irish Traditional. Arranged by Ivana Tuskan. Christmas,Sacred. 8 pages. Ivana Tuskan #3885655. Published by Ivana Tuskan (A0.793872). This is an arrangement of beautiful modal Irish Carol from County Wexford for sopran solo and piano. It contains 4 verses (1st and 2nd F major key, 3rd G major key and 4th A major key). Vocal range: from C4 to G5. The sound sample is an electronic preview. The pdf file contains score, 8 pages Performance Time approx. 3:50 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$6.00
5.38 €
#
Soprano voice, Piano
#
Irish Traditional
#
The Wexford Carol for sopran and piano
#
Ivana Tuskan
#
SheetMusicPlus
When a Mezzo (x2)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Ga…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
5.37 €
#
Soprano voice, Piano
#
Gary D
#
 
#
When a Mezzo
#
DR GARY D BELSHAW
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
#
Judith Cloud
#
SheetMusicPlus
Night-Leaves, a Song for Soprano and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939815 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published by Richard St. Clair (A0.939815). This 2-minute neo-impressionistic song is a sentimental setting of a short poem by William C. Mullen. It was composed in the winter of 1969.
$12.95
11.61 €
#
Soprano voice, Piano
#
Richard St
#
Night-Leaves, a Song for Soprano and Piano
#
Richard St. Clair
#
SheetMusicPlus
You Are Here
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by P…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Guneyman L'Hommedieu Music #6039565. Published by Guneyman L'Hommedieu Music (A0.1005731). Fans of the Great American Songbook will want to make room for You Are Here--one of four original love songs by Paige B. L'Hommedieu, arranged for piano and voice by celebrated pianist Meral Guneyman. This beautiful waltz captures all of the melodic beauty of a couple in love on a dance floor. The song strikes at the essence of what it means to be in the warm, sparkling, timeless space of a dance at an occasion that glistens with extra magic. .
$4.99
4.47 €
#
Soprano voice, Piano
#
Paige B
#
You Are Here
#
Guneyman L'Hommedieu Music
#
SheetMusicPlus
Under the Greenwood Tree
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1030878 Composed by F…
(+)
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1030878 Composed by Franco Bertucci. Arranged by Lexia Christante. Folk,Musical/Show,Renaissance. 4 pages. Franco Bertucci #3876739. Published by Franco Bertucci (A0.1030878). Simple, singable and catchy arrangement of Shakespeare's song from As You Like It. Performed many times by young actors in an actual production of the play. Piano, vocal and chords included.
$4.99
4.47 €
#
Soprano voice, Piano
#
Franco Bertucci
#
Under the Greenwood Tree
#
Franco Bertucci
#
SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by An…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
5.33 €
#
Soprano voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868942 Composed by An…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033539. Published by Really Good Music, LLC. (A0.868942). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
5.33 €
#
Soprano voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
#
Really Good Music, LLC.
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version