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You've selected:
Still with Me
Choral TTBB
Sheetmusic to print
11 sheet music found
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1
Come Dance With Me
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853890 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853890 Composed by James Van Heusen. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wright #4735709. Published by Larry Wright (A0.853890). A MEN'S 4-part, a cappella, barbershop arrangement of this popular uptempo swing song recorded by Frank Sinatra and many others; CONTESTABLE. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP (or other publisher) who controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.45 €
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Choral TTBB
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James Van Heusen
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CONTESTABLE
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Come Dance With Me
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Larry Wright
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SheetMusicPlus
The Same Love That Made Me Laugh
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940466 By Bill Withers. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940466 By Bill Withers. By Bill Withers. Arranged by Bob Eggers. Soul. Octavo. 9 pages. ROBERT J EGGERS #6663099. Published by ROBERT J EGGERS (A0.940466). Funkappella! This 1974 song, which was a hit for Bill Withers, captures the early funk sound with it's driving bass and artful syncopation. The setting is tenor solo, TTBB background with a 2 voice tenor sub-chorus imitating guitar with a wah-wah pedal. This delightful melody and dramatic chorus will entrance your audiences with the funk sound of the 1970's, while still being accessible to the intermediate chorus.Please click on the YouTube link for a complete preview.Duration 2:34
$1.99
1.78 €
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Choral TTBB
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Bill Withers
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The Same Love That Made Me Laugh
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ROBERT J EGGERS
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SheetMusicPlus
It's Still Rock And Roll To Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856249 By Billy Joel. By B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856249 By Billy Joel. By Billy Joel. Arranged by Liz Garnett. Pop,Rock. Octavo. 8 pages. Liz Garnett #6073673. Published by Liz Garnett (A0.856249). Billy Joel's classic declaration of musical love that transcends fashion seems particularly well suited to barbershop ensembles. The lyrics sparkle through an infectious groove, making this a feel-good song that will lift the spirits of any audience.The arrangement follows the original in starting out with a sparse texture that builds up into fuller harmonies through the course of the song. It also takes the implicit dialogue within the lyrics, that Joel articulates with a change of vocal colour, and makes it more explicit by giving question and answer to different voice parts.Vocal ranges:Tenor: E flat 3 - A4Lead: E flat 3 - G4Bari: E flat 3 - F4Bass: G flat 2 - B flat 3www.HelpingYouHarmonise.com
$2.99
2.68 €
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Choral TTBB
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Billy Joel
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It's Still Rock And Roll To Me
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Liz Garnett
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.11 €
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Choral TTBB
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
The Night Is Still Young
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940459 By Billy Joel. By B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940459 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 11 pages. ROBERT J EGGERS #5306567. Published by ROBERT J EGGERS (A0.940459). A Billy Joel hit song from 1985, the lyrics tell the story of a man whose priorities are shifting away from his musical career and towards marriage and family - and works as a love song from a career driven man who realizes what is really important in his life. The arrangement begins with the tenor soloist considering his life, doubling with a bass soloist and creating a haunting sound that draws in your audience. Then, as the soloist arrives at his realization, the tenor line soars as he realizes he still has time to get it right - a very inspirational and an affirmative message.Orchestration: Tenor solo + Bass duet + TTBBb + Hand claps. Level of difficulty: moderate. Duration: 2:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$1.99
1.78 €
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Choral TTBB
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Billy Joel
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The Night Is Still Young
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ROBERT J EGGERS
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Imagine
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.931680 By John Lennon And …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.931680 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Max Addae. A Cappella,Rock. Octavo. 12 pages. Max Addae #3553453. Published by Max Addae (A0.931680). TTBB contemporary a cappella arrangement of Imagine by John Lennon, with solo (and a few divisis in Tenor 2 and Baritone) - 7 voices needed at minimum. The uptempo, rhythmic arrangement contains a variety of syncopated lines within all voice parts, (especially the Tenor 2 and Baritone lines!) yet it is still repetitive enough to learn relatively quickly. A really fun and interesting arrangement for collegiate or advanced high school groups! Full Audio Sample can be found on my website: http://cs.oberlin.edu/~maddae/compositions.htmlEmail me at maddae@oberlin.edu with any questions/concerns!
$2.25
2.02 €
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Choral TTBB
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John Lennon And The Plastic Ono Band
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Imagine
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Max Addae
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SheetMusicPlus
Make You Feel My Love
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By B…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
1.78 €
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Choral TTBB
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Bob Dylan
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.730416 Composed by …
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
3.81 €
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Choral TTBB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Suit & Tie
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlak…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
58.27 €
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Choral TTBB
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Justin Timberlake
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Scooby Doo, Where Are You?
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Ral…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
11.65 €
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Choral TTBB
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Ben Raleigh and David Monk
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
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