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Still The One - Bass
Percussion Ensemble
Sheetmusic to print
8 sheet music found
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1
One Hour to Madness
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.47 €
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Percussion Ensemble
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Fanfare for the Uncommon Student
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
3.58 €
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Percussion Ensemble
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Student
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David Berlin
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
31.36 €
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Percussion Ensemble
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The Eurythmics
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Gravity for Septet
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.23 €
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Percussion Ensemble
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
New Resources
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.1099614 Composed by Andrew Ardizzoia…
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Percussion Ensemble - Digital Download SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Heartland Marimba (A0.1099614). New Resources is an exploration of the compositional techniques commonly found in African drumming. A simple four-bar pattern is subjected to a number of processes and permutations, creating increasingly complex polyrhythms and a sense of large-scale acceleration. These passages, which are played on wood instruments, are interrupted by shorter sections that involve skin and metal timbres. Composed in 1999, New Resources is one of the few pieces from my undergraduate that still sees the light of day. In 2004, my collaborative partner Lisa Rie used the music to accompany a dance piece entitled Delta Eco, which celebrates the rich flora and fauna of California’s San Joaquin River Delta. New Resources has had performances throughout California and Arizona, and in 2005 it was played by William Moersch and the University of Illinois Percussion Ensemble. ~A.A.
$33.00
29.58 €
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Percussion Ensemble
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Andrew Ardizzoia
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New Resources
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Heartland Marimba
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SheetMusicPlus
Pompeii
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029527 By Bastille. By Da…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029527 By Bastille. By Dan Smith. Arranged by Patrick Dutton. Rock. Score and parts. 31 pages. Patrick Dutton #5741047. Published by Patrick Dutton (A0.1029527). The hit song by Bastille now arranged for percussion ensemble! Perfect for a front ensemble lot tune, a fun concert piece, or a jamming warm-up. Includes full score and all individual parts. Arranged for: Xylophone & Glockenspiel, 2 Vibraphones (2-mallet), 2 Marimbas (4-mallet), Drum Set, and PianoDifficulty: Advanced IntermediateKey: A major
$39.99
35.84 €
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Percussion Ensemble
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Bastille
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Pompeii
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Patrick Dutton
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SheetMusicPlus
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