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You've selected:
Right Hand Man
Guitar
Sheetmusic to print
43 sheet music found
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1
26
Giuliani Reharmonized (Right-Hand Exercises for Guitar)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenn…
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Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenneth Pasciak. Arranged by Kenneth Pasciak. Instructional. Educational Exercises. 29 pages. Kenneth Pasciak #4293691. Published by Kenneth Pasciak (A0.820284). Giuliani Reharmonized - Twenty Studies: Harmonic Variations of Selected Exercises by Mauro Giuliani for Classical GuitarFirst published in 1812, Mauro Giuliani's Op. 1, Studio per la Chitarra, remains an indispensable resource for classical guitarists. Part I, Degli arpeggi esercizio per la mano destra (also known as 120 Exercises for the Right Hand), in particular, is arguably the direction toward which many performers, teachers and students turn when seeking to refine their right-hand technique.This collection of twenty studies builds upon selected exercises by Giuliani and adapts them to 13 major and 13 minor keys organized by ascending or descending fifths, as well as to various harmonic contexts that feature diatonic and chromatic sequences within particular keys.Kenneth Pasciak Music Publishingkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$7.99
7.16 €
#
Guitar
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Mauro Giuliani, Kenneth Pasciak
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Giuliani Reharmonized
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Kenneth Pasciak
#
SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.47 €
#
Guitar
#
Johann Sebastian Bach
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Jesus, Joy of Man's Desiring
#
Richard Hirsch
#
SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.47 €
#
Guitar
#
Johann Sebastian Bach
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Bach to Africa
#
Richard Hirsch
#
SheetMusicPlus
Anthology of 19th Century Studies
Guitar
(For Five Fingers of the Right Hand). Composed by Leonhard Beck. Edited by Charles Postlew…
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(For Five Fingers of the Right Hand). Composed by Leonhard Beck. Edited by Charles Postlewate. For Guitar (Classical). Classic. Multiple Levels. E-book. 56 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781619110601. This is an anthology of beautiful easy-to-moderate level pieces by 19th century masters of the guitar: Dionisio Aguado, Antonio Cano, Federico Cano, Matteo Carcassi, Fernando Sor, and Francisco Terrega, adapted for a modern right-hand technique that includes the little finger. German Professor of Guitar Leonhard Beck has compiled this collection with the assistance of Charles Postlewate, pioneer of the use of the right hand little finger. It shows the advantage of using the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics for speed, accuracy, strength and balance. These studies make good repertoire pieces for the beginning guitarist or for the advanced guitarist who wishes to add the little finger to an already-developed right-hand technique. They are graded in three levels of Easy (7 studies), Easy-Intermediate (9 studies) and Intermediate (11 studies) for the progressive development of the right hand. An ideal companion to MB98710 - Right Hand Studies for Five Fingers: Using Chords, Arpeggios, Tremolos and Harmonics by Charles Postlewate. Standard notation only.
$17.99
16.12 €
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Guitar
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Leonhard Beck
#
Anthology of 19th Century Studies
#
Mel Bay Publications, Inc - Digital Sheet Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.27 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Basic Pieces for Guitar Volume 1
Guitar
Guitar - Beginning - Digital Download SKU: M0.95721MEB Composed by Juan Antonio Mur…
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Guitar - Beginning - Digital Download SKU: M0.95721MEB Composed by Juan Antonio Muro. Children and Young Beginner. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95721MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95721MEB). ISBN 9781619115439. 8.75x11.75 inches.This is the first in a two-volume collection of easy, short tunes and exercises for the young classical guitarist. Each chapter treats a separate basic mechanism of the right hand. The first section begins with simple touch exercises on one string, which contain small musical ideas with teacher accompaniment. Later pieces are designed to be played as solos with optional teacher accompaniment. These pieces are a great introduction to note-reading for the young player. Text written in English, Spanish, French and German. Includes access to online audio.Este es el primero de una colección de dos volúmenes de melodÃas y ejercicios fáciles y cortos para el joven guitarrista clásico. Cada capÃtulo trata un mecanismo básico separado de la mano derecha. La primera sección comienza con ejercicios táctiles simples en una cuerda, que contienen pequeñas ideas musicales con el acompañamiento del maestro. Las piezas posteriores están diseñadas para ser jugadas como solos con el acompañamiento opcional del maestro. Estas piezas son una gran introducción a la lectura de notas para el jugador joven. Texto escrito en inglés, español, francés y alemán.Squeeze Box Fairy Tales.
$19.99
17.92 €
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Guitar
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Juan Antonio Muro
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Basic Pieces for Guitar Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Wiegenlied (Lullaby)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1186028 By Johannes Brahms. By Joh…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1186028 By Johannes Brahms. By Johannes Brahms. Arranged by Erik Gibelyou. 19th Century,Children,Classical,Romantic Period,Wedding. Individual part. 2 pages. Erik Gibelyou #785652. Published by Erik Gibelyou (A0.1186028). Brahms’ Lullaby is one of the most well-known pieces of classical music. This tranquil cradle song perfectly captures the peace and innocence of a parent singing their child to sleep. This arrangement for solo guitar preserves those qualities: the famous melody is presented clearly with an accompaniment that maintains the texture and character of the original. Intermediate difficulty with some right-hand harmonics.   Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music. Learn more at www.erikgibelyou.com.
$3.99
3.58 €
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Guitar
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Johannes Brahms
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Wiegenlied
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Erik Gibelyou
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SheetMusicPlus
Big Drum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.47 €
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Guitar
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Asturiana - Siete canciones populares españolas
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De …
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Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De Falla, Manuel. Arranged by Nick Mordal. 20th Century,Classical,Folk,Latin,Romantic Period. Individual part. 2 pages. Nick Mordal #6294907. Published by Nick Mordal (A0.946417). This arrangement condenses piano and voice onto classical guitar. It features a motoric accompaniment of octave repetition with the thread of a harmonic minor melody. Techniques used in the arrangement include barre, right hand string skipping, long stretches and overall precision to avoid guitar noise. It is sure to improve your skills on the instrument. This is a song from Manuel de Falla's 1922 collection called Siete Canciones Populares Españolas (7 popular Spanish songs). It is a haunting melody from ancient Spanish tradition.Â
$4.00
3.58 €
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Guitar
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De Falla, Manuel
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Asturiana - Siete canciones populares españolas
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Nick Mordal
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SheetMusicPlus
Bourrée in E MInor
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.47 €
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Guitar
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Johann Sebastian Bach
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Sad Dreams #1
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. M…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00
10.75 €
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Guitar
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Kojiro Yuan
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Sad Dreams #1
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Kojiro Y
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SheetMusicPlus
Auld Lang Syne
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1149216 By Traditional Scottish Me…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1149216 By Traditional Scottish Melody. By Traditional Scottish Melody. Arranged by Erik Gibelyou. Celtic,Christmas,Classical,Folk,Holiday,Irish. Individual part. 1 pages. Erik Gibelyou #749349. Published by Erik Gibelyou (A0.1149216). The Scottish popular song “Auld Lang Syne†has long been associated with bidding farewell to the old year on New Year’s Eve. This arrangement for solo guitar beautifully captures the nostalgic and sentimental qualities of the melody while providing an original and guitaristic accompaniment, complete with a few sparkling harmonics and evocative turns of harmony. Intermediate difficulty with some right-hand harmonics. Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music.
$3.99
3.58 €
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Guitar
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Traditional Scottish Melody
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Auld Lang Syne
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Erik Gibelyou
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SheetMusicPlus
Stille Nacht (Holy Night) - Gitarre
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. Arranged by Albrecht Kuch-Weidenbrück. Children,Christmas. Individual part. 1 pages. Albrecht Kuch-Weidenbrück #922998. Published by Albrecht Kuch-Weidenbrück (A0.1337194). One of the most popular christmas charol.Easy melody, but in combination with the Play Along, which you can purchase as well and maybe other players, you may have fun with it.The notes are available for Recorder, Flute, Oboe, Bassoon, Clarinet, French Horn, Euphonium, Accordion (only right hand), Piano (only right hand), guitar (standard notation), guitar (tabs), Violine, Cello, Glockenspiel, Xylophon and voice. German lyrics are included. Capo is needed (fret 5).
$1.99
1.78 €
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Guitar
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Joseph Mohr
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Stille Nacht
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Albrecht Kuch-Weidenbrück
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SheetMusicPlus
Solfeggietto in E minor
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp E…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #764975. Published by JaGlo Music (A0.1164642). Solfeggietto in C minor has been played by accomplished pianists worldwide and is considered one of C.P.E. Bach's most famous compositions. This study is challenging but beneficial for the left and right-hand techniques on the piano and the guitar. The key has been changed to E minor which allows the guitarist to use the full range of the guitar while maintaining the challenging aspects of this study. This is a great solo piece for advanced students.
$4.99
4.47 €
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Guitar
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Carl Philipp Emanuel Bach
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Solfeggietto in E minor
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JaGlo Music
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SheetMusicPlus
Desajo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1488726 Composed by Isaac Crouse. …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1488726 Composed by Isaac Crouse. 21st Century,Classical,Contemporary,Romantic Period. Individual part. 2 pages. Isaac Crouse #1065001. Published by Isaac Crouse (A0.1488726). A right hand etude that challenges the right hand thumb. In the style of classic spanish romantic classical guitar pieces.
$5.99
5.37 €
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Guitar
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Isaac Crouse
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Desajo
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Isaac Crouse
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SheetMusicPlus
Fledgling Blackbird
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1142470 By Dan Jones. By Dan Jones…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1142470 By Dan Jones. By Dan Jones www.danjonesguitarist.com. Classical,Country,Folk,Instructional. Individual part. 4 pages. DanJonesGuitarist #742837. Published by DanJonesGuitarist (A0.1142470). Fledgling Blackbird by Dan Jones www.danjonesguitarist.com As a guitarist and teacher with nearly 30 years of experience, one piece which many guitarists of all styles are keen to play is Paul McCartney's beautiful acoustic ballad, 'Blackbird'. The key to mastering this particular song is to learn the right hand (or left hand in McCartney's case!) picking pattern. It is based on a repeated thumb movement which alternates rapidly, on the beat, between two bass notes on different strings. Once this is mastered, the player can tackle the considerable fretting-hand challenges of the song. I wanted to compose a piece which could hold its own musically in a performance, but also give the learner the chance to master the country-inspired 'Blackbird' picking pattern, with fewer challenges for the fretting hand. I hope that 'Fledgling Blackbird' achieves these aims. For a wealth of compositions, arrangements, writings, teaching materials and much more, please visit www.danjonesguitarist.com Dan Jones, December 2022.
$3.50
3.14 €
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Guitar
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Dan Jones
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Fledgling Blackbird
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DanJonesGuitarist
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SheetMusicPlus
Yesterday
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1095456 By The Beatles. By John Le…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
6.26 €
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Guitar
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The Beatles
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Yesterday
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Richard Hirsch
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SheetMusicPlus
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
$2.99
2.68 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941922 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941922 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330443. Published by Cristiano Sousa (A0.941922). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).
$5.99
5.37 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
Las Morillas de Jaen - Canciones españolas antiguas
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de LucÃa and Ricardo Modrego to hear this music performed at its finest.Â
$4.00
3.58 €
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Guitar
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Federico Garcia Lorca
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Las Morillas de Jaen - Canciones españolas antiguas
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Nick Mordal
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SheetMusicPlus
Contredanse Opus 8 - Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3009123. Published by Arte Nova Music Lab (A0.742410). Dionisio Aguado y GarcÃa (8 April 1784 – 29 December 1849) was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel GarcÃa. In 1826, Aguado visited Paris, where he met and became friends with and for a while lived with Fernando Sor.[1] Sor's duo Les Deux Amis (The Two Friends) commemorated the friendship: one part is marked Sor and the other Aguado.Aguado's major work Escuela de Guitarra was a guitar tutor published in 1825.[1] As of 2011, it is still in print, with Tecla Editions releasing a reprint in 2005.[2] In the Escuela Aguado describes his use of fingernails on the right hand as well as his invention of a tripodison: a device that held the guitar and thus minimized the damping effect of the player's body on the guitar's back and sides.[3] Aguado's other works include Trois Rondos Brillants (Opus 2), Le Menuet Affandangado (Opus 15), Le Fandango Varie (Opus 16), as well as numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, The Classical Guitar). Taken from https://en.wikipedia.org/wiki/Dionisio_Aguado_y_Garc%C3%ADa
$5.00
4.48 €
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Guitar
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Dionisio Aguado
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Contredanse Opus 8 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
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