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29
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19
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
109
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98
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75
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68
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59
2 Flutes (duet)
58
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57
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55
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44
2 Clarinets (duet)
43
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43
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43
Flute Quartet: 4 flutes
42
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40
Tenor Saxophone and Piano
38
Flute and Guitar
33
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33
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29
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28
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26
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24
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23
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21
Flute
21
3 Saxophones (trio)
19
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18
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18
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16
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14
2 Oboes (duet)
13
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13
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12
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12
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11
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11
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10
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9
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7
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7
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6
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6
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5
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4
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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3
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3
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3
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3
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2
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2
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1
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Brass Quintet: 2 trumpets, horn, trombone, tuba
260
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155
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49
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26
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25
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24
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23
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22
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19
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15
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13
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12
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8
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7
Trombone
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6
2 Tubas (duet)
6
3 Tubas (trio)
6
3 Trumpets (trio)
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5
Tuba
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4
2 English horns and Pianoforte
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3 French horns (trio)
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French horn
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Trombone, Organ
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4 Tubas
2
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2
Clarinet, Horn (duet)
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2
Tuba (band part)
2
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Trombone, Piano
1
Bass Trombone
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Tuba and Organ
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1
English Horn
1
Horn, Tuba (duet)
1
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1
French Horn and Harp
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Bass Saxhorn or Euphonium or Tuba and Piano
1
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1
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STRINGS
String Quartet: 2 violins, viola, cello
620
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266
Violin, Cello (duet)
242
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157
Violin
127
Cello, Piano
83
Viola, Piano
55
2 Violins (duet)
53
String Quintet: 2 violins, viola, cello, bass
46
Viola, Cello (duet)
44
Violin, Viola (duet)
41
2 Cellos (duet)
31
String Trio: 2 violins, cello
24
Cello
24
Harp
18
String trio
17
String Trio: 3 cellos
16
2 Harps (duet)
13
4 Cellos
13
Piano Trio: Violin, Viola, Piano
12
Cello, String Bass (duet)
11
2 Violas (duet)
11
Violin, Guitar (duet)
9
Harp, Flute (duet)
9
Violin (band part)
8
Viola
8
String Trio: 3 violins
7
Cello, Guitar (duet)
7
Doublebass (band part)
6
String quartet: 4 violins
6
Harp, Violin (duet)
6
Viola (band part)
5
Double bass, Piano (duet)
5
2 Double basses (duet)
4
String Trio: 2 violins, viola
4
String Quintet: 2 violins, 2 violas, cello
4
2 Violins, Piano
3
String Quartet : 4 violas
3
Violin ensemble
3
String Trio: 3 violas
3
String Quintet: 2 violins, viola, 2 cellos
2
Double Bass
2
Viola, Guitar (duet)
2
5 Harps
2
2 Violas, Piano
2
3 Harps
2
Flute, Doublebass (duet)
1
Harp, Trombone (duet)
1
Harp and Piano
1
Cello (band part)
1
Viola ensemble
1
Harp, Cello (duet)
1
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PERCUSSION & ORCHESTRA
Concert band
519
String Orchestra
375
Orchestra
277
Brass ensemble
253
Chamber Orchestra
121
Jazz Ensemble
100
Percussion Ensemble
61
Jazz combo
38
Marching band
31
Handbells
20
Drums
5
Woodwind Quintet
5
Drum (band part)
4
Vibraphone
2
Piano and Orchestra
2
Big band
1
School Ensemble
1
Woodwind Quartet: any 4 woodwinds
1
Orchestra, Violin
1
Percussion
1
Xylophone, Piano
1
Marimba
1
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second parts
Guitar
Sheetmusic to print
19 sheet music found
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1
Second Act Tune 'The Fairy Queen'
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1332081 Composed by Henry Purcell. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1332081 Composed by Henry Purcell. Arranged by Daniel Field. Baroque,Chamber,Classical. 5 pages. Daniel Field #918858. Published by Daniel Field (A0.1332081). Second Act Tune, from Henry Purcell's 'The Fairy Queen'. Arranged for Guitar Ensemble in 3 parts.
$3.99
3.58 €
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Guitar
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Henry Purcell
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Second Act Tune 'The Fairy Queen'
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Daniel Field
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.47 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
March Of The Wooden Soldiers
Guitar
Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter …
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Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
1.78 €
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Guitar
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(Various artists)
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Big Drum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.47 €
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Guitar
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Mad World
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1321656 By Michael Andrews Feat. Gary J…
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Guitar - Level 2 - Digital Download SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Film/TV,Pop. 24 pages. DanJonesGuitarist #910133. Published by DanJonesGuitarist (A0.1321656). Mad WorldTears for Fears - as Performed by Gary JulesMad World is a song taken from the 1983 album of the British band Tears for Fears. It enjoyed a second round of success when it was covered by Gary Jules in 2001 and became and unexpected Christmas number one single in 2003 in the UK.The arrangement presented here is inspired by the beautiful, minimalist version performed by Gary Jules. It is suitable for early-intermediate players.This download contains:A score in notes and TABAll parts in notes and TABAll parts in notes onlyA score with notes only.For a huge range of original arrangements and compositions for guitar, please visit:www.danjonesguitarist.comA film of this arrangement will be visible here before the end of 2023.I hope you enjoy playing Mad World as much as I have.Dan Jones, France 2023.
$6.95
6.23 €
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Guitar
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Michael Andrews Feat
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Mad World
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DanJonesGuitarist
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SheetMusicPlus
Pet Sematary
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1319652 By The Ramones. By Daniel Rey, …
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Guitar - Level 2 - Digital Download SKU: A0.1319652 By The Ramones. By Daniel Rey, Douglas Colvin, Jeffrey Hyman, and John Cummings. Arranged by Lino Romano. 20th Century,Film/TV,Pop,Punk,Rock. 7 pages. Lino Romano #908204. Published by Lino Romano (A0.1319652). Pet Sematary music arranged for guitar trio, with different levels of difficulty, easy to intermediate. It's an easy song overall. The first guitar makes the melodies and the second guitar makes the main riff, with an echo of the melody in some parts, in addition to the transcription of the keyboard sound present in the original recording. Guitar three plays the 5th chords, characteristic of the style played by the Ramones, familiar in rock, punk, blues, among other styles. In this arrangement this three guitar also suggests moments of simple drum fill in some parts.This arrangement is suitable for camera artists and groups, both students and more experienced groups who like to include more popular songs in their repertoire.
$4.99
4.47 €
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Guitar
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The Ramones
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Pet Sematary
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Lino Romano
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SheetMusicPlus
Pet Sematary
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1319133 By The Ramones. By Daniel Rey, …
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Guitar - Level 2 - Digital Download SKU: A0.1319133 By The Ramones. By Daniel Rey, Douglas Colvin, Jeffrey Hyman, and John Cummings. Arranged by Lino Romano. 20th Century,Film/TV,Pop,Punk,Rock. 9 pages. Lino Romano #907743. Published by Lino Romano (A0.1319133). Pet Sematary song arranged for guitar quartet, with different levels of difficulty, easy to intermediate. It's a easy song in general. The first guitar take the melodies and the second guitar do the principal riff, with an echo of the melodie in some parts, in addition to the transcription of the keyboard sound present in the original recording. Guitars three and four form a 5th chord together, with suggestions of a simple drum fill in some parts. This arrangement is suitable for camera artists and groups, both students and more experienced groups who like to include more popular songs in their repertoire.
$4.99
4.47 €
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Guitar
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The Ramones
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Pet Sematary
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Lino Romano
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SheetMusicPlus
The Entertainer
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.943126 Composed by Scott Joplin. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.943126 Composed by Scott Joplin. Arranged by Tim Rushworth. Contemporary. Individual part. 12 pages. Tim Rushworth #5790411. Published by Tim Rushworth (A0.943126). This is an arrangement of Scott Joplin's famous rag; The Entertainer for two guitars. the first part is slightly easier than the second, but both players have lots of fun as the melody is swapped between them at every repeat of all sections. I have included all four sections, so this is a full version.I've been playing this with friends and also made a video recording of both parts which will shortly be uploaded to YouTube. (Link to follow soon.).
$4.99
4.47 €
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Guitar
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Scott Joplin
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The Entertainer
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Tim Rushworth
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SheetMusicPlus
BWV 997 - Fugue - Lute suite 2 (Bach) - 3 guitars
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1091989 By Johann Sebastian Bach. By Jo…
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Guitar - Level 3 - Digital Download SKU: A0.1091989 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Instructional,Traditional,Wedding. 17 pages. Soul - Musical Creations #696120. Published by Soul - Musical Creations (A0.1091989). This is an arrangement of the second movement of Bach's Fugue from Lute Suite No.2 BWV 997 for three guitars. Simply beautiful! This arrangement is a good exercise because the voices alternate between each other, which makes it challenging but also rewarding in the end. I recommend this piece for intermediate and advanced players and guitarists who are looking for new challenges in their playing. _____________________________________________________________ arrangement, violao vadio, sheet music, music, Score and Parts, pop, magic, song, guitar, Guitar, Arrangement, Baroque, composer, children, students, recital, staff, sheet, sheetmusic , PDF, Lute Suite, J. S. Bach, Johan, Johann, Sebastian, Bach, Trio, trio, 3 guitars, classical, 3 Guitars, classical guitar, nº2, n.2, n2, Fugue.
$4.99
4.47 €
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Guitar
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Johann Sebastian Bach
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BWV 997 - Fugue - Lute suite 2
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Soul - Musical Creations
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.27 €
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Guitar
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Richard Strauss
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.27 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.27 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Bach to Africa
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.47 €
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Guitar
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Johann Sebastian Bach
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.27 €
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Guitar
#
Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
In Motion - for Guitar Orchestra
Guitar
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Brit…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classical Publications #3141393. Published by Indie Classical Publications (A0.971811). IN MOTION was written in the Summer of 2017 as a result of a friend's suggestion. This is the first time I have attempted to compose for a guitar orchestra ensemble, which has only emerged in recent years. This somewhat syncopated work is meant to be both fun for the performers and the audience. The 5th Guitar 's sixth string must be tuned down to drop-D tuning. The rest of the guitars are in standard tuning. It is recommended to double each part with at least three guitarists if possible. The key signatures represent A Dorian and F Lydian. Level: grade 4 (intermediate). Duration: About 2 minutes, 5 seconds. Instrumentation: Five Nylon-String Guitars (15 players or more).
$25.00
22.41 €
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Guitar
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Britt Andrew Burns
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In Motion - for Guitar Orchestra
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Indie Classical Publications
#
SheetMusicPlus
Left-Handed Modern Guitar Method Grade 1
Guitar
Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and …
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Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30090MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113558.<br> <br> For decades, guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action, here at last is a proven method for the left-handed guitarist! The world's premier method for learning modern plectrum style guitar, time-tested and proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales, and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord/melody concept of guitar performance. A supplementary study book entitled Grade 1 Studies, two different play-along audio recordings (pop version and traditional), and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format, with the solo parts performed on the right channel, and the accompaniment or second duet parts played on the left. The student can play along with the full recording, or tune out either channel and play the missing part. The Left-Handed Modern Guitar Method Grade 1 provides valuable enhancement to the world's most popular guitar method.
$9.99
8.95 €
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Guitar
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Mel Bay
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Left-Handed Modern Guitar Method Grade 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Wonderwall
Guitar
Guitar - Intermediate - Digital Download By Oasis. Arranged by David Jaggs. Solo Part…
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Guitar - Intermediate - Digital Download By Oasis. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs
A Superb arrangement of the 1995 Oasis hit, "Wonderwall". Surely the most detailed out there. Some very interesting textures, including rasgueado, tambora and playing four parts at once at the end of the arrangement. Certainly not a beginners piece, but within the reach of the intermediate player, very impressive when mastered. This version of the arrangement does not include tablature. There is a second version with tablature for those who prefer.
$7.99
7.16 €
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Guitar
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Oasis
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Wonderwall
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David Jaggs
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SheetMusicPlus
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