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Sheetmusic to print
9 sheet music found
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1
Capital
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Orchestra
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EASY
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Ronald J
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Capital
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Ronald J Karle
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.907757 Composed by Ronald J. Karle. Instructional,Rock. Score and parts. 36 pages. Ronald J Karle #45...
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Full Orchestra - Level 2 - Digital Download SKU: A0.907757 Composed by Ronald J. Karle. Instructional,Rock. Score and parts. 36 pages. Ronald J Karle #4580205. Published by Ronald J Karle (A0.907757).
$2.95
Khe Sanh
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Orchestra
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INTERMEDIATE
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Contemporary
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Walker
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Brett A Foster (BF Music)
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Khe Sanh
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A F...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. Published by Brett A Foster (A0.1025682). Khe Sanh is a song by Australian rock band Cold Chisel, released as a 45 rpm single in May 1978, and named after the district capital of Hư�ng Hóa District, Quảng Tr� Province, Vietnam. This arrangement works well as just a pop orchestral work with no vocals, but I have provided the optional TTB vocals, keyboard and rock band parts to use if you are looking for something extra special for a performance feature. There are also optional parts for a saxophones section which will enhance the pop feel and support the horns and woodwinds. Written by pianist Don Walker, Khe Sanh concerns an Australian Vietnam veteran dealing with his return to civilian life. Khe Sanh is one of the most popular songs ever recorded by an Australian act and one generally seen as a resonant symbol of the Australian culture. Don Walker has said the song was inspired by a number of people, including, the guy from the next farm, who came back from Vietnam, severely changed for the worst, and Adelaide guitarist Rick Morris.
$69.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Alleluia (from All Saints Celebration Mass)
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Orchestra
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INTERMEDIATE/ADVANCED
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Michael Dryver
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Alleluia
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Contemporary Choral Series
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.982612 Composed by Michael Dryver. Baroque,Christian,Contemporary. Score and parts. 12 pages. Contemp...
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Full Orchestra - Level 4 - Digital Download SKU: A0.982612 Composed by Michael Dryver. Baroque,Christian,Contemporary. Score and parts. 12 pages. Contemporary Choral Series #4791073. Published by Contemporary Choral Series (A0.982612). This extended work, All Saints Celebration Mass, (no-denominational musical production) was performed at the Vatican for Pope John Paul's Communion service May 1, 2006 by Detroit's Winan Performing Arts High School Concert Choir and Orchestra. Also performed by The Iowa Western College Concert Choir and Omaha Symphonic Orchestra in October of 2012 from the Holland Performing Arts Theater for the Poor Claire Sister's Capital Event. .
$3.99
Illyria
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Orchestra
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INTERMEDIATE/ADVANCED
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M Calvert
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Illyria
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Martin Calvert
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1022851 Composed by M Calvert. 20th Century,Contemporary,Film/TV. Score and parts. 42 pages. Martin C...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1022851 Composed by M Calvert. 20th Century,Contemporary,Film/TV. Score and parts. 42 pages. Martin Calvert #3453116. Published by Martin Calvert (A0.1022851). The term Illyria has been used in several different historical and mythological events. The inspiration for this piece dates to 165BC. The Romans defeated Gentius, the last king of Illyria, at Scodra (in present-day Albania) in 168 BC and captured him, bringing him to Rome in 165 BC. Four client-republics were set up, which were in fact ruled by Rome. Later, the region was directly governed by Rome and organised as a province, with Scodra as its capital. The music reflects the conflict and dissonant nature of the time.
$34.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
The Dark Glass Sinfonia (Parts)
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Orchestra
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ADVANCED
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Contemporary
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Sarah Wallin Huff
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The Dark Glass Sinfonia
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Novel Soundtrax
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1294001 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 61 pages. Novel Sound...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1294001 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 61 pages. Novel Soundtrax #884482. Published by Novel Soundtrax (A0.1294001). “We See Through A Glass Darkly…â€The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul. Running time: approx. 6 minutes.â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).
$100.00
The Dark Glass Sinfonia (Score)
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Orchestra
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ADVANCED
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Contemporary
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Sarah Wallin Huff
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The Dark Glass Sinfonia
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Novel Soundtrax
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.800379 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 25 pages. Novel Soundt...
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Full Orchestra - Level 5 - Digital Download SKU: A0.800379 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 25 pages. Novel Soundtrax #3073541. Published by Novel Soundtrax (A0.800379). “We See Through A Glass Darkly…â€The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul.â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).
$32.00
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