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VOICE
Choral SATB
140
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89
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51
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WOODWIND
2 Saxophones (duet)
194
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112
Oboe (band part)
109
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102
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99
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95
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90
Flute
88
Oboe, Piano (duet)
83
Saxophone (band part)
71
Soprano Saxophone and Piano
68
Alto Saxophone and Piano
64
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
61
Alto Saxophone
59
2 Recorders (duet)
59
Saxophone Quartet: 4 saxophones
55
Flute, Oboe, Clarinet, Bassoon
52
Tenor Saxophone and Piano
44
Saxophone, Clarinet (duet)
43
Flute, Clarinet (duet)
41
Oboe, Bassoon (duet)
41
2 Oboes (duet)
41
Clarinet, Violin (duet)
41
Tenor Saxophone
36
Descant (Soprano) Recorder
36
Saxophone Quintet: 5 Saxophones
33
Oboe, Clarinet (duet)
31
Clarinet, Trumpet (duet)
31
Clarinet Quartet: 4 clarinets
29
Flute, Violin
28
Clarinet, Bassoon (duet)
26
Flute, Viola (duet)
24
Recorder
24
Flute Quartet: 4 flutes
23
Baritone Saxophone, Piano
22
Clarinet and Viola
20
Flute, Violoncello
20
3 Clarinets (trio)
17
Oboe, Cello
17
Clarinet, Cello (duet)
16
Clarinet Ensemble
16
Oboe, Flute
15
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15
English Horn
15
English horn, Piano
15
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15
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14
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14
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13
3 Saxophones (trio)
12
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12
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11
5 Recorders
10
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10
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9
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8
Flute Trio: 3 flutes
7
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7
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6
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6
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5
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5
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5
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5
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4
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4
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4
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4
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4
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4
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4
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4
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
Harmonica
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1
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1
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1
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1
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1
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1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Viola and Piano
1
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1
Bass Clarinet
1
Oboe, Trombone (duet)
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WOODBRASS
2 Trombones (duet)
82
Trumpet, Piano
82
Trumpet
82
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66
2 Trumpets (duet)
65
Brass Quintet: 2 trumpets, horn, trombone, tuba
64
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60
French horn
58
Tuba
50
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49
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41
Brass quartet : 2 trumpets, trombone, tuba
35
2 French horns (duet)
34
Trumpet, Saxophone (duet)
31
Tuba and Piano
30
Trumpet (band part)
23
2 Euphoniums (duet)
19
Trumpet, Horn (duert)
17
2 Tubas (duet)
17
Brass Quartet
16
English Horn
15
English horn, Piano
15
Brass Quartet: 2 trumpets, horn, trombone
14
Horn, Cello (duet)
13
Trumpet, Bassoon (duet)
10
Brass Quartet: 4 trombones
10
Brass Quartet: 4 trumpets
9
Brass Quartet: 4 horns
9
Trumpet, Cello (duet)
8
Tuba and Organ
7
Euphonium
7
Trombone, Horn (duet)
7
Trombone (band part)
6
French horn and Basson (duet)
6
Brass Trio
5
Horn, Tuba (duet)
5
Bass Trombone
5
Euphonium, Piano (duet)
4
Trumpet, Tuba (duet)
4
Trumpet and Guitar
3
Trumpet ensemble
3
4 Tubas
2
Bass Trombone and Piano
2
3 Trombones (trio)
2
3 Trumpets (trio)
2
Trombone ensemble
2
Trumpet, violin (duet)
2
Trombone, Violin (duet)
2
Bass Clef Instruments
1
Tuba (band part)
1
2 Euphoniums and 2 Tubas
1
French horn (band part)
1
Trombone, Tuba (duet)
1
French Horn and Harp
1
Euphonium, Tuba (duet)
1
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STRINGS
Violin and Piano
182
String Quartet: 2 violins, viola, cello
150
Violin
130
Cello, Piano
124
Viola, Piano
110
Cello
108
2 Violins (duet)
106
Violin, Cello (duet)
89
Viola
85
Violin, Viola (duet)
62
2 Cellos (duet)
59
2 Violas (duet)
53
Viola (band part)
47
Harp
44
Double Bass
38
String Trio: violin, viola, cello
35
Double bass, Piano (duet)
31
String Trio: 2 violins, cello
31
Viola, Cello (duet)
28
Violin, Bassoon (duet)
17
String Quintet: 2 violins, viola, cello, bass
17
Viola and Bassoon
15
4 Cellos
12
String quartet: 4 violins
7
String Trio: 3 cellos
7
2 Double basses (duet)
7
String Trio: 3 violins
6
String Quartet : 4 violas
5
Violin, Guitar (duet)
5
Violin (band part)
5
Flute, Doublebass (duet)
4
Piano Trio: Violin, Viola, Piano
4
Cello, String Bass (duet)
4
Harp, Violin, Violoncello
3
2 Harps (duet)
3
String Trio: 3 violas
3
Cello (band part)
2
Doublebass (band part)
2
Violin ensemble
2
Violin, Tuba (duet)
2
Viola ensemble
2
Harp and Piano
2
String Trio: 2 violins, viola
2
Violin, Cello, Clarinet
1
Harp, Voice
1
Violin, Clarinet, Piano (trio)
1
2 Violins, Piano
1
Cello, Guitar (duet)
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
93
String Orchestra
69
Orchestra
40
Chamber Orchestra
27
Handbells
27
Brass ensemble
21
Jazz Ensemble
11
Percussion Ensemble
9
Xylophone
9
Xylophone, Piano
8
2 Xylophones
6
Percussion
5
Marimba
5
Marching band
5
Drums
4
Jazz combo
3
School Ensemble
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Brass Quintet: other combinaisons
1
Drum (band part)
1
Vibraphone
1
Percussion (band part)
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
1
You've selected:
Child's Play
Orchestra
Sheetmusic to print
40 sheet music found
<
1
26
Ding Dong Merrily on High / Deck The Halls - Childrens' Choirs with Pops Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1150324 By Daryl McKenzie. By T…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1150324 By Daryl McKenzie. By Traditional. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 62 pages. Daryl McKenzie #750503. Published by Daryl McKenzie (A0.1150324). Combination of the classic Christmas Tunes Ding Dong Merrily on High and Deck The Halls for combined Children's Choirs (Boys and Girls) with Pops Orchestra. Children's Choirs, 2Fl/picc, Cl, BCl,3Hn, 3Trpt, 3Trb, Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of G to Ab to A More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$89.99
80.65 €
#
Orchestra
#
Daryl McKenzie
#
Ding Dong Merrily on High / Deck The Halls - Childrens' Choirs with Pops Orchestra
#
Daryl McKenzie
#
SheetMusicPlus
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 66 pages. Daryl McKenzie #4725299. Published by Daryl McKenzie (A0.745878). Song of Joy Key of G major with Key change to A major for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra - 2 Fl,  Cl, 2 FHn, 3 Trpt, 2 Trb, P G B D, Timpani, Glock, Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part.Other versions of this song also available on SMP: Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major.  Solo Tenor Voice, Choir and Pops Orchestra or Big Band Key of Ab to Bb major : http://bit.ly/3EMliMm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
62.73 €
#
Orchestra
#
Ludwig van Beethoven
#
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
#
Daryl McKenzie
#
SheetMusicPlus
It's Christmas Time All Over The World
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.718523 Composed by Hugh Martin.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718523 Composed by Hugh Martin. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 87 pages. Daryl McKenzie #6434727. Published by Daryl McKenzie (A0.718523). Arranged in the style of Sammy Davis Jr. Male Vocal, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB, optional Children's Chorus. Note Saxes are all on woodwind doubles.Same arrangement for Big Band also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$89.99
80.65 €
#
Orchestra
#
Hugh Martin
#
It's Christmas Time All Over The World
#
Daryl McKenzie
#
SheetMusicPlus
Kid's Play: A Fun Suite for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1018253 Composed by Timothy Lee…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1018253 Composed by Timothy Lee Miller. Children,Classical,Contemporary. Score and parts. 260 pages. TLM Music Publishing #623852. Published by TLM Music Publishing (A0.1018253). A fun suite of five pieces that describe scenes from a day in the life of children: I. School Day, II. Joy and Innocence, III. On The Playground, IV. And So To Sleep, V. Fun and Frolic.
$69.99
62.73 €
#
Orchestra
#
Timothy Lee Miller
#
Kid's Play: A Fun Suite for Orchestra
#
TLM Music Publishing
#
SheetMusicPlus
Golliwog's Cake Walk for Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.841055 Composed by Claude Debus…
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Full Orchestra - Level 4 - Digital Download SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages. David E. Watson #3483401. Published by David E. Watson (A0.841055). Golliwog's Cake Walk from the 6 movement ``Children's Corner´´ arranged for Orchestra. Parts for Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon, Contrabassoon, Horn in F (4), Trumpet in C (2), Xylophone, Percussion, and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
35.85 €
#
Orchestra
#
Claude Debussy
#
Golliwog's Cake Walk for Orchestra
#
David E. Watson
#
SheetMusicPlus
It's The Hard-Knock Life
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1401250 Composed by Charles Str…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1401250 Composed by Charles Strouse and Martin Charnin. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. 123 pages. Daryl McKenzie #984436. Published by Daryl McKenzie (A0.1401250). Arranged in the style of the Broadway cast recording of Annie the Musical for Vocal with Pops Orchestra - Voice, Backing Vocals (children), Picc, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, 2 Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of BNote: Playable without Saxes, playable with 3 Trumpets and 3 Trombones.Full audio demo (Sibelius Sounds): Click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
44.8 €
#
Orchestra
#
Charles Strouse and Martin Charnin
#
It's The Hard-Knock Life
#
Daryl McKenzie
#
SheetMusicPlus
THREE ANIMAL SAYINGS 1--WHEN CAT'S AWAY, MICE WILL PLAY--orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.903753 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903753 Composed by Alan Edgar. 20th Century,Children. Score and parts. 37 pages. Alan Edgar Ted Moon #3053937. Published by Alan Edgar Ted Moon (A0.903753). The first of three movements depicting animal sayings or proverbs. This movement requires Piccolo, Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Percussion (1 or 2 players), Harp (optional), Strings. The first section depicts Cat, slinking along, mieowing and purring A few mice appear so Cat flips her tail, crouches and charges, whereupon the mice disappear. Cat nonchalantly licks herself (viola solo)and then walks away, diminuendo. In the second section, now that Cat is away, the mice come out to play…
$10.00
8.96 €
#
Orchestra
#
Alan Edgar
#
THREE ANIMAL SAYINGS 1--WHEN CAT'S AWAY, MICE WILL PLAY--orchestra
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschai…
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Full Orchestra - Level 5 - Digital Download SKU: A0.805407 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃÂz. Romantic Period. Score and parts. 200 pages. Laura Quijada #3462859. Published by Laura Quijada (A0.805407). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Separate woodwinds/brass & percussion scores included for section teachers. Excellent for demanding the best out of the woodwind players! Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings Set includes: conductor's score, woodwinds score, brass & percussion score, parts
$70.00
62.74 €
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Orchestra
#
P
#
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
#
Laura Quijada
#
SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.805399 Composed by P. I. Tschai…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.805399 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃÂz. Romantic Period. Score and parts. 94 pages. Laura Quijada #2988457. Published by Laura Quijada (A0.805399). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Excellent for demanding the best out of the woodwind players! Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings Set includes: conductor's score, parts
$55.00
49.29 €
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Orchestra
#
P
#
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
#
Laura Quijada
#
SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.805408 Composed by P. I. Tschai…
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Full Orchestra - Level 5 - Digital Download SKU: A0.805408 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃÂz. Romantic Period. Score and parts. 67 pages. Laura Quijada #3462867. Published by Laura Quijada (A0.805408). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Excellent for demanding the best out of the woodwind players! Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings Set includes: parts only
$35.00
31.37 €
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Orchestra
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P
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Scherzo from Tschaikowsky's Symphony #4 for full advanced children symphony orchestra or youth orche
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Laura Quijada
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SheetMusicPlus
Scherzo from Tschaikowsky's Symphony #4 for advanced symphony orchestra. SECTIONS' SCORES.
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.805482 Composed by P. I. Tschai…
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Full Orchestra - Level 5 - Digital Download SKU: A0.805482 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃÂz. Standards. Score and parts. 106 pages. Laura Quijada #6549415. Published by Laura Quijada (A0.805482). Arranged for advanced children symphony orchestra or for youth symphony orchestra. Original key. Abridged movement. Excellent for demanding the best out of the woodwind players! Set includes: woodwinds, brass, strings and percussion scores only. Details Duration: circa 00:04:40 minutes Key: original F major Measures: 306 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, bass trombone, tuba, timpani, snare drum, triangle, hand cymbals, strings
$30.00
26.89 €
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Orchestra
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P
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Scherzo from Tschaikowsky's Symphony #4 for advanced symphony orchestra. SECTIONS' SCORES.
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Laura Quijada
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SheetMusicPlus
Merry-go-round Of Life
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisai…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
71.7 €
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Orchestra
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Kumiko
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Merry-go-round Of Life
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Tom Maher
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SheetMusicPlus
Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpon…
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Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpont. Arranged by Laura C. Quijada Ortíz. Christmas,Standards. Score and parts. 58 pages. Laura Quijada #6563425. Published by Laura Quijada
A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!<br> Easy to work and can be played in no time!<br> This st includes: conductor's score, sections' scores (brass, woodwinds, percussion, strings) and parts.
$40.00
35.85 €
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Orchestra
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James Pierpont
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Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
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Laura Quijada
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SheetMusicPlus
Max und Moritz
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1364714 By Alicia DomÃÂnguez …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1364714 By Alicia DomÃÂnguez Arcos Sonay. By Alicia DomÃÂnguez Arcos. Arranged by Alicia DomÃÂnguez Arcos. Broadway,Children,Film/TV,Multicultural,Musical/Show,Opera,World. 90 pages. Alicia Dominguez #949009. Published by Alicia Dominguez (A0.1364714). Complete Children's Opera Max and Moritz, a story of seven jokes. This highly witty and humorous tale, told entirely in rhymed couplets, was written and illustrated by Wilhelm Busch and published in 1865. Busch's classic tale of the terrible duo (now in the public domain) has become a proud part of culture in German-speaking countries. Even today, parents usually read these stories to their not-yet-literate children. To this day in Germany, Austria and Switzerland, a certain familiarity with the story and its rhymes is still presumed, as it is often referenced in mass communication. Let us never forget to compose for children, or for adults to set the stage or play for children.Symphony with children's voices as choral voices.
$20.00
17.92 €
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Orchestra
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Alicia DomÃÂnguez Arcos Sonay
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Max und Moritz
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Alicia Dominguez
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.41 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Jolly Old Saint Nicholas Vocal with Pops Orchestra Key of G
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.718222 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718222 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 80 pages. Daryl McKenzie #5010513. Published by Daryl McKenzie (A0.718222). A Christmas classic arranged for the Gozo Youth Orchestra, Malta . For Vocal or Children's Choir (unison), 2 Fl, 2Ob, 2Cl, 2Bsn, 5 Saxes, 4 F Hn, 3 Trpt, 3 Trb ,Tba, Piano, Guitar, Bass Guitar, Drums, Tymps, Bells/Glock, Perc, Harp, Vln 1, Vln 2, Vla, Vcl, CB. Key of G major. Will also work with reduced instrumentation.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
62.73 €
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Orchestra
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Traditional
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Jolly Old Saint Nicholas Vocal with Pops Orchestra Key of G
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Daryl McKenzie
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SheetMusicPlus
The Mysterious Cat Parts for Voices and Orchestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.918838 Composed by Celeste Leit…
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Full Orchestra - Level 2 - Digital Download SKU: A0.918838 Composed by Celeste Leitch Gates. Children,Contemporary,Standards. Score and parts. 58 pages. Celeste Leitch Gates #3452215. Published by Celeste Leitch Gates (A0.918838). This is a children's choral piece based on the poem by Vachel Lindsay. It is a big hit when community orchestras and children's choruses combine their efforts and play this humorously strange little piece. It is easy enough for a youth orchestra. And 4th, 5th, and 6th graders are singing in the mp3.
$8.95
8.02 €
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Orchestra
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Celeste Leitch Gates
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The Mysterious Cat Parts for Voices and Orchestra
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Celeste Leitch Gates
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SheetMusicPlus
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
8.96 €
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Orchestra
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Alan Edgar Ted Moon
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
34.91 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
26.84 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Round Up - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel We…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
8.95 €
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Orchestra
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Various
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Round Up - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
71.7 €
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Orchestra
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B
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Exeter City March
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1009741 Composed by Richard Bow…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1009741 Composed by Richard Bowyer. Contemporary. Score and parts. 73 pages. Richard Bowyer #2024939. Published by Richard Bowyer (A0.1009741). Exeter City March was composed for the professional Football (soccer) Club in Exeter, UK, for performance over the public address system by the 100-strong Exeter Children's Orchestra. It includes parts for hooligans in the percussion section playing rattles and whistles (these don't sound in the MP3). There was an online competition for the club's fans to choose a title; they chose March of the Grecians (the club's nickname) but as the brief introduction uses the beginning of Rule Britannia I think listeners might be mystified by the Greek allusion, so I prefer my original title! In June 2011 Exeter City March was broadcast on the UK national music radio station, BBC Radio 3, as part of its festival of light music Light Fantastic. There are separate printed parts for all the standard orchestral instruments, including alto and tenor saxophone and descant recorder (not necessary) and there are also optional parts for violin replacing viola, trombone in treble clef, baritone saxophone and horn in E flat.
$50.00
44.81 €
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Orchestra
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Richard Bowyer
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Exeter City March
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Richard Bowyer
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SheetMusicPlus
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