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1
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.21 €
#
Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.21 €
#
Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Despertar es una obra full orquesta y coro con una duración aproximada de 10 minutos
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.919311 Composed by Dr. Ricardo …
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Full Orchestra - Level 3 - Digital Download SKU: A0.919311 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Renaissance,Sacred. Score and parts. 21 pages. Ricardo José Romero Núñez #3125369. Published by Ricardo José Romero Núñez (A0.919311). Despertar es una obra de cuatro secciones full orquesta y SATB. En la primera sección se presenta un tema con mucho vigor , luego en la segunda se puede apreciar un movimiento retrógado , en la tercera una fuga y finalmente en la cuarta aparecen las voces. La poesÃa es un agradecimiento a Dios , la vida y cada amanecer .
$40.00
35.85 €
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Orchestra
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Dr
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Despertar es una obra full orquesta y coro con una duración aproximada de 10 minutos
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Ricardo José Romero Núñez
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SheetMusicPlus
Haydn - Symphony No.40 in F major, Hob.I:40
Orchestra
Full Orchestra - Digital Download SKU: A0.819633 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819633 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 65 pages. J.G. Cuco Barber #5987405. Published by J.G. Cuco Barber (A0.819633). Composer Haydn, JosephOpus/Catalogue Number Hob.I:40Key F majorMovements/Sections 4 movements:Allegro (F major, 139 bars)Andante più tosto allegretto (B♠major, 110 bars)Minuet - Trio (F major, 68 bars)Finale. Fuga. Allegro (F major, 198 bars)Year/Date of Composition 1763First Publication 1910Average Duration18 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in F 1Horn in F 2Violin IViolin IIViolaVioloncelloContrabass
$28.00
25.09 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.40 in F major, Hob.I:40
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J.G. Cuco Barber
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SheetMusicPlus
"Eternal Monarch of the Sky" from JOSEPH & HIS BRETHREN (1743)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1348242 Composed by G. F. Hande…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1348242 Composed by G. F. Handel/W. T. Best. Arranged by Paul Ferington. Baroque,Christian,Classical,Religious,Sacred. 25 pages. Paul K Ferington #933037. Published by Paul K Ferington (A0.1348242). A stately and dignified orchestral transcription (2:50) of Handel's final Chorus from JOSEPH AND HIS BRETHREN (1743) from the organ adaptation by W. T. Best; work includes chordal opening followed by brief fugal section; excellent introduction to fugal orchestral writing. Instrumentation 2/1/2+bcl/1  2/2/2/1 Timpani, Strings and opt. Organ; most suitable for Church, community or high school orchestra. For general all-year use as opening overture, voluntary, prelude, or postlude. Incorporation of Organ highly recommended but not required.
$24.95
22.36 €
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Orchestra
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G
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"Eternal Monarch of the Sky" from JOSEPH & HIS BRETHREN
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Paul K Ferington
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SheetMusicPlus
Symphony No 6 in D minor "The Ethnic World" Opus 6 - 4th Movement (4 of 4) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1419413 Composed by Grahame Gor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1419413 Composed by Grahame Gordon Innes. 19th Century,20th Century,Classical,Contemporary,Romantic Period. 47 pages. Grahame Gordon Innes #1000817. Published by Grahame Gordon Innes (A0.1419413). Symphonic, Fugal, Orchestral.
$12.00
10.75 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 6 in D minor "The Ethnic World" Opus 6 - 4th Movement
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Grahame Gordon Innes
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SheetMusicPlus
Symphony No 8 in F & G Majors "Time Travel" Opus 13 - 3rd Movement (3 of 3) - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1420024 Composed by Grahame Gordon Innes.…
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Full Orchestra - Digital Download SKU: A0.1420024 Composed by Grahame Gordon Innes. Baroque,Contemporary. 33 pages. Grahame Gordon Innes #1001417. Published by Grahame Gordon Innes (A0.1420024). Symphonic, Orchestral, Fugal.
$15.00
13.44 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 8 in F & G Majors "Time Travel" Opus 13 - 3rd Movement
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Grahame Gordon Innes
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.43 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
The Great Cathedral
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Straw…
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Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 125 pages. Andrew Strawn #4726553. Published by Andrew Strawn (A0.995852). Dedicated to the Notre Dame Cathedral in Paris which caught fire during the writing of this piece. The Great Cathedral is a long-anticipated work. I have had the primary chorale melody for nearly a year prior to the time of publication. So it seems rather overdue to complete it. Being the first large work for orchestra I have composed in a while, it was certainly a challenge. Nevertheless, this piece has come together just as I wanted it to. Written for full orchestra, choir, harp, piano, and organ, The Great Cathedral is a colossal work. It features the principal violinist and travels through a variety of orchestrations. From a French revolution-style march, swelling chorales, fugal expositions, and dissonate sforzandos this piece transforms the primary melody across the score. I am proud to have finally completed this work and I hope you enjoy, The Great Cathedral. In the event a choir is unavailable, choir parts have been cued in the organ. The organ would then play on a reed setting.Includes a legal-sized score and a letter-sized set of parts.
$55.00
49.29 €
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Orchestra
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Andrew Strawn
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The Great Cathedral
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Andrew Strawn
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SheetMusicPlus
Bramshill Concert Rondo
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Line…
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Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
20.16 €
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Orchestra
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
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