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101
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Hand…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
62.49 €
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Orchestra
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George Frideric Handel
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
New Sensation
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1415451 By INXS. By Andrew Farr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1415451 By INXS. By Andrew Farriss and Michael Hutchence. Arranged by Matt Amy. Contemporary,Pop,Rock. 90 pages. Matt Amy Music #997186. Published by Matt Amy Music (A0.1415451). Key: D majorBPM: 118Style: RockDuration: 3:31“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): New Sensation (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2, 3- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
67 €
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Orchestra
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INXS
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New Sensation
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Matt Amy Music
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SheetMusicPlus
Victory Music
Orchestra
Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Legacy. Arranged by Britney Taylor. 20th Century,Broadway,Classical,Contemporary,Musical/Show,Opera. Score and parts. 2 pages. Amphibia Cultural Legacy #227055. Published by Amphibia Cultural Legacy (A0.617904). Victory Music is a new sensation that has overtaken the music industry. It is an orchestral cover remixed with additional instruments by Amphibia Cultural Legacy based on the popular children's song, Head Shoulders Knees and Toes, by TabTale. This creative masterpiece combines classical instruments with modern elements like EDM beats and electronic synths.The result is a unique sound that will leave you feeling energized and triumphant. The arrangement of different instruments creates a harmonious melody that awakens your senses from the song's beginning. The composition also features powerful percussion sounds that give listeners a sense of adrenaline rush.Victory Music pays tribute to the original Head Shoulders Knees and Toes track while elevating it to new heights with its catchy tune.
$26.00
23.23 €
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Orchestra
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Amphibia Cultural Legacy
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Victory Music
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Amphibia Cultural Legacy
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
44.62 €
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Orchestra
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Rainer Fabich Orchestra
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.33 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.33 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.33 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Rocks In My Pockets End Titles
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1265415 Composed by Kristian Se…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1265415 Composed by Kristian Sensini. Arranged by Kristian Sensini. Classical,Film/TV. Score and Parts. 73 pages. Kristian Sensini #858227. Published by Kristian Sensini (A0.1265415). Main titles from the Animation movie Rocks in My Pockets directed by Signe Baumane.
$49.99
44.66 €
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Orchestra
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Kristian Sensini
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Rocks In My Pockets End Titles
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Kristian Sensini
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SheetMusicPlus
Rocks In My Pockets End Titles
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1269205 Composed by Kristian Se…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1269205 Composed by Kristian Sensini. Arranged by Kristian Sensini. Film/TV. Score and Parts. 19 pages. Kristian Sensini #858089. Published by Kristian Sensini (A0.1269205). End titles from the movie Rocks in my Pockets directed by Signe Baumane.
$49.99
44.66 €
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Orchestra
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Kristian Sensini
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Rocks In My Pockets End Titles
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Kristian Sensini
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SheetMusicPlus
And The Waltz Goes On
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hop…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hopkins. Arranged by Steve Sensenig. Classical,Contemporary. 99 pages. Steve Sensenig #1003096. Published by Steve Sensenig (A0.1421751). This infectious waltz by Sir Anthony Hopkins was introduced several decades after its composition when arranged/orchestrated and premiered by King of the Waltz, Dutch violinist and conductor André Rieu. While Maestro Rieu's arrangement included sax, accordion, and even a barrel organ, this arrangement of And the Waltz Goes On is for traditional symphonic orchestra with double woodwinds and a full brass. (Full instrumentation is 2.2.2.2 / 4.3.3.1 / Timp.perc(3) / Hp / Pno / Strings), using the structure of Maestro Rieu's arrangement as the basis for this adaptation.
$89.99
80.39 €
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Orchestra
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Anthony Hopkins
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And The Waltz Goes On
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Steve Sensenig
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SheetMusicPlus
Concerto for Arpeggione and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.976526 Composed by Dov Rosensch…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976526 Composed by Dov Rosenschein. 20th Century,Contemporary. Score and parts. 73 pages. Joshua Rosenschein #2332429. Published by Joshua Rosenschein (A0.976526). A concerto for orchestra and a long forgotten instrument, formally called the guitarre d'Amore, a cross between a cello and a guitar.
$35.99
32.15 €
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Orchestra
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Dov Rosenschein
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Concerto for Arpeggione and Orchestra
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Joshua Rosenschein
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SheetMusicPlus
Tena Koe
Orchestra
Full Orchestra - Digital Download SKU: A0.617902 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.617902 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Children,Classical,Praise & Worship,Spiritual,Traditional. Score and parts. 3 pages. Amphibia Cultural Legacy #227053. Published by Amphibia Cultural Legacy (A0.617902). Amphibia Cultural Legacy has created a stunning orchestral cover of Tena Koe, originally written by Love to Sing. This remix features additional instruments, elevating the song to new heights and giving it a fresh sound that will captivate listeners. With its soaring melodies and intricate arrangements, this rendition of Tena Koe is a true masterpiece.Amphibia Cultural Legacy's version of Tena Koe is an absolute feast for the senses, from the opening notes to the final crescendo. The lush instrumentation creates a rich tapestry of sound that envelops the listener in its warmth and beauty. Whether you're a fan of classical music or appreciate great music when you hear it, this remixed version of Tena Koe will leave you breathless.
$24.00
21.44 €
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Orchestra
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Amphibia Cultural Legacy
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Tena Koe
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Amphibia Cultural Legacy
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SheetMusicPlus
Symphony No 3 for large orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00
26.8 €
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Orchestra
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Malcolm D Robertson
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Symphony No 3 for large orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.82 €
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Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chicago (from the musical Chicago): Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_M1 Mallets. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_M1). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.68 €
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Orchestra
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Fred Ebb and John Kander
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chicago (from the musical Chicago): Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_B1 Bassoon. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_B1). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.68 €
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Orchestra
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Fred Ebb and John Kander
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chicago (from the musical Chicago): Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_TMP Timpani. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_TMP). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.68 €
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Orchestra
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Fred Ebb and John Kander
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chicago (from the musical Chicago): Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_F1 Flute. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_F1). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.68 €
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Orchestra
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Fred Ebb and John Kander
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chicago (from the musical Chicago): Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_VC1 Cello. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_VC1). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.68 €
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Orchestra
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Fred Ebb and John Kander
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_B1 Bassoon. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_B1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Baritone T.C.
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_BTC1 Baritone T.C.. …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_BTC1 Baritone T.C.. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_BTC1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_M1 Mallets. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_M1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_TMP Timpani. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_TMP). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Baritone B.C.
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_BBC1 Baritone B.C.. …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_BBC1 Baritone B.C.. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_BBC1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thank You, Soldiers: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016219_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016219_VC1 Cello. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_VC1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$3.00
2.68 €
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Orchestra
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Angela Souders and Michael Souders
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Thank You, Soldiers: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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