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1
26
Sonata Hymnica No. 6
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Classical
#
Frederich Kuhlau
#
Philip Kim
#
F. Kuhlau Sonatine Op. 20 No.
#
Philip Kim
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Stand...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
F. Kuhlau Sonatine Op. 20 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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SheetMusicPlus
Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim...
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Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 2nd movement for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim...
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Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 6 1st movement for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Studies
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. P...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. Published by Philip Kim
$8.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 1st movement for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Studies
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 9 pages. Philip Kim #5773197. Pu...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 9 pages. Philip Kim #5773197. Published by Philip Kim
$10.00
Muzio Clementi Piano Sonatine Op. 36 No. 6 2nd movement for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Studies
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 7 pages. Philip Kim #5769539. Pu...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 7 pages. Philip Kim #5769539. Published by Philip Kim
$7.00
Diabelli Sonatina, Op. 151, No.1 in G Major for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Diabelli, Kevin G
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Kevin G
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Diabelli Sonatina, Op. 151, No
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Kevin G. Pace
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SheetMusicPlus
Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCAP). 150, 20th Century, Classical. Score. 18 pages. Kevin G. Pace #...
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Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCAP). 150, 20th Century, Classical. Score. 18 pages. Kevin G. Pace #814819. Published by Kevin G. Pace
$4.99
Mozart - Sonata for Two Pianos in D major, K.448/375a I. Allegro - For Piano Duet
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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poon
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Mozart - Sonata for Two Pianos
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1414125 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 42 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1414125 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 42 pages. Poon #995896. Published by poon (A0.1414125). Mozart - Sonata for Two Pianos in D major, K.448/375a 1st Movment I. Allegro - For Piano Duo four hands Score and Parts.
$1.99
Sonata for Two Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #630...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
J.S. Bach: Trio Sonata No. 1 in E-Flat Major, BWV 525 - I. (Allegro moderato)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach and Ví
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Flavio Regis Cunha
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J.S. Bach: Trio Sonata No. 1 i
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SheetMusicPlus
By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque, Classical, Contest, Festiv...
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By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque, Classical, Contest, Festival, Instructional. Score. 8 pages. FRC Music #721174. Published by FRC Music
$5.99
Dance of the Golden Snake for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Anatoly Zatin
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Anatoly Zatin
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Dance of the Golden Snake for
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Anatoly Zatin
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.909711 Composed by Anatoly Zatin. Arranged by Anatoly Zatin. Contemporary,World. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.909711 Composed by Anatoly Zatin. Arranged by Anatoly Zatin. Contemporary,World. Score. 32 pages. Anatoly Zatin #4807913. Published by Anatoly Zatin (A0.909711). Fantasy on a Chinese traditional melody, for two pianos. This work was premiered by Anatoly Zatin and Vlada Vassilieva at the 15th International Piano Festival of the Shanghai Conservatory of Music. It expands the repertoire for piano duo in general and Chinese repertoire specifically. A title of the Duo Petrof's Repertoire series.
$16.95
Don't Stop Believin'
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Journey
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Alana Butler
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Don't Stop Believin'
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Alana Butler
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1093630 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alana But...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1093630 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alana Butler. 20th Century,Contemporary,Folk,Pop,Rock. Score. 5 pages. Alana Butler #697701. Published by Alana Butler (A0.1093630). Two Piano Duet.
$19.99
Germaine Tailleferre Sonata for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Germaine Tailleferre
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Germaine Tailleferre Sonata fo
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Musik Fabrik
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SheetMusicPlus
Composed by Germaine Tailleferre (1892-1983). For Piano Duet. 20th Century, Repertoire. Advanced Intermediate. Score. Musik Fabrik #mfgt009. Published by Musik ...
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Composed by Germaine Tailleferre (1892-1983). For Piano Duet. 20th Century, Repertoire. Advanced Intermediate. Score. Musik Fabrik #mfgt009. Published by Musik Fabrik
$24.95
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
If We Ever Broke Up
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Mae Stephens
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Helios D'Andrea
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If We Ever Broke Up
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D'Andrea Helios
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Canon in F - 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
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