Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
2
Digital
Sheet Music
20
Sheet Music
Books
11
Music
Equipment
383
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
2026
PIANO & KEYBOARDS
Piano solo
1032
Piano, Voice
764
Easy Piano
467
Piano, Vocal and Guitar
150
C Instruments
105
Organ
41
Piano Accompaniment
38
Big Note Piano
33
1 Piano, 4 hands
29
2 Pianos, 4 hands
20
Piano Trio: piano, violin, cello
16
Accordion
14
Piano Quartet: piano, 2 violins, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Quartet: piano, violin, viola, cello
3
Keyboard
2
Harpsichord
2
1 Piano, 6 hands
1
2 Accordions
1
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
210
Guitar notes and tablatures
84
Guitar
71
Ukulele
42
Bass guitar
18
2 Guitars (duet)
16
Mandolin
10
Lyrics and Chords
6
4 Guitars (Quartet)
5
Guitar Ensemble
4
3 Guitars (trio)
4
Mandolin, Guitar (duet)
3
Piano, Guitar (duet)
3
Banjo
2
Baritone Ukulele
2
Dulcimer
2
Dobro
1
Guitar, Orchestra
1
Zither
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
443
Choral 3-part
129
Choral Unison
78
Choral 2-part
71
Choral SSAA
35
Vocal duet, Piano
33
Choral TTBB
28
Alto voice, Piano
16
Soprano voice, Piano
14
Vocal duet
11
High voice
5
Tenor voice, Piano
5
Baritone voice, Piano
5
Soprano voice
3
Mezzo-Soprano voice, Piano
3
Voice solo
2
Tenor voice
2
Choral SSAATTBB
2
Soli, Mixted choir and accompaniment
1
Medium voice, Piano
1
Low voice, Piano
1
Choral
1
Choral SSATB
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
140
Saxophone Quartet: 4 saxophones
140
Flute and Piano
133
Saxophone Quintet: 5 Saxophones
120
2 Saxophones (duet)
118
Clarinet and Piano
96
Clarinet
94
Oboe, Piano (duet)
92
Alto Saxophone and Piano
91
Flute
89
Flute, Oboe, Clarinet, Bassoon
79
Saxophone ensemble
77
2 Flutes (duet)
73
Clarinet Quartet: 4 clarinets
66
Tenor Saxophone and Piano
61
Alto Saxophone
54
Saxophone, Clarinet (duet)
52
2 Clarinets (duet)
51
Saxophone (band part)
48
Tenor Saxophone
46
Soprano Saxophone and Piano
43
Oboe (band part)
42
Clarinet Ensemble
37
Baritone Saxophone, Piano
33
Flute, Clarinet (duet)
32
Clarinet, Violin (duet)
30
Clarinet, Trumpet (duet)
29
2 Oboes (duet)
24
Oboe
24
3 Saxophones (trio)
23
3 Clarinets (trio)
22
Flute ensemble
22
English horn, Piano
19
Clarinet and Viola
16
Flute Quintet : 5 flutes
16
Clarinet Quintet: 5 clarinets
16
Oboe, Flute
16
Oboe, Clarinet (duet)
16
Flute Quartet: 4 flutes
16
Flute, Violin
15
Soprano Saxophone
15
Flute, Saxophone (duet)
13
Flute Trio: 3 flutes
12
Flute, Oboe, Clarinet (trio)
12
Flute, Trumpet (duet)
12
Flute, Viola (duet)
11
Bass Clarinet, Piano
10
Oboe, Bassoon (duet)
10
Descant (Soprano) Recorder
10
English Horn
9
Baritone Saxophone
9
Flute and Guitar
8
Clarinet, Guitar (duet)
6
Treble (Alto) Recorder
5
Clarinet (band part)
5
Clarinet, Bassoon (duet)
5
2 Recorders (duet)
5
Flute, Clarinet and Bassoon.
5
Recorder
4
2 Clarinets, Piano
4
Harmonica
4
Tenor Recorder
4
Bass Clarinet
3
Flute, Violoncello
3
Oboe, Clarinet, Bassoon (trio)
3
Flute, harp and violin
3
Flute, Bassoon, and Piano
3
Eb Instruments
2
Oboe, Guitar (duet)
2
Flute (band part)
2
Flute, trombone and piano
2
Clarinet, Cello (duet)
2
2 Flutes, Piano
2
Recorder Quartet
2
Saxophone and Guitar
2
Clarinet, Cello, Piano (trio)
2
2 Clarinets, Bassoon
2
Flute and Strings Trio
2
Flute, Oboe, Bassoon
2
Flute, Violin and Violoncello
2
Wind ensemble
1
Flute, Viola and Piano
1
Treble (Alto) Recorder, Piano
1
Flute, Oboe, Piano (trio)
1
Flute, Cello, Guitar
1
Clarinet, Saxophone, Piano
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin, Piano
1
Clarinet, Harp (duet)
1
Descent (Soprano) Recorder, Piano
1
Oboe, Cello
1
Flute, Cello, Piano (trio)
1
Saxophone and Organ
1
2 Saxophones, Piano
1
5 Recorders
1
Flute, Viola and harp
1
Recorder Ensemble
1
3 Oboes
1
Clarinet, trumpet and piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
128
Brass quartet : 2 trumpets, trombone, tuba
106
Trombone and Piano
86
Trumpet
76
French Horn and Piano
66
Trumpet, Piano
66
Tuba
59
Trombone
57
Trumpet ensemble
57
French horn
54
Brass Quartet: 2 trumpets, horn, trombone
49
Tuba and Piano
33
Trumpet, Saxophone (duet)
28
Trombone ensemble
28
2 Trumpets (duet)
27
2 Trombones (duet)
26
Brass Quartet: 4 trombones
25
Trumpet, Trombone (duet)
24
Brass Quartet
23
Euphonium, Piano (duet)
22
English horn, Piano
19
2 French horns (duet)
12
Brass Quartet: 4 horns
9
English Horn
9
Tuba and Organ
8
Trombone (band part)
8
Trumpet, Horn (duert)
7
Trumpet (band part)
6
2 Tubas (duet)
6
Tuba (band part)
6
Horn Ensemble
4
Euphonium
3
Brass Trio
3
Bass Clef Instruments
3
Bb Instruments
2
3 Trumpets (trio)
2
Brass Quartet: 2 trumpets, 2 trombones
2
2 Euphoniums and 2 Tubas
2
Trumpet, Harp
1
2 Euphoniums (duet)
1
Horn, Cello (duet)
1
3 French horns (trio)
1
Brass Quartet: 4 trumpets
1
Trumpet, Cello, Piano
1
French Horn and Harp
1
French horn (band part)
1
Trombone, Tuba (duet)
1
Bass Trombone and Piano
1
4 Tubas
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
287
Violin and Piano
151
Violin, Cello (duet)
149
Violin
129
Cello
102
Viola, Piano
89
Cello, Piano
81
String Trio: 2 violins, cello
77
String Trio: violin, viola, cello
72
Harp
67
2 Violins (duet)
61
Viola
52
Violin, Viola (duet)
51
Double Bass
48
2 Cellos (duet)
47
Double bass, Piano (duet)
39
2 Violas (duet)
28
String Quintet: 2 violins, viola, cello, bass
27
2 Harps (duet)
24
Viola (band part)
22
Violin ensemble
20
Viola ensemble
19
Violin, Guitar (duet)
16
String Trio: 3 violins
13
Piano Trio: Violin, Viola, Piano
8
Violin (band part)
5
Harp, Flute (duet)
4
Viola and Harp
4
Viola, Cello (duet)
4
4 Cellos
3
String Trio: 3 violas
3
String Quartet : 4 violas
3
String Trio: 3 cellos
3
Cello, Guitar (duet)
3
Harp, Violin (duet)
2
String Quintet: 2 violins, 2 violas, cello
2
String Trio: 2 violins, viola
2
2 Double basses (duet)
2
Harp, Cello (duet)
2
String quartet: 4 violins
2
Cello (band part)
2
Violin, Bassoon (duet)
1
Violin, Tuba (duet)
1
4 Double Basses
1
Doublebass (band part)
1
Cello, String Bass (duet)
1
Harp and Piano
1
Violin, Clarinet, Piano (trio)
1
Harp, Violin, Violoncello
1
Harp, Voice
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
494
String Orchestra
98
Orchestra
96
Brass ensemble
71
Handbells
64
Jazz Ensemble
51
Chamber Orchestra
41
Marimba
30
Jazz combo
22
Percussion Ensemble
17
Xylophone
12
Marching band
6
Drums
5
2 Xylophones
4
Xylophone, Piano
3
School Ensemble
2
Percussion (band part)
1
2 Marimbas
1
Vibraphone
1
Percussion
1
3 Percussions
1
Vibraphone and Marimba
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
1
You've selected:
The Other World
2 Pianos, 4 hands
Sheetmusic to print
20 sheet music found
<
1
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
8.96 €
#
2 Pianos, 4 hands
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.12 €
#
2 Pianos, 4 hands
#
Richard Simm
#
The Rakes of Mallow
#
Richard Simm
#
SheetMusicPlus
The Gartan Mother's Lullaby, from "Five Irish Tunes"
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
6.23 €
#
2 Pianos, 4 hands
#
Richard Simm
#
The Gartan Mother's Lullaby, from "Five Irish Tunes"
#
Richard Simm
#
SheetMusicPlus
Tango for the Road - for two pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
16.13 €
#
2 Pianos, 4 hands
#
Ofer Ben-Amots
#
Tango for the Road - for two pianos
#
The Composer's Own Press
#
SheetMusicPlus
World S Smallest Violin
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.
$5.99
5.37 €
#
2 Pianos, 4 hands
#
AJR
#
World S Smallest Violin
#
JRN Piano Duo
#
SheetMusicPlus
Swanee
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
10.75 €
#
2 Pianos, 4 hands
#
Paul Posnak & Anita Castiglione
#
Swanee
#
Paul Posnak
#
SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
8.92 €
#
2 Pianos, 4 hands
#
James Nathaniel Holland
#
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
#
James Nathaniel Holland
#
SheetMusicPlus
Cumbia Op.22
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander…
(+)
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
5.38 €
#
2 Pianos, 4 hands
#
Alexander Klein
#
Cumbia Op.22
#
Alexander Klein
#
SheetMusicPlus
"Lullaby" from An Icelandic Suite
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1130804 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #731074. Published by Richard Simm (A0.1130804). This innocent title belies another sad tale of Iceland's desperate and often tragic past, with battles against Nature at her most harsh, and the need to survive uppermost in everyone's thoughts. There are two well-known melodies to the lullaby, which was also used in a play about a kind of Icelandic Robin Hood, but the arranger found this one particularly beautiful.
$4.95
4.44 €
#
2 Pianos, 4 hands
#
Richard Simm
#
"Lullaby" from An Icelandic Suite
#
Richard Simm
#
SheetMusicPlus
Say Something
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Sam C. Lee. Pop. Score. 11 pages. Sam Lee #5998079. Published by Sam Lee (A0.998587). A duet for two pianos. This arrangement takes an otherwise solemn piece and turns it into something powerful and flamboyant with the persistent heavy chords in the second piano and the striking melody in the first.
$4.99
4.47 €
#
2 Pianos, 4 hands
#
A Great Big World
#
Say Something
#
Sam Lee
#
SheetMusicPlus
Bunte Blätter
2 Pianos, 4 hands
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joer…
(+)
2 pianos - Digital Download SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
28.67 €
#
2 Pianos, 4 hands
#
Joerg Widmann
#
Bunte Blätter
#
Schott Music - Digital
#
SheetMusicPlus
How Great Thou Art (2 piano duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712251 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score. 8 pages. Sandra dee zylstra #4268385. Published by sandra dee zylstra (A0.712251). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This two piano duet arrangement would be great for worship! This arrangement is for both piano parts. (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.71 €
#
2 Pianos, 4 hands
#
Swedish Folk Melody
#
How Great Thou Art
#
sandra dee zylstra
#
SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 hands
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
(+)
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
22.4 €
#
2 Pianos, 4 hands
#
Various, traditional carol melodies
#
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
#
Simon Peberdy
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
