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4 sheet music found
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1
Silent Moments - Three Pieces for Christmas
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Brass ensemble
#
EASY
#
Christmas
#
Blechmaxx
#
Silent Moments - Three Pieces
#
Markus Dag
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.955682 Composed by Blechmaxx. Christmas,Concert,Holiday,Spiritual. Score and parts. 17 pages. Markus ...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.955682 Composed by Blechmaxx. Christmas,Concert,Holiday,Spiritual. Score and parts. 17 pages. Markus Dag #6055537. Published by Markus Dag (A0.955682). Three Short Pieces for Brassquintet.
$14.99
I dovregubbens 'hood (In da hood of da mountain king)
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Brass ensemble
#
EASY
#
Classical
#
Edvard Grieg
#
Nick Walkley
#
I dovregubbens 'hood
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Nick Walkley
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,World. Score and parts. 45 pages. Nick Walkley #3422303. Published by Nick Walkley (A0.940769). Based on Grieg's famous orchestral movement from 'Peer Gynt Suite no.1', this arrangement is a contemporary twist on an old classic and designed to appeal to young audiences and musicians. It was originally written for Sæbø Skulemusikklag, Norway, for World Brass Day 2017. The performance was recorded as representation of Norwegian culture and uploaded to Youtube in a shared playlist alongside others from around the globe*. The arrangement begins in a similar creepy manner to the original, tip-toeing in and gradually building up to a frightening frenzy. Something of a surprise is in store for the audience after a familiar opening however; a dubstep/drum n bass twist drops in before the melody rejoins in a new fashion, leading on to solo moments for drum kit and timpani. Elements of the original orchestration are again infused into the repeated refrain to intensify the music towards a dramatic final close.Note to conductors:Difficult solo tuba parts are a feature, but a simplified version is also supplied for less advanced players.The soprano cornet, 2nd horn and 2nd baritone parts are supplementary and can be omitted without problem. Beginner level (aspirant) parts are provided, written in B and E flat as 'Trolls' so that newer band members can join in. *this arrangement has been edited since that performance for publication.
$20.00
To Aslan's Camp
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Brass ensemble
#
EASY
#
Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
To Aslan's Camp
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Evacuating London
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Brass ensemble
#
EASY
#
Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
Evacuating London
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
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