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Chansons de Bilitis (2024)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405088 Composed by Thomas O…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405088 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 129 pages. Thomas Oboe Lee #988125. Published by Thomas Oboe Lee (A0.1405088). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
8.96 €
#
Piano, Voice
#
Thomas Oboe Lee
#
Chansons de Bilitis
#
Thomas Oboe Lee
#
SheetMusicPlus
Chansons de Bilitis (2024) piano vocal score
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405090 Composed by Thomas O…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405090 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 83 pages. Thomas Oboe Lee #988127. Published by Thomas Oboe Lee (A0.1405090). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
8.96 €
#
Piano, Voice
#
Thomas Oboe Lee
#
Chansons de Bilitis
#
Thomas Oboe Lee
#
SheetMusicPlus
Dans Mon Tonneau. Chanson
Piano, Voice
Piano and voice - Digital Download SKU: LV.24032 Composed by Henri Helme. Wine indu…
(+)
Piano and voice - Digital Download SKU: LV.24032 Composed by Henri Helme. Wine industry, Glassware, Toasting, Spires, Moonlight, Occupations, Containers, Alcoholic beverages, Intoxication. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24032). Dans Mon Tonneau. Chanson. Poesie de S. Borel. Musique de Harlem. Creee par Henri Helme `a l'Alcazar d'Ete. Published [n.d.] by L. Eveillard, Editeur, 39 Boulevard de Strasbourgh in Paris. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Wine industry, Glassware, Toasting, Spires, Moonlight, Occupations, Containers, Alcoholic beverages, Intoxication. First line reads Dans mon tonneau, foudre geant, comme un volcan le vin bouillonne.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
#
Piano, Voice
#
Henri Helme
#
Dans Mon Tonneau. Chanson
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 42, No. 6: Chanson from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-21E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 42, No. 6: Chanson from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Sacred Head, Surrounded (Vocal Quartet - (SATB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370970 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370970 By Stephen DeCesare. By HANS L. HASSLER. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Spiritual,Standards. Score. 6 pages. Exultet Music #955316. Published by Exultet Music (A0.1370970). One of the most played hymns during Lent and Holy Week have now been freshly arranged for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
11.65 €
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Piano, Voice
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Stephen DeCesare
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O Sacred Head, Surrounded
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Exultet Music
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SheetMusicPlus
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Vocal Quartet - (SATB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370287 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370287 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Score. 8 pages. Exultet Music #954663. Published by Exultet Music (A0.1370287). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday. Â An accompaniment track is also available.
$12.99
11.65 €
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Piano, Voice
#
Stephen DeCesare
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Alas! And Did My Savior Bleed
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Exultet Music
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SheetMusicPlus
O Sacred Head, Surrounded (Vocal solo)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1371066 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1371066 By Stephen DeCesare. By HANS L. HASSLER. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Spiritual,Standards. Score. 4 pages. Exultet Music #955390. Published by Exultet Music (A0.1371066). One of the most played hymns during Lent and Holy Week have now been freshly arranged for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$4.99
4.47 €
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Piano, Voice
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Stephen DeCesare
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O Sacred Head, Surrounded
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Exultet Music
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SheetMusicPlus
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Vocal solo)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370296 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370296 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Score. 7 pages. Exultet Music #954672. Published by Exultet Music (A0.1370296). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday. A rehearsal track and an accompaniment track are also available.
$4.99
4.47 €
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Piano, Voice
#
Stephen DeCesare
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Alas! And Did My Savior Bleed
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Exultet Music
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SheetMusicPlus
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Vocal Trio - (SAB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370285 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370285 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Score. 8 pages. Exultet Music #954661. Published by Exultet Music (A0.1370285). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Vocal Trio (SAB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday. Â An accompaniment track is also available.
$12.99
11.65 €
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Piano, Voice
#
Stephen DeCesare
#
Alas! And Did My Savior Bleed
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Exultet Music
#
SheetMusicPlus
O Sacred Head, Surrounded (Vocal Trio - (SAB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370971 By Stephen DeCesare.…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370971 By Stephen DeCesare. By HANS L. HASSLER. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Spiritual,Standards. Score. 6 pages. Exultet Music #955317. Published by Exultet Music (A0.1370971). One of the most played hymns during Lent and Holy Week have now been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
11.65 €
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Piano, Voice
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Stephen DeCesare
#
O Sacred Head, Surrounded
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Exultet Music
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SheetMusicPlus
O Sacred Head, Surrounded (with "The Old Rugged Cross") (Vocal solo)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628667 By Stephen DeCesare. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628667 By Stephen DeCesare. By Hans L. Hassler, George Bennard. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Religious,Sacred. Score. 5 pages. Exultet Music #6205693. Published by Exultet Music (A0.628667). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.47 €
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Piano, Voice
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Stephen DeCesare
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O Sacred Head, Surrounded
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Exultet Music
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SheetMusicPlus
O Sacred Head, Surrounded (with "The Old Rugged Cross") (Vocal Quartet - (SATB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628731 By Stephen DeCesare. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628731 By Stephen DeCesare. By Hans L. Hassler, George Bennard. Arranged by Stephen DeCesare. Christian,Lent,Religious,Sacred,Spiritual. Score. 10 pages. Exultet Music #6209681. Published by Exultet Music (A0.628731). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for a Vocal Quartet (SATB) and Piano. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
11.65 €
#
Piano, Voice
#
Stephen DeCesare
#
O Sacred Head, Surrounded
#
Exultet Music
#
SheetMusicPlus
O Sacred Head, Surrounded (with "The Old Rugged Cross") (Vocal Trio - (SAB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628734 By Stephen DeCesare. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.628734 By Stephen DeCesare. By Hans L. Hassler, George Bennard. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Religious,Sacred. Score. 10 pages. Exultet Music #6209687. Published by Exultet Music (A0.628734). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for a Vocal Trio (SAB) and Piano. Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
11.65 €
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Piano, Voice
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Stephen DeCesare
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O Sacred Head, Surrounded
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Exultet Music
#
SheetMusicPlus
GÁL: Vergängliches, Op. 33 no. 1 (transposed to F major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.538114 Composed by Hans Gal. Arranged …
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Piano,Vocal,Voice - Digital Download SKU: A0.538114 Composed by Hans Gal. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #3628947. Published by AST Publications, LLC (A0.538114). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
8.96 €
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Piano, Voice
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Hans Gal
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GÁL: Vergängliches, Op. 33 no. 1
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AST Publications, LLC
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SheetMusicPlus
GÁL: Abend auf dem Fluss, Op. 33 no. 5 (transposed to E major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.538116 Composed by Hans Gal. Arranged …
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Piano,Vocal,Voice - Digital Download SKU: A0.538116 Composed by Hans Gal. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 7 pages. AST Publications, LLC #3629287. Published by AST Publications, LLC (A0.538116). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
8.96 €
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Piano, Voice
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Hans Gal
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GÁL: Abend auf dem Fluss, Op. 33 no. 5
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AST Publications, LLC
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SheetMusicPlus
Paladilhe-Aux berceaux,from 'La chanson de l'enfant',in A flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447611 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447611 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 4 pages. Mayer Music #1027397. Published by Mayer Music (A0.1447611).
$2.99
2.68 €
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Piano, Voice
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Emile Paladilhe
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Paladilhe-Aux berceaux,from 'La chanson de l'enfant',in A flat Major
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Mayer Music
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SheetMusicPlus
Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in D Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447636 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447636 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 6 pages. Mayer Music #1027422. Published by Mayer Music (A0.1447636).
$4.99
4.47 €
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Piano, Voice
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Emile Paladilhe
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Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in D Major
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Mayer Music
#
SheetMusicPlus
Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in D flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447637 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447637 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 6 pages. Mayer Music #1027423. Published by Mayer Music (A0.1447637).
$4.99
4.47 €
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Piano, Voice
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Emile Paladilhe
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Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in D flat Major
#
Mayer Music
#
SheetMusicPlus
Paladilhe-Aux berceaux,from 'La chanson de l'enfant',in C Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447614 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447614 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 4 pages. Mayer Music #1027400. Published by Mayer Music (A0.1447614).
$2.99
2.68 €
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Piano, Voice
#
Emile Paladilhe
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Paladilhe-Aux berceaux,from 'La chanson de l'enfant',in C Major
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Mayer Music
#
SheetMusicPlus
Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in C Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447635 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447635 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 6 pages. Mayer Music #1027421. Published by Mayer Music (A0.1447635).
$4.99
4.47 €
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Piano, Voice
#
Emile Paladilhe
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Paladilhe-Chant de nourrice,from 'La chanson de l'enfant',in C Major
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Mayer Music
#
SheetMusicPlus
Paladilhe-Encore divins,from 'La chanson de l'enfant',in B flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447600 Composed by Emile Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1447600 Composed by Emile Paladilhe. Arranged by OSM Press. Classical. Score. 5 pages. Mayer Music #1027386. Published by Mayer Music (A0.1447600).
$3.99
3.58 €
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Piano, Voice
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Emile Paladilhe
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Paladilhe-Encore divins,from 'La chanson de l'enfant',in B flat Major
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Mayer Music
#
SheetMusicPlus
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