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This Is a Son - Drums
Piano, Voice
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6626
Through This Old Church Doorway (A Christmas Cantata)
Piano, Voice
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801052 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801052 Composed by Connie Boss. Arranged by Connie Boss. A Cappella,Christmas,Sacred. Score. 58 pages. Connie Boss #4298985. Published by Connie Boss (A0.801052). This is a Christmas Cantata. It has some original songs as well as re-arranged public domain songs. The public domain songs used are We Three Kings, O Come O Come Emmanuel, Silent Night, All the Pretty Little Horses, Angels We Have Heard On High, O Holy Night, What Child is This? See a choir performance of this at https://www.youtube.com/playlist?list=PLlYnLRoGREBiIbRVrK64gkENOalkGq7HC Some of the songs have original lyrics while others have the melody with new lyrics. It starts with a cantata setting and takes you back to songs that bring images of Jesus' birth to your minds. It ends in the setting on Christmas morning It is in SATB with Piano, Flute, Cello accompaniment with Guitar chords. It has an a cappella part, narration either at the beginning of each song, or included with the song, and some songs that come together at the same time. This was performed at a cantata service at my church and brought people to tears. The names of the songs are 1. Through This Old Church Doorway: The Season of Christmas 2. Rejoice, Virgin Mary: A New Life to Behold 3. Rejoice, Mary, Blessed Virgin: The Chosen One 4. Tears of Joy 5. Mary's Lullaby 6. The Babe, The Son of Mary 7. A Baby's Hope 8. Through This Old Church Doorway: The Morning Light of Christmas
$5.99
5.37 €
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Piano, Voice
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Connie Boss
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Through This Old Church Doorway
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Connie Boss
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SheetMusicPlus
In the Shadow of a Mountain
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.814677 Composed by Richard E…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.814677 Composed by Richard E Brown. Concert,Contemporary,Standards. Score. 48 pages. Dacker Music #2957161. Published by Dacker Music (A0.814677). Sub-titled Scenes from the Rockies, this is a song cycle for medium voice and piano. It consists of 14 short songs on poetry by Sue Personett, all set in the Rocky Mountains. Also available for SATB and piano.Level: M (range: B3 - F5) - Duration: ca. 20 minutesTo hear recordings of the separate songs go to: http://dackermusic.com/vocal-solos---childrens-choir.html
$14.00
12.55 €
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Piano, Voice
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Richard E Brown
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- Duration: ca
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In the Shadow of a Mountain
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Dacker Music
#
SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tis The Season
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414962 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414962 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. 20th Century,Christmas. Score. 4 pages. Elizabeth S. Cardwell #996690. Published by Elizabeth S. Cardwell (A0.1414962). This is a song about the birth of Jesus Christ.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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Tis The Season
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Elizabeth S. Cardwell
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SheetMusicPlus
Tis The Season
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400941 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400941 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. 19th Century,20th Century,21st Century,Christian,Christmas. Score. 4 pages. Elizabeth S. Cardwell #984136. Published by Elizabeth S. Cardwell (A0.1400941). This is a song about the birth of Jesus Christ.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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Tis The Season
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Elizabeth S. Cardwell
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SheetMusicPlus
Tis The Season
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381841 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381841 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. Christian,Christmas,Praise & Worship. Score. 4 pages. Elizabeth S. Cardwell #966492. Published by Elizabeth S. Cardwell (A0.1381841). This is a song about the birth of Christ.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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Tis The Season
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Elizabeth S. Cardwell
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SheetMusicPlus
Saviour While My Heart Is Tender
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1082298 Composed by Music Ke…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1082298 Composed by Music Keith Lewis - Words John Burton Jr. Children,Praise & Worship. Score. 4 pages. Lewis Music #686447. Published by Lewis Music (A0.1082298). This is a song for a young voices choir. It is arranged in 2 & 3 parts. The song is a dedication song and a song of commitment and was originally written for a solo singer.
$3.99
3.58 €
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Piano, Voice
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Music Keith Lewis - Words John Burton Jr
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Saviour While My Heart Is Tender
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Lewis Music
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SheetMusicPlus
A Child Was Born (Christmas) - SATB cello and piano with parts included
Piano, Voice
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801694 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801694 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 16 pages. Connie Boss #6418707. Published by Connie Boss (A0.801694). This is a song about the birth of Christ so long ago and far away. It is for SATB and cello parts included with piano. It has a bridge that is soft and intensifies. If you are looking for a new Christmas song, here is one for you. cdboss@cvalley.net. Lyrics below:
$5.50
4.93 €
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Piano, Voice
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Connie Boss
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A Child Was Born
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Connie Boss
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SheetMusicPlus
A Child Was Born (Christmas) - SATB Flute or violin or cello and piano with parts included
Piano, Voice
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801693 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801693 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 18 pages. Connie Boss #6418703. Published by Connie Boss (A0.801693). This is a song about the birth of Christ so far away and long ago. It is for SATB accent instrument (flute or violin or cello with parts included) and with piano. It has a bridge that is soft and intensifies. If you are looking for a new Christmas song, here is one for you. cdboss@cvalley.net. Lyrics below:
$5.50
4.93 €
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Piano, Voice
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Connie Boss
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A Child Was Born
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Connie Boss
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SheetMusicPlus
The Wassail Song - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721175 Composed by Tradition…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721175 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 7 pages. Music-Scores.com #3913505. Published by Music-Scores.com (A0.721175). Here We Come a Wassailing, or The Wassail Song. A Wassail is the content of a drinking vessel and this is a song of beer and good cheer. It could be sung towards the end of an evening of carolling around the village, perhaps accompanied by a mug of steaming mulled wine.For Voice and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.64 €
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Piano, Voice
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Traditional
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The Wassail Song - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
You are gone when I am there - A-flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.910028 Composed by Tinus Bad…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.910028 Composed by Tinus Badenhorst. Contemporary,Pop. Score. 7 pages. Envangeli #6439295. Published by envangeli (A0.910028). This is a song that testifies of melodramatic attachment to a relationship that was never meant to be. It was composed around April 2015 after the experience.I was hesitant at first to publish this sheet music, but now I can look back and tell my past self that it was OK to feel that the whole world was ending.This song was originally composed in A-flat major, and later transposed to C major.Available in F, G, Ab, A, Bb, C, D and Eb.
$4.99
4.47 €
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Piano, Voice
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Tinus Badenhorst
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You are gone when I am there - A-flat Major
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envangeli
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SheetMusicPlus
There Comes a Time
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1326998 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1326998 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. 20th Century,21st Century,New Age. Score. 4 pages. Elizabeth S. Cardwell #915090. Published by Elizabeth S. Cardwell (A0.1326998). This is a song about choices. William Stanley gave a talk in church, one Sunday, about the difference betgween pleasure and joy, which was the inspiration for this song.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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There Comes a Time
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Elizabeth S. Cardwell
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SheetMusicPlus
His Love Is Here To Stay
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.966851 Composed by E. V. Mar…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.966851 Composed by E. V. Martinez. Christian,Concert,Country,Standards. Score. 10 pages. Terry Berry Music #5355711. Published by Terry Berry Music (A0.966851). This is a song about the presence of God's love in all our daily ups and downs. It is enough to sustain us through them. My email address is ev_martinez@att.net. I am affiliated with BMI.
$3.99
3.58 €
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Piano, Voice
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E
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His Love Is Here To Stay
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Terry Berry Music
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SheetMusicPlus
DvoÅ™ák: Songs My Mother Taught Me for Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597365 By Antonin Dvorak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597365 By Antonin Dvorak. By Antonin Dvorak. Arranged by Flavio Regis Cunha. Contest,Festival,Instructional,Romantic Period,Wedding. Score. 8 pages. Flavio Regis Cunha #5766443. Published by Flavio Regis Cunha (A0.597365). Songs My Mother Taught Me - German: Als die alte Mutter sang) is a song for voice and piano written in 1880 by AntonÃn Dvořák. It is the fourth of seven songs from his cycle Gypsy Songs (Czech: Cigánské melodie), B. 104, Op. 55. The Gypsy Songs are set to poems by Adolf Heyduk in both Czech and German. This song in particular has achieved widespread fame. The song has been recorded by a number of well-known singers, including Gabriela BeňaÄková, Evan Williams, Gervase Elwes, Nellie Melba, Rosa Ponselle, Jeanette MacDonald, Elisabeth Schwarzkopf, Victoria de los Angeles, Joan Sutherland, Paul Robeson, Frederica von Stade, Edita Gruberová, Angela Gheorghiu, Magdalena Kožená, and Renée Fleming. The song is also featured on the album Charlotte Church. Fritz Kreisler transcribed the song for violin and piano and performed it frequently. His transcription was first published in 1914. Artists who have recorded instrumental versions of the song include Kreisler himself, Glenn Miller, Julian Lloyd Webber, Yo-Yo Ma, Itzhak Perlman, Joshua Bell, and Tine Thing Helseth. The title Songs My Mother Taught Me has frequently been used by singers in recitals or on recital discs even when the song itself is not included in the recording.Intermediate.Format: Concert 12 x 9 inches. 8 pages.
$4.99
4.47 €
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Piano, Voice
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Antonin Dvorak
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DvoÅ™ák: Songs My Mother Taught Me for Voice and Piano
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Flavio Regis Cunha
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SheetMusicPlus
There Comes a Time
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414862 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414862 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. 19th Century,20th Century,21st Century,Praise & Worship. Score. 5 pages. Elizabeth S. Cardwell #996610. Published by Elizabeth S. Cardwell (A0.1414862). This is a song about choices, differences, forgiveness, and power to live the Word of God.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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There Comes a Time
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Elizabeth S. Cardwell
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SheetMusicPlus
There Comes a Time
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381839 By Elizabeth S. Card…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381839 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell. Arranged by Elizabeth S. Cardwell. 19th Century,20th Century,Christian. Score. 4 pages. Elizabeth S. Cardwell #966490. Published by Elizabeth S. Cardwell (A0.1381839). This is a song about choices in life.
$5.00
4.48 €
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Piano, Voice
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Elizabeth S
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There Comes a Time
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Elizabeth S. Cardwell
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SheetMusicPlus
Para Tí que me hiciste llorar tanto - Song
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.742607 Composed by Jesús …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.742607 Composed by Jesús Maya Santacruz - César Pantoja Guerra. 20th Century,Concert,Folk,Standards. Score. 5 pages. Arte Nova Music Lab #6511365. Published by Arte Nova Music Lab (A0.742607). This is a song written by Maya and Pantoja in the south of Colombia, for piano and vocals.
$7.00
6.28 €
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Piano, Voice
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Jesús Maya Santacruz - César Pantoja Guerra
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Para Tí que me hiciste llorar tanto - Song
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Arte Nova Music Lab
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SheetMusicPlus
A Mountain Song
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1336657 Composed by Peter Bu…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1336657 Composed by Peter Burton. Classical,Folk,Singer/Songwriter. Score. 8 pages. Peter Burton Music #922429. Published by Peter Burton Music (A0.1336657). Well, this is a mountain tale, the joy of climbing, the camaraderie of the hill. Whether we are seasoned climbers or ones that do a gentle ramble, I hope this song resonates with many of you. It expresses my love of mountains and the fun I have had and will have. Thanks go to the Christian Rock and Mountain club for having provided the photos for the video. I have spent many excellent days on the hill with them and so much thanks go to them. Scored for solo Tenor and piano.
$1.99
1.78 €
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Piano, Voice
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Peter Burton
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A Mountain Song
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Peter Burton Music
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
What Child Is This? (Christmas carol - Tune: Greensleeves)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.955894 Composed by Traditional 16th ce…
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Piano,Vocal,Voice - Digital Download SKU: A0.955894 Composed by Traditional 16th century English folksong. Arranged by Scott S. Stewart. Christmas,Contemporary. Score. 9 pages. Scott S. Stewart #6856893. Published by Scott S. Stewart (A0.955894). What Child Is This? is a ‘Christmas carol’ with lyrics written by William Chatterton Dix in 1865, set to the tune of the traditional English folk song ‘Greensleeves’. The lyrics are taken from his poem The Manger Throne. The song What Child Is This? was first published in 1871 in Christmas Carols Old and New. The tune ‘Greensleeves’ association with the festive season can be dated back to 1642; also Shakespeare refers to this popular tune twice in his famous play Merry Wives of Windsor. This arrangement is scored for solo voice with piano accompaniment. Performance time: 3:12. It is arranged with the awe and wonder (and perhaps confusion) the townspeople and shepherds experienced with the birth of ‘this child.’
$9.99
8.96 €
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Piano, Voice
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Traditional 16th century English folksong
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What Child Is This?
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Scott S. Stewart
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SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 7: À Diane from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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