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Second To One
Double Bass
Sheetmusic to print
10 sheet music found
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1
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Double Bass
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Double Bass
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Double Bass
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Don't Stop Believin'
Double Bass
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey…
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Graham Boag. Rock. Individual part. 19 pages. Graham Boag #5023745. Published by Graham Boag (A0.780037). Don't Stop Believin’ is a song by American rock band Journey, originally released as the second single from their seventh album Escape (1981). It became a number 9 hit on the Billboard Hot 100 on its original release after entering the chart at position 56 on 31st October 1981. In the United Kingdom, the song was not a Top 40 hit on its original release; however, it reached number 6 in 2009.Mike DeGagne of AllMusic has described Don't Stop Believin' as a perfect rock song and an anthem, featuring one of the best opening keyboard riffs in rock. It is the best-selling digital track from the 20th century with over 7 million copies sold in the United States. It was used in the Final scene of HBO’s The Sopranos bringing the song to a newer audience and then it’s use in the US television series Glee where it was performed in either whols or part in six different episodes throughout the run of the show, including the 120th (second last) episode, once again brining the song to a new younger audience. I have now done an arrangement for Double Bass quartet which is sure to prove popular with audience’s young and old as well as your Bass group.
$12.99
11.64 €
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Double Bass
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Journey
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Don't Stop Believin'
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Graham Boag
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
8.95 €
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Double Bass
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
SCARBOROUGH FAIR
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1197211 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1197211 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796374. Published by Alex Rodrigues (A0.1197211). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
$1.99
1.78 €
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Double Bass
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Traditional English
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
SCARBOROUGH FAIR
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1197188 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1197188 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796351. Published by Alex Rodrigues (A0.1197188). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
$1.99
1.78 €
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Double Bass
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Traditional English
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
Christmas Time Is Here
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.808442 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.808442 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Individual part. 1 pages. Mark Wayne Music, LLC #3688839. Published by Mark Wayne Music, LLC (A0.808442). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$4.99
4.47 €
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Double Bass
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Vince Guaraldi
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
La Valse D'amelie
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1466870 By Yann T…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1466870 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1045426. Published by Albus Music (A0.1466870). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for bass, dedicated to beginners, students and all music lovers. Key signature: A minor; Range: E3 – E4 (as written); Duration: 36 seconds; with chords; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.47 €
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Double Bass
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Yann Tiersen
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Range: E3 – E4 (as written)
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
La Valse D'amelie
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1466868 By Yann T…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1466868 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1045424. Published by Albus Music (A0.1466868). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for bass, dedicated to beginners, students and all music lovers. Key signature: A minor; Range: E3 – E4 (as written); Duration: 35 seconds; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.47 €
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Double Bass
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Yann Tiersen
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Range: E3 – E4 (as written)
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
DIRT SIMPLE UPRIGHT BASS
Double Bass
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…
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Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99
8.95 €
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Double Bass
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DIRT SIMPLE UPRIGHT BASS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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