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4 sheet music found
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Hommage à György Ligeti - Score Only
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Chamber Orchestra
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ADVANCED
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Amos Elkana
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Hommage à György Ligeti - Sc
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Amos Elkana
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Publish...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkana (A0.1371596). This piece is composed for the same exact instrumentation as Ligeti's own Chamber Concerto. I have always admired György Ligeti. I spent many hours studying his music and especially his Chamber Concerto for 13 instrumentalists. Ligeti died while I was working on this piece and I decided to make this work my homage to him. Hommage à György Ligeti was composed using a compositional method that is inspired by the idea of Fractals. A series of four numbers (5,6,4,4) dictate the micro and macro structure of the work. This method of composition can organize not only the structure of a piece but also its pitch material, rhythmic material and more but, even if strictly applied, it leaves much room for intuition on the part of the composer.
$44.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Ophélie, String Parts
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Chamber Orchestra
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ADVANCED
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Classical
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Claude Debussy
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Christopher Benfield
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Ophélie, String Parts
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Christopher Benfield
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Mul...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Multicultural,World. Score and parts. 8 pages. Christopher Benfield #4292989. Published by Christopher Benfield (A0.909884). This is an arrangement of the incredibly famous piano piece Arabesque No. 1 by Claude Debussy for string quartet and soprano soloist. Inspired by the works of Heitor Villa Lobos in his work Bachianas Brasileiras, the piece draws from the evocative poetry of Arthur Rimbaud and brings to mind the images of nature shown through a woman's body. Ophélie is great for a recital of new music, or arrangements of old music! This piece should be performed by advanced singers and string players. These are the parts for the individual string instruments only.
$2.99
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