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Make Me
Chamber Orchestra
Sheetmusic to print
11 sheet music found
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1
Make a Clean Heart in Me O God - strings and piano
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801460 Composed by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801460 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #5985299. Published by Connie Boss (A0.801460). This is an original Lenten song for strings - 3 violins and a cello. You can purchase the mp3 here as well as vocal sheet music under Connie Boss. cdboss@cvalley.net for questions. Lyrics below.
$5.50
4.93 €
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Chamber Orchestra
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Connie Boss
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Make a Clean Heart in Me O God - strings and piano
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Connie Boss
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SheetMusicPlus
When She Loved Me
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
125.47 €
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Chamber Orchestra
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Sarah McLachlan
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.24 €
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Chamber Orchestra
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
Homage to Sibelius
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
92.76 €
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Chamber Orchestra
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.18 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Barbara Allen for piccolo and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.34 €
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Chamber Orchestra
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Reinhold Behringer
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
The Hunt
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
8.95 €
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Chamber Orchestra
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
A Dream from the Past
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
22.41 €
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Chamber Orchestra
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Halloween Prelude for Small Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Biss…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
6.26 €
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Chamber Orchestra
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Mark Bisson
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Halloween Prelude for Small Orchestra
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Mark Bisson
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SheetMusicPlus
When I Am Older
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500189 Composed by Kristen …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500189 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Demetrio Bonvecchio. Film/TV,Jazz,Pop. 44 pages. Demetrio Bonvecchio (Db Music) #1076266. Published by Demetrio Bonvecchio (Db Music) (A0.1500189). When I Am Older, here arranged for Chamber Orchestra with Vocal Soloist, is a little number sung by Olaf in Frozen 2.I particularly like this melody because it reminds me of the old Golden Era musicals.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
89.62 €
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Chamber Orchestra
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Kristen Anderson-Lopez and Robert Lopez
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When I Am Older
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Demetrio Bonvecchio
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SheetMusicPlus
Fantasy for Flute and Strings
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
35.8 €
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Chamber Orchestra
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
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