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You've selected:
Piano In The Dark
Chamber Orchestra
Sheetmusic to print
4 sheet music found
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1
The Blackest Of Darkness
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779078 Composed by Don Hodel…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.779078 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Jazz,Rock,Video Game,World. Score and parts. 5 pages. Don Hodell Chilcote #6231311. Published by Don Hodell Chilcote (A0.779078). The Blackest Of Darkness is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 4 page arrangement is challenging but not overly so, and well worth the effort to learn. This is a sketch chart and there is improvisation in the recording. Fun tune to learn and improvise over.
$2.99
2.7 €
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Chamber Orchestra
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Don Hodell Chilcote
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The Blackest Of Darkness
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Don Hodell Chilcote
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SheetMusicPlus
Dark World
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779079 Composed by Don Hodel…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779079 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Rock,Video Game,World. Score and parts. 3 pages. Don Hodell Chilcote #6231313. Published by Don Hodell Chilcote (A0.779079). Dark World is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. This is a sketch chart and there is some improvisation in it.
$1.99
1.79 €
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Chamber Orchestra
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Don Hodell Chilcote
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Dark World
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Don Hodell Chilcote
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.41 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
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