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With One Voice
Chamber Orchestra
Sheetmusic to print
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Barbara Allen for low voice and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576458 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576458 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 27 pages. David Warin Solomons #26599. Published by David Warin Solomons (A0.576458). An arrangement for alto (or countertenor) or baritone voice and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies. The pdf file contains all the parts, including the vocal part, which can be sung by an alto or a baritone The sound sample is a performance by the composer, singing along with an electronic preview of the orchestral accompaniment.
$12.00
10.75 €
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Chamber Orchestra
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Traditional
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Barbara Allen for low voice and orchestra
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David Warin Solomons
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SheetMusicPlus
Blessed Is Everyone
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. Christian,Jewish,Religious,Sacred,Spiritual. Score and Parts. 52 pages. Steve Thweatt #815265. Published by Steve Thweatt (A0.1218857). Taken word for word from Psalm 128, the simple message of 'Blessed is everyone the fears the Lord' rings true thru all of time. Orchestrated for voice, piano, a full string orchestra, flute, oboe, clarinet in Bb, horn in F, Trumpet in Bb, and bells (glockenspiel) and timpani. The piano and voice could stand alone without the orchestra, but only with the orchestra can the full impact of this song be felt.
$29.95
26.84 €
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Chamber Orchestra
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Steve Thweatt
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Blessed Is Everyone
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Steve Thweatt
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SheetMusicPlus
O SOLE MIÒ- Baritone solo with chamber orchera
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.753624 Composed by Lyrics by…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.753624 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Contemporary,Opera,Romantic Period,Traditional. 39 pages. PRS&B #3874325. Published by PRS&B (A0.753624). O SOLE MIÒ- baritone solo with chamber orchestra- ’O sole mio was written in 1898 with lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged for baritone and chamber orchestra, this arrangement is a crowd pleaser. Lyrics are in Italian and English. Great for an encore! Baritone solo voice range is C3 to G4. Orchestra parts include Flute, Oboe, Clarinet in Bb, Bassoon, Horns in F 1&2, Trumpet in Bb, Trombones 1&2, timpani, Percussion, Orchestra Bells, Harp (Keyboard opt.), Strings.
$50.00
44.81 €
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Chamber Orchestra
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Lyrics by Giovanni Capurro and music by Eduardo di Capua
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Great for an encore!
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O SOLE MIÒ- Baritone solo with chamber orchera
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PRS&B
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SheetMusicPlus
O SOLE MIÒ- Tenor solo with chamber orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.753623 Composed by Lyrics by Giovanni …
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Chamber Orchestra - Digital Download SKU: A0.753623 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Multicultural,Opera,Romantic Period,Traditional,World. 59 pages. PRS&B #3874847. Published by PRS&B (A0.753623). O SOLE MIÒ- Tenor solo with chamber orchestra- ’O sole mio was written in 1898 with lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged for baritone and chamber orchestra, this arrangement is a crowd pleaser. Lyrics are in Italian and English. Great for an encore! Tenor solo voice range is D3 to A4. Orchestra parts include Flute, Oboe, Clarinet in Bb, Bassoon, Horns in F 1&2, Trumpet in Bb, Trombones 1&2, timpani, Percussion, Orchestra Bells, Harp (Keyboard opt.), Strings.
$50.00
44.81 €
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Chamber Orchestra
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Lyrics by Giovanni Capurro and music by Eduardo di Capua
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Great for an encore!
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O SOLE MIÒ- Tenor solo with chamber orchestra
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PRS&B
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.4 €
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Chamber Orchestra
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
44.81 €
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Chamber Orchestra
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Traditional
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
Separazione (Parting) - Version for Voice and Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317212 Composed by Giovanni…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317212 Composed by Giovanni Sgambati. Arranged by Stanley M. Hoffman. Classical,Romantic Period. 26 pages. Stanleymhoffman.com #905884. Published by stanleymhoffman.com (A0.1317212). Sgambati/Hoffman, arr. - Separazione (Parting) Arranged for Voice & OrchestraItalian Folk SongEdited, and provided with accompaniment by Giovanni Sgambati (1841–1914)English singing translation, SATB vocal/orchestral arrangement, and edition by Stanley M. HoffmanArrangement: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com  All rights reserved.---TEXTDolorosa partenza,ahi! quanto e dura!Quanto è grande per me la pena amara!Full of sadness is this parting,ah! how hard it is to leave you!Oh, how sore is the pain, the sorrow it gives me!---#music #arrangement #Italian #FolkSong #Sgambati #artsong #parting #voice #piano #satb  #MixedChorus #chorus #voice #VocalMusic  #orchestra #orchestralmusic.
$13.00
11.65 €
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Chamber Orchestra
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Giovanni Sgambati
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Separazione
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stanleymhoffman.com
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SheetMusicPlus
Jeanie With The Light Brown Hair, for voice and string quartet
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.917352 Composed by Stephen Foster. Arr…
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Chamber Orchestra - Digital Download SKU: A0.917352 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 7 pages. Gary Fagin #4626823. Published by Gary Fagin (A0.917352). One of six Stephen Foster arrangements for voice and string quartet.
$10.00
8.96 €
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Chamber Orchestra
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Stephen Foster
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Jeanie With The Light Brown Hair, for voice and string quartet
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Gary Fagin
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SheetMusicPlus
Separazione (Parting) - Version for SATB Chorus and Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317209 Composed by Giovanni…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317209 Composed by Giovanni Sgambati. Arranged by Stanley M Hoffman. Classical,Romantic Period. 26 pages. Stanleymhoffman.com #905881. Published by stanleymhoffman.com (A0.1317209). Sgambati/Hoffman, arr. - Separazione (Parting) Arranged for SATB Chorus & OrchestraSeparazione (Parting)Italian Folk SongEdited, and provided with accompaniment byGiovanni Sgambati (1841–1914)English singing translation, SATB choral/orchestral arrangement, and edition by Stanley M. HoffmanArrangement: © Copyright 2023 by Stanley M. Hoffman. www.stanleymhoffman.com  All rights reserved.---TEXTDolorosa partenza,ahi! quanto e dura!Quanto è grande per me la pena amara!Full of sadness is this parting,ah! how hard it is to leave you!Oh, how sore is the pain, the sorrow it gives me!---#music #arrangement #Italian #FolkSong #Sgambati #artsong #parting #voice #piano #satb  #MixedChorus #chorus #choral #ChoralMusic #choralarrangement #orchestra #orchestralmusic.
$13.00
11.65 €
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Chamber Orchestra
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Giovanni Sgambati
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Separazione
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stanleymhoffman.com
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SheetMusicPlus
GESU BAMBINO - SOPRANO or TENOR SOLO with STRING QUARTET accompaniment
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.806900 Composed by Peitro Yo…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.806900 Composed by Peitro Yon. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 34 pages. Arrangements by GPoehlmann #6115319. Published by arrangements by GPoehlmann (A0.806900). GESU BAMBINO - VOCAL SOLO for SOPRANO (or TENOR) with STRING QUARTET accompanimentYou will get 2 keys to choose from. The original arrangement was in E and I have added another version in G.There is another version of this title that I have arranged for Low Voice (alto/Baritone/Bass) that has 2 additional keys: C and D).51 measures. Performance Time approx. 4:00. Medium Difficult (Grade 3+)Key: E - G. Meter: 12/8. Vocal/Instrument Ranges (C4=middle C): Soprano Voice B3 - G5. Tenor Voice B2 - G4.Violin 1 D4 - E6. Violin 2 G#3 - B5. Viola E3 - E5. Cello D2 - E4.KEY G - Bb. Meter: 12/8 Soprano Voice D4 - Bb5. Tenor Voice D3 - Bb4PDF parts included for both keys: Score, Violin 1, Violin 2, Viola, Cello, Soprano Solo, Tenor Solo.
$5.00
4.48 €
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Chamber Orchestra
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Peitro Yon
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Performance Time approx
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GESU BAMBINO - SOPRANO or TENOR SOLO with STRING QUARTET accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
Panis Angelicus - for voices & orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.505708 Composed by Cesar Aug…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.505708 Composed by Cesar Auguste Franck. Arranged by Dico. Easter,Romantic Period,Wedding. Score and parts. 34 pages. Dico Ferreira #117367. Published by Dico Ferreira (A0.505708). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PANIS ANGELICUS - for voices and orchestra.Score | Voices | Flute | Oboe | Horn | Trumpet | Trombone 1, 2 | Piano | Strings (-Viola)
$32.00
28.68 €
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Chamber Orchestra
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Cesar Auguste Franck
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Panis Angelicus - for voices & orchestra
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Dico Ferreira
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SheetMusicPlus
Panis Angelicus (for voices and orchestra)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.843026 Composed by Cesar Aug…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.843026 Composed by Cesar Auguste Franck. Arranged by Dico. Easter,Romantic Period,Wedding. Score and parts. 34 pages. Dico #6499589. Published by Dico (A0.843026). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PANIS ANGELICUS - for voices and orchestra.Score | Voices | Flute | Oboe | Horn | Trumpet | Trombone 1, 2 | Piano | Strings (-Viola)
$32.00
28.68 €
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Chamber Orchestra
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Cesar Auguste Franck
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Panis Angelicus
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Dico
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SheetMusicPlus
Three Haiku and a Poem - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
13.48 €
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Chamber Orchestra
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Igor Korneitchouk
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Three Haiku and a Poem - Score Only
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Studio at the Post
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SheetMusicPlus
Three Haiku and a Poem (Parts only)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
4.5 €
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Chamber Orchestra
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.4 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Away In A Manger
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1150288 Composed by Traditional. Arranged by James C. Ivy. Christmas,Holiday,Praise & Worship,Religious,Traditional. Score and Parts. 29 pages. Jim Ivy #750464. Published by Jim Ivy (A0.1150288). A charming setting of one of the most loved Christmas carols for Chamber Orchestra with optional SATB choir parts. It can also be performed without the voices or even as an audience sing-along. It is easy to play but sounds full and has enough interest to set it apart. It will surely become a tradition for your Winter and Holiday season concerts.
$35.00
31.37 €
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Chamber Orchestra
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Traditional
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Away In A Manger
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Jim Ivy
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.18 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 11 pages. Sabine Fenske #890925. Published by Sabine Fenske (A0.1301288). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore only.
$4.99
4.47 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 19 pages. Sabine Fenske #890973. Published by Sabine Fenske (A0.1301344). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore and orchestral parts.
$12.99
11.64 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890941. Published by Sabine Fenske (A0.1301303). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviola.
$1.99
1.78 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301296 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301296 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890934. Published by Sabine Fenske (A0.1301296). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanflute 2.
$1.99
1.78 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301298 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301298 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890936. Published by Sabine Fenske (A0.1301298). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviolin 1.
$1.99
1.78 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301293 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301293 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890931. Published by Sabine Fenske (A0.1301293). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanflute 2.
$1.99
1.78 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Weihnachtslied
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301300 By Berliner Mozart-C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301300 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890938. Published by Sabine Fenske (A0.1301300). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviolin 2.
$1.99
1.78 €
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Chamber Orchestra
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Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
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