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You've selected:
Two at the Piano
Saxophone Quartet: 4 saxophones
Sheetmusic to print
15 sheet music found
<
1
Just As I Am (with "Jesus Paid It All") (for Saxophone Quartet & Piano)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.622900 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Easter,Sacred. 18 pages. Exultet Music #4102951. Published by Exultet Music (A0.622900). Two of the most celebrated hymns have now been joined together in one anthem that is scored for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent.
$12.99
11.6 €
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Saxophone Quartet: 4 saxophones
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William B
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Just As I Am
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Exultet Music
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SheetMusicPlus
It Is Well With My Soul (with "Blessed Assurance") (for Saxophone Quartet & Piano)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.621381 Composed by Philip Bliss, Phoebe Knapp. Arranged by Stephen DeCesare. Praise & Worship,Sacred. 23 pages. Exultet Music #3547651. Published by Exultet Music (A0.621381). Two of the most beloved hymns in the Christian repertoire have now been joined together and scored for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. .
$12.99
11.6 €
#
Saxophone Quartet: 4 saxophones
#
Philip Bliss, Phoebe Knapp
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It Is Well With My Soul
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Exultet Music
#
SheetMusicPlus
America the Beautiful - Saxophone Quartet or Group Score and Parts PDF
Saxophone Quartet: 4 saxophones
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.750974 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. Score and parts. 12 pages. BJE Music #5789731. Published by BJE Music (A0.750974). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a Saxophone Quartet or Group [Key of Bb]. Parts for Soprano, Alto, Tenor, Baritone, and Bass Saxophones. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
6.7 €
#
Saxophone Quartet: 4 saxophones
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Samuel A
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America the Beautiful - Saxophone Quartet or Group Score and Parts PDF
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BJE Music
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SheetMusicPlus
Now And Then
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1447488 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by James Pybus. Contemporary,Pop,Rock. 18 pages. James Pybus #1027268. Published by James Pybus (A0.1447488). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history. Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023.The song is a psychedelic soft rock ballad that John Lennon wrote in the late 1970s. He recorded a solo five-minute piano demo around 1977 on a tape recorder at his home in the Dakota building in New York City; it was left unfinished. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. Jackson also directed the music video for Now and Then. The song received much critical acclaim. This arrangement for SATB or AATB Saxophone Quartet is suitable for a variety of performance settings and should be appealing to audiences of all ages. The performance time is 3:46. Contact me at james.pybus56@gmail.com.
$15.99
14.28 €
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Saxophone Quartet: 4 saxophones
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The Beatles
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it was left unfinished
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Now And Then
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James Pybus
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.14 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.14 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.14 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.14 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Christmas Carols for All, Volume 3 (for Saxophone Quartet)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.722556 Composed by Various. Arranged by Randy Calistri-Yeh. Christian,Christmas,Classical. 62 pages. Custom Chamber Music #3366415. Published by Custom Chamber Music (A0.722556). Volume 3 of our Christmas collection (the Blue Book) contains another ten classic Christmas carols that both you and your audience are sure to love.Be sure to also check out Volumes 1 and 2, each with 10 different carols!This arrangement is for saxophone quartet (soprano sax, alto sax, tenor sax, baritone sax).Other arrangements of these carols, as well as two other volumes of Christmas carols, are available at the publisher link above or at www.customchambermusic.com.The carols included in Volume 3 are: Bring a Torch, Jeanette, Isabella It Came Upon the Midnight Clear O Little Town of Bethlehem (St. Louis) What Child is This (Greensleeves) Auld Lang Syne Good King Wenceslas Coventry Carol Here We Come A-Caroling (Wassail Song) O Come All Ye Faithful (Adeste Fideles) The Holly and the IvyEach carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts. Each carol also includes a new original descant counter-melody to feature your soloists and add a unique sound to your performance. The descant and melody are provided on each part to allow flexible solos. You will receive a full score and all individual parts in a single PDF file.
$12.95
11.57 €
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Saxophone Quartet: 4 saxophones
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Various
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Christmas Carols for All, Volume 3
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Custom Chamber Music
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SheetMusicPlus
Christmas Carols for All, Volume 1 (for Saxophone Quartet)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.722535 Composed by Various. Arranged by Randy Calistri-Yeh. Christian,Christmas,Classical. 76 pages. Custom Chamber Music #3363209. Published by Custom Chamber Music (A0.722535). Volume 1 of our Christmas collection (the Green Book) contains ten classic Christmas carols that both you and your audience are sure to love.Be sure to also check out Volumes 2 and 3, each with 10 different carols!This arrangement is for saxophone quartet (soprano sax, alto sax, tenor sax, baritone sax).Other arrangements of these carols, as well as two other volumes of Christmas carols, are available at the publisher link above or at www.customchambermusic.com.The carols included in Volume 1 are: I Heard the Bells on Christmas Day Angels from the Realms of Glory We Three Kings Away in a Manger (Mueller) O Christmas Tree (O Tannenbaum) Joy to the World While Shepherds Watched Their Flocks God Rest You Merry, Gentlemen O Come, O Come, Emmanuel Silent NightEach carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts. Each carol also includes a new original descant counter-melody to feature your soloists and add a unique sound to your performance. The descant and melody are provided on each part to allow flexible solos. You will receive a full score and all individual parts in a single PDF file.
$12.95
11.57 €
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Saxophone Quartet: 4 saxophones
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Various
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#
Christmas Carols for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Slavonic Dances No. 8 Op. 46 for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528157 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 17 pages. Diego Marani #4985725. Published by Diego Marani (A0.528157). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. In this arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) we have the Slavonic Dance No. 8 (Op. 46): Furiant.
$12.99
11.6 €
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Saxophone Quartet: 4 saxophones
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Antonin Dvorak
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Slavonic Dances No. 8 Op. 46 for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
Slavonic Dance Op. 46, No. 1 for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1293580 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. 18 pages. Diego Marani #884051. Published by Diego Marani (A0.1293580). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) of the marvelous dance no. 1 (Furiant) is suitable for classroom, repertoire, recital or for a joyful encore.
$12.99
11.6 €
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Saxophone Quartet: 4 saxophones
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Antonin Dvorak
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Slavonic Dance Op. 46, No. 1 for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
3 Note Songs for Saxophone
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.816775 Composed by Bryan Kujawa. Arranged by Bryan Kujawa. Instructional. 1 pages. Bryan Kujawa #6233851. Published by Bryan Kujawa (A0.816775). This is a new 2021 product for beginning saxophone players. This 1 page PDF contains 7 songs using only the notes G, A, B. 5 of the songs are original melodies, the last two are Mary Had a Little Lamb and Hot Cross Buns. The only type of rhythm used is a quarter note or quarter rests (some half rests at the end of a measure). This product gives the beginning musician plenty of practice with the first 3 notes.View sample notes and audio in the attached YouTube Link (note: the video is for a similar piano product, simply imagine the notes being transposed up a perfect 5th)
$2.25
2.01 €
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Saxophone Quartet: 4 saxophones
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Bryan Kujawa
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3 Note Songs for Saxophone
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Bryan Kujawa
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SheetMusicPlus
Tango for Glenn
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1458779 Composed by Greg Woodward. 21st Century,Baroque,Celtic,Classical,Irish,Jazz. 14 pages. Greg Woodward #1037714. Published by Greg Woodward (A0.1458779). Tango for Glenn is a tribute to Glenn Gould, whose particular way of playing Bach on piano was so influential in its day. However, it's very much a joyful romp through a range of styles. (The original piece was for piano; this arrangement was made for the local Xyris Saxophone quartet, whose excellent performance is linked below. The original piano piece is also available for sale at Sheet Music Plus).The main theme is in 5/4 and it moves through a range of - mostly - irregular time-signatures, but uses a harmonic and melodic vocabluary strongly influenced by Bach, with lashings of some more jazzy language. There is a brief (two beat long) quote of Paul McCartney's song Blackbird used as thematic material in the second episode, the guitar part of which was also based on a piece by Bach.This would make a fun concert or encore piece.Visit my YouTube page for more performances, arrangements and compositions.
$40.00
35.73 €
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Saxophone Quartet: 4 saxophones
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Greg Woodward
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Tango for Glenn
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Greg Woodward
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SheetMusicPlus
That's A Plenty
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.875875 Composed by Lew Pollack and Ray Gilbert. Arranged by Jim Fieldhouse. Jazz. 24 pages. Nefarious Music Publications #4595267. Published by Nefarious Music Publications (A0.875875). That's A Plenty was originally a piano rag written in 1914 by Lew Pollack but some time later, lyrics were added by Ray Gilbert. The tune soon became a very popular dixieland jazz standard.This arrangement was written for The Eclipse Saxophone Quartet in the UK and recorded on their 2001 album. It was meant very much as a tongue-in-cheek comedy vaudeville piece and proved very popular with both jazz and classical audiences.From an initial simple statement of the tune, this arrangement moves through several different styles, from bebop and show-two feel to an over-the-top waltz and becomes quite technically demanding in places. Enjoy all the saxophonic effects, such as note bends and glissandos, exaggerate the dynamic contrasts and keep the music sounding humorous, even in the more challenging sections.Standard S/A/T/B sax quartet scoringDifficulty Rating : AdvancedIf you enjoy this title please check out the other arrangements by this publisher at https://www.sheetmusicplus.com/publishers/nefarious-music-publications/11562Titles includeSummertime (in a latin funk style)My Funny Valentine (funky shuffle)Donna LeeManteca
$20.00
17.86 €
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Saxophone Quartet: 4 saxophones
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Lew Pollack and Ray Gilbert
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That's A Plenty
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Nefarious Music Publications
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SheetMusicPlus
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