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Gai Sever
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
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Oops!...I Did It Again
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1425557 By Britney Spears. By Max Martin and Rami Yacoub. Arranged by James Smith. Film/TV,Pop. 19 pages. Ensemble Llama Music #1006369. Published by Ensemble Llama Music (A0.1425557). Nominated for Best Female Pop Vocal Performance at the 43rd Annual Grammy Awards in 2001. Oops!... I Did It Again is a pop song recorded by American singer Britney Spears from her second studio album of the same name. Like another of her well known songs, ...Baby One More Time, it received many positive reviews, peaking at the top of the charts in several countries. A great pop number to include in a wind quintet concert, especially as a singalong.Click here to view more of my catalog with Ensemble Llama Music!
$16.99
15.23 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Britney Spears
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Oops!...I Did It Again
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Ensemble Llama Music
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SheetMusicPlus
Detective Conan: Main Theme
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1494865 Composed by Katsuo Ohno. Arranged by Carson Yu. Children,Film/TV,Pop,Video Game. 22 pages. Carson Music Gallery #1071429. Published by Carson Music Gallery (A0.1494865). Detective Conan (Japanese: 名探偵コナン) is a mystery manga created by Japanese manga artist Gosho Aoyama. The manga was adapted into an anime series that began broadcasted on TV in 1990. Following the success of the anime, several movies were produced, gaining widespread popularity among manga fans around the world.The theme music was composed by Katsuo Ohni, and a woodwind quintet arrangement was created by Carson Yu.Advanced intermediate level with score and parts. Suitable for concert encore, gigs, party or any occasions. Published by Carson Music GalleryE-mail: carsonmusicgallery2022@gmail.com
$19.99
17.92 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Katsuo Ohno
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Detective Conan: Main Theme
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Carson Music Gallery
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SheetMusicPlus
Wilhelmus | Dutch National Anthem
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.713823 By EnsembleSheetMusic. By Sjoerd van der Veen. Arranged by Sjoerd van der Veen. Patriotic,Renaissance,Traditional. 6 pages. Sjoerd van der Veen #322359. Published by Sjoerd van der Veen (A0.713823). Wilhelmus van Nassouwe, usually known just as Wilhelmus is the national anthem of both the Netherlands and the Kingdom of the Netherlands. It dates back to at least 1572, making it the oldest national anthem in use today, provided that the latter is defined as consisting of both a melody and lyrics. Although Wilhelmus was not recognized as the official national anthem until 1932, it has always been popular with parts of the Dutch population and resurfaced on several occasions in the course of Dutch history before gaining its present status. It was also the anthem of the Netherlands Antilles from 1954 to 1964. arranged for woodwind quintet Flute - Oboe - Clarinet - Horn - Bassoon.
$6.59
5.91 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EnsembleSheetMusic
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Wilhelmus | Dutch National Anthem
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Sjoerd van der Veen
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SheetMusicPlus
Get Here
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.838043 By Dave Koz. By Brenda Russell. Arranged by Spence Bundy. Jazz. 19 pages. Spencer Bundy #6735981. Published by Spencer Bundy (A0.838043). This song was originaly released in 1988 by the composer. It would go on to gain more success with the cover by Oleta Adams in 1991. It became a top 5 hit in several contries and is considered by some to have become an unofficial anthem for American troops serving in the Gulf War.
$12.99
11.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Dave Koz
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Get Here
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Spencer Bundy
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SheetMusicPlus
Lavender's Blue
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1284243 Composed by Traditional. Arranged by Christian Morris. Traditional. 20 pages. Hoopla Sheet Music #875418. Published by Hoopla Sheet Music (A0.1284243). An expressive arrangement of the beautiful English folk song. It is heard first against a countermelody, before being expanded into a new secondary theme. All three ideas are then taken on a journey through several keys, the piece eventually ending serenely in the opening key.
$9.99
8.95 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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Lavender's Blue
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Hoopla Sheet Music
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SheetMusicPlus
I Had Much Grief
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.12 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
15.68 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Woodwind Quintet《木管五é‡å¥ã€‹
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 C…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年（賴德和撰寫） 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段：第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是，父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂，æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店，演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》（2002） The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
14.33 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木管五é‡å¥ã€‹
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SpringAutumnmusic
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SheetMusicPlus
Dreams of the White Tiger
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Digital Download SKU: IZ.CMS169 Composed by Daniel Baldwin. Scor…
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Woodwind quintet - Digital Download SKU: IZ.CMS169 Composed by Daniel Baldwin. Score and Parts. 72 pages. Imagine Music - Digital #CMS169. Published by Imagine Music - Digital (IZ.CMS169). 9 x 12 in inches.Dreams of the White Tiger is a work that had a complicated path to completion. Upon receiving this commission, Icontacted several of my friends (Jeff McCray, Matt Morris, and Richard Ramey) and requested lists of the mosthighly regarded staples of the wind quintet repertoire. After studying these works, I selected one of my favoritesubjects from Norse mythology as inspiration. Unfortunately, this did not work out as the work wanted to be toolarge and I could not reduce it down to a small chamber work.At that point, I decided to switch gears and find a new source of inspiration, which I found in a poem by James Yatestitled White Tiger Trilogy. I sketched out three movements based on this poem and was, again, displeased with theresulting work. However, I did very much like many elements from the sketches, so I decided to strip the piece downto these elements and construct one single cohesive movement. I chose my favorite line from the original sketchesand made that the central theme in an extended sonata rondo movement. I was finally pleased with this product thatincluded elements from all of the different versions. Dreams of the White Tiger was commissioned by 111 wind quintets in consortium led by my friend Richard Rameyand is dedicated to all of those who contributed to making this project a reality.
$30.00
26.89 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Daniel Baldwin
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Dreams of the White Tiger
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Imagine Music - Digital
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SheetMusicPlus
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