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A Different Point Of View
Sheetmusic to print
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A Different Point Of View
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772905 Composed by Christo…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772905 Composed by Christopher Sean Lowe and Neil Francis Tennant. Arranged by Paul Ayres. Contemporary. Octavo. 12 pages. Paul Ayres #5320743. Published by Paul Ayres (A0.772905). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Christopher Sean Lowe and Neil Francis Tennant
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A Different Point Of View
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Paul Ayres
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SheetMusicPlus
I Wouldn't Normally Do This Kind Of Thing
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772906 By Pet Shop Boys. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772906 By Pet Shop Boys. By Christopher Lowe and Neil Tennant. Arranged by Paul Ayres. Dance. Octavo. 14 pages. Paul Ayres #5320739. Published by Paul Ayres (A0.772906). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Pet Shop Boys
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I Wouldn't Normally Do This Kind Of Thing
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Paul Ayres
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SheetMusicPlus
House Of The Rising Sun
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric V…
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Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts. 64 pages. Phillip Lawrence #5287377. Published by Phillip Lawrence (A0.883786). The idea for this arrangement was given to me by an old friend who played in BR Edge Hill band with when we were kids, Christine Humphreys and to do it for bass trombone, the more I looked at it thinking of Eric Burdon’s voice from The Animals with his first verse nearly too low for him to scrape the lower notes and then the later verses near to top of his register suited. The Animals though in A minor, so for BT I dropped it to Ab minor a real shall we say juicy register for bass trombone plus the added attraction of setting it in the lower octave pedal area to show the instrument off. There aren’t may Bass Trom solos in the rep, so now we add one more!An interview with Eric Burdon revealed that he first heard the song at a club in Newcastle, England, where it was performed by Northumberland folk singer Johnny Handle.The Animals were on tour with Chuck Berry and chose him because they wanted to sing something different. The Animals version moves the narrative from the initial point of view of a woman drawn into a life of decline to that of a man whose father is a gambler and a drunk, rather than the adorable person of the previous versions.
$29.99
26.88 €
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Brass ensemble
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Eric Burdon and Eric Victor Burdon
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House Of The Rising Sun
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Phillip Lawrence
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SheetMusicPlus
The Emotional Lives of Colors (for trumpet, piano, and percussion)
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Compos…
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
26.88 €
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.55 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sailing to a Sunset
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1242747 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1242747 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages. Suzanne Herman Music #837838. Published by Suzanne Herman Music (A0.1242747). Sailing to a Sunset musically describes the northernmost point of Anna Maria Island on the west coast of Florida. It is where Tampa Bay meets the Gulf of Mexico. Here, the sunsets are iconic; each sunset is different and unique. Experiencing a sunset is saying goodbye to yet another day. Whether you walk the beach or are sailing to the horizon, people never get tired of watching a sunset.This descriptive piano solo, Sailing to a Sunset, from the solo piano album A Seaside View, has a gentle flow with a tempo marking of Andantino. There is ample opportunity for expressive rubato; with a wide dynamic range. In the key of F minor, the rhythmic syncopation creates constant interest making this piano solo a spectacular piece for students and audiences alike! Sailing to a Sunset can be found worldwide on all major listening platforms including Pandora, Spotify, Apple Music, SoundCloud and more. For more information on Suzanne Herman:Website FacebookInstagramYoutube ChannelRegister for Newsletter
$5.50
4.93 €
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Piano solo
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Suzanne Herman
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Sailing to a Sunset
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Suzanne Herman Music
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SheetMusicPlus
Home And Dry
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772904 By Pet Shop Boys. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772904 By Pet Shop Boys. By Christopher Sean Lowe and Neil Francis Tennant. Arranged by Paul Ayres. Dance. Octavo. 12 pages. Paul Ayres #5320733. Published by Paul Ayres (A0.772904). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Pet Shop Boys
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Home And Dry
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Paul Ayres
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SheetMusicPlus
Did You See Me Coming
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772907 Composed by Chris L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772907 Composed by Chris Lowe and Neil Tennant. Arranged by Paul Ayres. Contemporary. Octavo. 11 pages. Paul Ayres #5320749. Published by Paul Ayres (A0.772907). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Chris Lowe and Neil Tennant
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Did You See Me Coming
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Paul Ayres
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SheetMusicPlus
Santa Claus Is Comin' To Town
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven …
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Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
5.37 €
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Piano solo
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Michael Buble
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
This Little Light of Mine
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.911590 Composed by Spiritual…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.911590 Composed by Spiritual. Arranged by Leonora Hardy. Christian,Religious,Sacred,Spiritual. Score. 3 pages. Leonora Hardy #517619. Published by Leonora Hardy (A0.911590). A lively, easily learned arrangement for the church pianist. A few little bluesy riffs and a driving bass gives this traditional spiritual a little different viewpoint. It is easy to sing to since the melody is retained, as well as the traditional timing to help singers even if a song leader is not present. It would also be suitable for upbeat preludes. Lyrics are included as well as chords for guitar. Early intermediate to intermediate level. Hymn Spiritual Christian Gospel Matthew 5:16.
$4.99
4.47 €
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Piano, Voice
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Spiritual
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This Little Light of Mine
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Leonora Hardy
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
9.86 €
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Piano solo
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
Sliding Doors
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1495913 Composed by Isabella Turso.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1495913 Composed by Isabella Turso. 21st Century,Classical,Contemporary,Film/TV,New Age. Score. 4 pages. Bluebelldisc Press #1072439. Published by Bluebelldisc Press (A0.1495913). On April 24, 2020 Bluebelldisc released the digital record single Sliding Doors by Isabella Turso, which was included as fourth track in the pianist album Big Break, issued the following May 29. As the composition's title suggests, Sliding Doors compares two parallel dimensions. From a musical point of view, Isabella has chosen to bring together two different stylistic approaches (the classical and the contemporary), trying to get them closer and make them dialogue in a personal interplay.The official work track was synchronised in the music video shot at MUSE - Museo delle Scienze in Trento in May 2020, starring Isabella Turso (watch it on the YouTube link). The track is one of the most listened and played Isabella's tunes on digital platforms. Copyright (c) 2021 (Renewed) by Bluebelldisc Music Score first released by Bluebelldisc Press - BPP DSM 2022 - on April 24, 2020 order@bluebelldiscmusic.it Visit our website www.bluebelldiscmusic.it
$5.99
5.37 €
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Piano solo
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Isabella Turso
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Sliding Doors
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Bluebelldisc Press
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SheetMusicPlus
Mama's Broken Heart
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005721 By Miranda Lambert.…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005721 By Miranda Lambert. By Brandy Clark, Kacey Musgraves, and Shane McAnally. Arranged by Dan Signor. A Cappella. Octavo. 7 pages. Sig #6437143. Published by Sig (A0.1005721). Most of us have had one of those break-ups; sad, but true. This song is full of those emotions but told from a few different points of view. The alto tells us the sad tale, the soprano acts the part of Mamma, and the baritone has a front-row seat to the whole mess. How fun and entertaining! .
$2.99
2.68 €
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Choral 3-part
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Miranda Lambert
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sad, but true. 
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Mama's Broken Heart
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Sig
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SheetMusicPlus
Missing your Love
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1112679 Composed by Dalva R. R. Bar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1112679 Composed by Dalva R. R. Barbosa. Classical,Film/TV,Romantic Period. Score. 7 pages. Dalva Regina Ribeiro Barbosa #714692. Published by Dalva Regina Ribeiro Barbosa (A0.1112679). Why would anyone abandon their partner to take risks in new adventures? Either the person is fickle, or is living a bad, abusive, careless relationship. But the time comes in which he/she loses hope in the current relationship because forgiveness also tire of forgiving. (Vinicius de Moraes in Regra Três). I decided to describe musically - using the same themes - both the sense of loss of those who were adrift, and the sense of freedom of those who left as a way of showing that the same story can be seen from different points of view. However, the title of this musical piece†Missing your Love†alludes to the fact that some people only realize the importance of someone in their lives after they leave.
$2.50
2.24 €
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Piano solo
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Dalva R
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Missing your Love
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Un Piccolo Concerto
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1007901 Composed by Guido Alfon…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contemporary. Score and parts. 220 pages. SGAE #3918741. Published by SGAE (A0.1007901). From the formal point of view, Un Piccolo Concerto is structured in three movements: I: Moderato, II: Homage to Ponce, mostly slow and II: Aires Mexicanos, allegro with verve. From the harmonic point of view, in the first movement a modal language is used, with some very tonal parts, the use of pantonalism or a very accelerated path through different tones and some use of blue elements, with a leitmotiv that is will repeat several times, giving the work a minimalist accent. The second movement, however, is very tonal, epic, with different changes of tone and mode in its development. In the third, the procedure is totally tonal, although very modulant, where they try to reflect the Mexican airs, because that is its main purpose. In this movement the same leitmotiv of the first one is also exploited, but with the rhythmic variant that supposes the ternary subdivision (6/8). In all movements, special care has been taken to respect the guitar aspect, both in technique and style. The estimated duration is approximately 17:30, although it could vary according to the sense given to the rittardando, taste of the interpreter and intermediates between movements.
$50.00
44.82 €
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Orchestra
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Guido Alfonso Medina Rivera
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Un Piccolo Concerto
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SGAE
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SheetMusicPlus
LEARN TO PLAY CELLO in TENOR CLEF book of 100 EASY TUNES and 10 EASY DUETS
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.1105199 By Various. By Various. Arr…
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Cello Solo - Level 2 - Digital Download SKU: A0.1105199 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Folk,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708456. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1105199). This book is perfect for beginners and those seeking to improve their musical skills. A great book to improve sight-reading and for those adding Tenor Clef.Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the TENOR clef a breeze.Created with CELLO PLAYERS in mind, the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes.  It's perfect for teacher-student play-along and is available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among Primary/elementary school students and teachers, as it can be played on any instrument.  This book is an excellent resource for individuals of all ages and classrooms, available in 10 different versions for all Western art musical instruments, allowing for unison or octave play.A must-have for beginners of any age. On purchase, please leave a review.
$6.50
5.83 €
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Cello
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Various
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LEARN TO PLAY CELLO in TENOR CLEF book of 100 EASY TUNES and 10 EASY DUETS
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Negotiations for Trombone and Harp
Harp, Trombone (duet)
Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Harp,Instrumental Duet,Trombone - Level 4 - Digital Download SKU: A0.755284 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 32 pages. Sy Brandon #5287559. Published by Sy Brandon (A0.755284). Negotiations was inspired by the Kim/Trump summit in June 2018. It is not a political commentary, but rather a reflection on the three stages that often take place during the negotiation process. The first movement Bombastic is filled with syncopation, loud dynamics, and strong articulation. It is at a fast tempo. Each instrument presents its point of view with different motivic material. The trombone hammers away at making its point through fast repeated notes and both instruments repeat their motives frequently in an argumentative manner. The second movement Compromise is at a slow tempo and is imitative. The imitation varies in some degree as each side makes small adjustments to what the other side has said. Sometimes the imitation is through alternating phrases and other times it is more canonic. Accord is the title of the third movement. This movement proceeds as if the two instruments are one with the trombone stating the agreement and the harp supporting the trombone. Tweaks are still being made as slight variations occur as the material repeats, but the sense of accord is present throughout and the movement and composition end triumphantly.
$14.99
13.44 €
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Harp, Trombone (duet)
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Sy Brandon
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Negotiations for Trombone and Harp
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Sy Brandon
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.78 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross
Choral SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.69 €
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Choral SSATTB
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.34 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
The Four Seasons - Concerto No. 1 In E Major, Op. 8, No. 1, RV 269 - "Spring" -allegro lead sheet
C Instruments
C Instrument - Digital Download SKU: A0.737424 Composed by Antonio Vivaldi. Arrange…
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C Instrument - Digital Download SKU: A0.737424 Composed by Antonio Vivaldi. Arranged by Andre Maaker. Baroque,Classical. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #345590. Published by SheetMusicHub (A0.737424). This is a lead sheet style (melody/chords/form) notation of Allegro from The Spring / la Primavera by Antonio Vivaldi. Lead sheet by Andre Maaker. From Wikipedia: The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention). The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, Spring, borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires. #vivaldi #fourseasons #sheetmusic.
$4.00
3.59 €
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C Instruments
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Antonio Vivaldi
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The Four Seasons - Concerto No. 1 In E Major, Op. 8, No. 1, RV 269 - "Spring" -allegro lead sheet
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SheetMusicHub
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SheetMusicPlus
AMETSETAN (full version)
Choral SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier B…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 9 pages. Bustovega #872540. Published by bustovega (A0.1281197). AMETSETAN: This is the title of the original work, from which the most difficult parts were later reduced. The original is entitled Ametsetan and the reduction, Ametsetan (zati bat). Zati bat in Basque means » one part».This work was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. It is actually available at the website. Name of the CD: HONDARRIBIA… AMETSETAN.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$5.00
4.48 €
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Choral SATB
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
AMETSETAN (Zati bat, short version)
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1281192 By Javier B…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1281192 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 4 pages. Bustovega #872534. Published by bustovega (A0.1281192). AMETSETAN (zati bat): This is a part of a bigger work (untitled Ametsetan), reduced to be sang as compulsory work at the TOLOSA INTERNATIONAL CHORAL COMPETITION in 2004. Zati bat in Basque means » one part».The original work, AMETSETAN (the long version) was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$2.40
2.15 €
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Choral SATB
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
L'è e Mez d'la Sira
Choral SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1278418 By Voxtone.…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1278418 By Voxtone. By Traditional. Arranged by Massimo Orlandini. A Cappella,Folk,Multicultural,Traditional,World. 5 pages. Massimo Orlandini #870136. Published by Massimo Orlandini (A0.1278418). This song comes from the traditional repertoire of the Tuscan-Emilian Apennines. The original version was collected by Gabriele Chiodi of the group Viulà n. The text is in the local dialect and is a lullaby to the baby Jesus. His birth is told from the point of view of Mary, whose voice joins that of the angels to celebrate the new king.The arrangement for mixed voices made by Massimo Orlandini dates back to 2020 and belongs to the repertoire of the vocal group Voxtone, founded by Massimo himself in 2012.The song was recently performed during the Anúna Italian Summer Residency in Pavullo nel Frignano (Modena), where dozens of singers from different parts of the world performed this wonderful piece.
$2.00
1.79 €
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Choral SATB
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Voxtone
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L'è e Mez d'la Sira
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Massimo Orlandini
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SheetMusicPlus
Promenade in B, for Piano Solo
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.950846 Composed by Moshe S. Knoll. …
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Piano Solo - Level 5 - Digital Download SKU: A0.950846 Composed by Moshe S. Knoll. Contemporary,New Age. Score. 12 pages. ArtsAhimsa #4337755. Published by ArtsAhimsa (A0.950846). This is a composition from 2015, using a fusion of Romanticism and Contemporary Pop idioms.Unlike some of my other compositions, this is sunny, happy, optimistic music.The ending is more along the lines of religious, spiritual music.The title alludes to the Promenade of a human life, the different stages of our earthly sojourn,from the point of view of one's higher self, viewing it all in perspective.
$7.00
6.28 €
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Piano solo
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Moshe S
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Promenade in B, for Piano Solo
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ArtsAhimsa
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SheetMusicPlus
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