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Among the Winds
SheetMusicPlus
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26
Among the Winds
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.773228 By Vivian Koo. By Vivian Koo…
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Piano Solo - Level 4 - Digital Download SKU: A0.773228 By Vivian Koo. By Vivian Koo. Arranged by Vivian Koo. Film/TV,Pop,Spiritual. Score. 4 pages. Vivian Koo #380872. Published by Vivian Koo (A0.773228). In this original piece for piano, I tried to reflect the presence of the Holy Spirit when we feel the winds blowing. The music reflects the characteristics of the Holy Spirit - it can be kind, gentle, joyful, and consoling but can also be strong and firm.
$4.99
4.47 €
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Piano solo
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Vivian Koo
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Among the Winds
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Vivian Koo
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SheetMusicPlus
There Is Sweet Music
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music. Scored for single winds, horn in F, and strings. 1111 1000 Strings. Duration approx. 3'45. Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs. Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire. The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys. The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys. Nevertheless, the music never sounds particularly dissonant and the effect is gentle. Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds. Composer Greg Bartholomew accepted this challenge and produced this arrangement.
$35.00
31.38 €
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Orchestra
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Edward Elgar
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There Is Sweet Music
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Burke & Bagley
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SheetMusicPlus
Battle of the Winds
Concert band
Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Ar…
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Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Arranged by Marc Oliver. Contemporary. Score and parts. 77 pages. Ayotte Custom Musical Engravings #3115021. Published by Ayotte Custom Musical Engravings (A0.733090). Charles Edward Duble was a tall, lanky trombone player who, as a circus band musician, was always seeking an opportunity to play a practical joke on someone. Duble's more serious side emerged when he composed for the many circus bands of the time time. Battle of the Winds can be a march, or it can be a battle among the wind players in the band. Duble's allegiance to the low brass gives the euphoniums, trombones, and tubas an edge at times, but the contest is fascinating from the introduction to the stinger at the end. Merle Evans and the Ringling Brothers and Barnum & Bailey's Circus Band performed it for years during their pre-game show.
$59.99
53.78 €
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Concert band
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Charles Edward Duble
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Battle of the Winds
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.37 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Lyons Music Services
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SheetMusicPlus
I Am the Vine
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.912373 Composed by Craig Cassils. Ch…
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Choral Choir (SATB) - Digital Download SKU: A0.912373 Composed by Craig Cassils. Christian. Octavo. 8 pages. Craig Cassils #3074177. Published by Craig Cassils (A0.912373). I Am the Vine – for SATB choir with piano. Here is a beautiful anthem based on the words Jesus said - I am the vine; you are the branches. (John 15) The melody is hauntingly modal, and winds as a vine among the voices, with the piano also winding around the choir. There are short solo and duet options, with choral sections ranging from simplicity to grandeur. $15.00 - THE PURCHASE PRICE ENTITLES YOU TO MAKE ENOUGH PHOTOCOPIES FOR ONE CHOIR IN ONE FACILITY. IF BUYING FOR MULTIPLE CHOIRS, PLEASE PAY FOR MULTIPLE COPIES.
$15.00
13.45 €
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Choral SATB
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Craig Cassils
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you are the branches
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I Am the Vine
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Craig Cassils
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SheetMusicPlus
長風é€é›åœ“舞曲. Geese in Winds Waltz. Choir version with Chinese lyrics
Choral Choir,Choral - Level 3 - Digital Download SKU: A0.1301793 By Johnson Gao. By…
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Choral Choir,Choral - Level 3 - Digital Download SKU: A0.1301793 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. Classical,Folk,Multicultural,Praise & Worship,Traditional,World. 10 pages. Johnson Gao #891385. Published by Johnson Gao (A0.1301793). 長風é€é›åœ“舞曲高é雄2023 å¹´ 10 月 10 日我們是一群團çµçš„大é›,飛翔在高空雲際。莫輕視那低矮的å°è‰,它們è±æ»¿äº†æˆ‘們的羽翼。å‰é€²å§å¤¥ä¼´å€‘!å„„è¬æ¬¡æ’²ç¿…!æˆ‘å€‘çš„åŸºå› æ›°: 穿越大地。The long winds send wild geese traveling waltzJohnson GaoOctober 10, 2023We are a united group of geese.Flying high in the sky among the clouds.Don't underestimate the low grass.It is they who have enriched our wings.Come on, friends!Do billions of wings fluttering!Our genes let us traveling across the earth.
$1.99
1.78 €
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Johnson Gao
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長風é€é›åœ“舞曲. Geese in Winds Waltz. Choir version with Chinese lyrics
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Johnson Gao
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SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
125.5 €
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Dmitry Klevansky
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The Messenger
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Heemrec
#
SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevsk…
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Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
116.54 €
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Dmitry Klevansky
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The Messenger
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Heemrec
#
SheetMusicPlus
Deutsche Mottete (German Motet) by Richard Strauss (Winds and Brass)
Concert band
Concert Band - Digital Download SKU: A0.830802 Composed by Richard Strauss. Arrange…
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Concert Band - Digital Download SKU: A0.830802 Composed by Richard Strauss. Arranged by Richard Byrnes. Contemporary. Score and Parts. 393 pages. Richard Byrnes #5791647. Published by Richard Byrnes (A0.830802). The Deutsche Mottete (German Motet) was completed in 1913. This marvelous work is considered among the most difficult choral works to perform. As a result, it is not as well known as many other choral works.
$124.99
112.05 €
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Concert band
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Richard Strauss
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Deutsche Mottete
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Richard Byrnes
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duet)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
44.78 €
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Euphonium, Piano (duet)
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Antonio Vivaldi (1678-1741)
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
116.54 €
#
Dmitry Klevansky
#
Проводник / Conductor
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Heemrec
#
SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
125.5 €
#
Dmitry Klevansky
#
Проводник / Conductor
#
Heemrec
#
SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
8.96 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
8.96 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
The Surrey With The Fringe On Top
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various…
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sam Fettig. 20th Century,Broadway,Jazz,Musical/Show. 49 pages. Sam Fettig #1013985. Published by Sam Fettig (A0.1433756). https://www.samfettigmusic.com/JAZZ ENSEMBLE GRADE 1.5PROGRAM NOTESSurrey With the Fringe on Top is a song from the 1943 Rodgers and Hammerstein musical “Oklahoma!”. It became a standard song among jazz musicians, especially after Miles Davis recorded it. There is a wonderful version recorded by saxophonist Cannonball Adderly on his 1955 album “Cannonball Adderly With Strings”. PERFORMANCE NOTESSurrey With the Fringe on Top is a 32-bar AABA form in the key of concert B flat. In this arrangement, the A-section melody features several tongue-in-cheek grand pause moments. These are indicated by fermatas over quarter note rests. Have fun with these spots, varying the length of time you pause, which can done with a comical effect. The solo section at bar 37 is open to any player, and a set of notes is provided for improvisation. The backgrounds at 41 are to be played each time, and the solo section can be repeated as necessary for additional solos. The shout chorus at bar 47 should be played at full volume. Be sure to investigate and balance the chords among the wind instruments. The shout chorus winds down with a call and response between the brass and saxes.I hope you have fun with this classic tune!
$60.00
53.79 €
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Jazz Ensemble
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Various Artists
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The Surrey With The Fringe On Top
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Sam Fettig
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SheetMusicPlus
A Festive Overture
Concert band
Concert band - Grade 3 - Digital Download SKU: IZ.CBW197-S Composed by Marvin Carlt…
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Concert band - Grade 3 - Digital Download SKU: IZ.CBW197-S Composed by Marvin Carlton. Score. 22 pages. Imagine Music - Digital #CBW197-S. Published by Imagine Music - Digital (IZ.CBW197-S). 9 x 12 in inches.In November 2013, I participated in the Atlanta Opera 24 Hour Opera Project where I met several outstanding composers. Among these composers was a young conductor/composer, named Gustav Westing III. The two of us found much in common with each other, including the fact that we were fraternity brothers. We continued to communicate with each other after the opera project, and became great friends, as well as sharing our music with each other for review and suggestions.Gustav told me one time that he was the Assistant Conductor of the AMERICAN PATRIOT WINDS in suburban Atlanta, and in the fall of 2015 called me with a commission to compose a piece for their spring 2016 concert. The result of this commission was A Festive Overture. The piece was composed to celebrate the joy of making music within a community.A Festive Overture was premiered on March 10, 2016 by the American Patriot Winds in Woodstock, Georgia.
$12.00
10.76 €
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Concert band
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Marvin Carlton
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A Festive Overture
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Imagine Music - Digital
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SheetMusicPlus
A Festive Overture
Concert band
Concert band - Grade 3 - Digital Download SKU: IZ.CBW197 Composed by Marvin Carlton…
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Concert band - Grade 3 - Digital Download SKU: IZ.CBW197 Composed by Marvin Carlton. Score and Parts. 77 pages. Imagine Music - Digital #CBW197. Published by Imagine Music - Digital (IZ.CBW197). 9 x 12 in inches.In November 2013, I participated in the Atlanta Opera 24 Hour Opera Project where I met several outstanding composers. Among these composers was a young conductor/composer, named Gustav Westing III. The two of us found much in common with each other, including the fact that we were fraternity brothers. We continued to communicate with each other after the opera project, and became great friends, as well as sharing our music with each other for review and suggestions.Gustav told me one time that he was the Assistant Conductor of the AMERICAN PATRIOT WINDS in suburban Atlanta, and in the fall of 2015 called me with a commission to compose a piece for their spring 2016 concert. The result of this commission was A Festive Overture. The piece was composed to celebrate the joy of making music within a community.A Festive Overture was premiered on March 10, 2016 by the American Patriot Winds in Woodstock, Georgia.
$70.00
62.75 €
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Concert band
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Marvin Carlton
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A Festive Overture
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Imagine Music - Digital
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SheetMusicPlus
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level…
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - Digital Download SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99
4.47 €
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
La Vie En Rose
Oboe, Piano (duet)
Bassoon,Flute,Oboe,Piano - Level 2 - Digital Download SKU: A0.1236706 By Edith Piaf…
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Bassoon,Flute,Oboe,Piano - Level 2 - Digital Download SKU: A0.1236706 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832226. Published by Andre_Nusa (A0.1236706). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for flute, oboe, bassoon and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The woodwinds paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the flute, oboe, bassoon, and piano unite to breathe new life into this beloved classic.
$12.99
11.65 €
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Oboe, Piano (duet)
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Edith Piaf
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
La Vie En Rose
Oboe, Piano (duet)
B-Flat Clarinet,Flute,Oboe,Piano - Level 2 - Digital Download SKU: A0.1236703 By Ed…
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B-Flat Clarinet,Flute,Oboe,Piano - Level 2 - Digital Download SKU: A0.1236703 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832223. Published by Andre_Nusa (A0.1236703). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for flute, oboe, clarinet and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The woodwinds paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the flute, oboe, clarinet, and piano unite to breathe new life into this beloved classic.
$12.99
11.65 €
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Oboe, Piano (duet)
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Edith Piaf
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
Sanctuary of Peace
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1128720 By C. Foster Payne. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1128720 By C. Foster Payne. By William Batchelder Bradbury, Slane (trad. Irish), Jean Sibelius. Arranged by C. Foster Payne. Christian,Classical. Score and parts. 80 pages. FossPayneMusic #729280. Published by FossPayneMusic (A0.1128720). A hymn medley of three classics: Jesus Loves Me, Be Thou My Vision, and Be Still, My Soul. This medley starts as a peaceful composition with flowing lines slowly building toward the first hymn, then crescendos toward a victorious finale before ending as it began with an intimate gesture among the woodwinds. An excellent choice for a service opener!
$49.99
44.81 €
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Orchestra
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C
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Sanctuary of Peace
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FossPayneMusic
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SheetMusicPlus
Six Mozart-Bach Preludes and Fugues, K.404a
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1375473 Composed by W.A. Mozart, J.S. Bach, W.F. Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 221 pages. Daniel Kaplan #959960. Published by Daniel Kaplan (A0.1375473). As part of a campaign to enrich the woodwind quintet repertoire, Kaplan has arranged for woodwind quintet the six preludes and fugues for string trio by Mozart (based on fugues, and some preludes, by J.S. and W.F. Bach, with the addition of four original preludes by Mozart). Around 1782 (as recounted by Mozart in a letter to his father), Mozart used to attend Sunday musicales at the home of Baron van Swieten, who required Bach and Handel to be played by all. Presumably it was to comply with the Baron's wishes that Mozart created these arrangements plus original preludes. The arranger surmises that Mozart's immersion in Bachian counterpoint influenced his own works, which increasingly featured interesting, elaborate, musically and emotionally exciting fugues (such as those in the K.387 string quartet, the Jupiter Symphony, and the Requiem). Given Mozart's genius, it is not all surprising that the fugues he selected are all of great musical interest.Note that in arranging string music for woodwinds, one often finds the English Horn better suited to the tessitura than the oboe. The main challenge is to share the string parts among the wind instruments in such a way as to permit the players to breathe. This the arranger has done, but welcomes feedback from players.
$24.95
22.37 €
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W
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Six Mozart-Bach Preludes and Fugues, K.404a
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Daniel Kaplan
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SheetMusicPlus
A Moon, A Minute
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes…
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
2.24 €
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
To Idleness for choir and guitar
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576884 Composed by David W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576884 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 6 pages. David Warin Solomons #484851. Published by David Warin Solomons (A0.576884). Setting of a poem by David Dunning extolling the virtues of idleness and its effects in each season. The sound sample here was the first performance, performed by a singing group in our college back in 1976. The author of the words is singing with the tenors and I am playing the guitar part. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$2.99
2.68 €
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Choral SATB
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David Warin Solomons
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To Idleness for choir and guitar
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David Warin Solomons
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SheetMusicPlus
To Idleness for solo alto and guitar
Vocal duet
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576885 Composed by David Wari…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576885 Composed by David Warin Solomons. 20th Century,Contemporary. 3 pages. David Warin Solomons #484853. Published by David Warin Solomons (A0.576885). Setting of a poem by David Dunning extolling the virtues of idleness and its effects in each season. The sound sample was performed by the composer (alto and guitar) These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$8.00
7.17 €
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Vocal duet
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David Warin Solomons
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To Idleness for solo alto and guitar
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David Warin Solomons
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SheetMusicPlus
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