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Anchor To the Power of the Cross
Sheetmusic to print
5 sheet music found
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1
Anchor To the Power of the Cross by The Hoppers - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: The Hoppers: Anchor To the Power of the Cross Digital Sheetmusic - instantly…
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Performed by: The Hoppers: Anchor To the Power of the Cross Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Gospel~~CCM~~Southern Gospel~~Christian
$5.50
5.16 €
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Piano, Vocal and Guitar
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The Hoppers
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Piano/Vocal/Guitar
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Musicnotes
Beneath the Cross of Jesus
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By E…
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Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score. 12 pages. Stephen R Dalrymple #3098321. Published by Stephen R Dalrymple (A0.818235). Beneath the Cross of Jesus ♫ Original piano arrangement by Stephen R Dalrymple ♫ Based on the public domain hymn by Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927 (melody) ♫ In preparing to compose the arrangement I asked myself “What would be the opposite of “Beneath the cross of Jesus I fain would take my stand.” How could I picture that? The opposite of firm footing, stability, taking a stand is vacillating between ideas or chasing numerous ideas. ♫ I pictured the wind scattering leaves and debris, but failing to budge heavy objects, anchored to the ground. ♫ Our culture bids us chase after status, power, money, pleasure, thrills … The problem, of course is that the shelf life of the satisfaction that these things brings is very short. Chasing after status, power, money, pleasure, thrills, etc. is like is like chasing the wind. ♫ Portraying chasing the wind allowed me to use some contemporary classical composition techniques such as polymeter, polytonality, and deliberate dissonance. The first theme suggests the futility and inevitable frustration of chasing the wind. The score opens up to the beauty of a life grounded on the cross of Jesus Christ. ♫ music © 2017 (copyright registered in ‘I See Your Glory’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
4.22 €
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Piano solo
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Stephen R Dalrymple
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Beneath the Cross of Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.65 €
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Guitar notes and tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
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