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1624
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1269
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720
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640
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517
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300
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276
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129
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77
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62
Piano Quintet: piano, 2 violins, viola, cello
24
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21
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20
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16
Accordion ensemble
15
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13
Big Note Piano
9
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6
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5
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3
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Bass guitar
11204
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925
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698
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361
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310
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116
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78
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44
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40
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35
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32
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30
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29
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20
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18
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12
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8
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8
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3
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2
Banjo
2
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2
2 Ukuleles
1
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1
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1
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1
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Choral SATB
9723
Choral 3-part
2780
Choral TTBB
1670
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1413
Choral 2-part
1381
Vocal duet, Piano
794
Voice solo
541
Choral SSAA
521
Low voice, Piano
444
Vocal duet
297
Choral Unison
110
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85
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72
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55
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46
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35
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22
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20
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15
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15
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11
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11
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10
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8
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5
Soprano voice, Piano
5
Alto voice, Piano
4
Voice, Guitar
3
Choral SSATTB
3
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2
Baritone voice
2
Tenor voice, Piano
1
Choral SATBB
1
Mezzo-Soprano voice, Piano
1
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WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
6875
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3025
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2353
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946
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749
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621
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601
Flute ensemble
591
3 Clarinets (trio)
564
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554
Clarinet, Bassoon (duet)
515
Flute, Oboe, Bassoon
497
Oboe, Clarinet, Bassoon (trio)
424
Oboe, Piano (duet)
413
Flute Quartet: 4 flutes
410
Saxophone Quintet: 5 Saxophones
362
Bass Clarinet
361
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353
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305
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292
Clarinet
248
Flute and Piano
210
2 Flutes (duet)
195
2 Recorders (duet)
193
Recorder Quartet
191
Flute Quintet : 5 flutes
189
Flute
178
Flute, Bassoon, and Piano
174
Tenor Saxophone and Piano
172
Recorder, Piano
171
2 Saxophones (duet)
150
Alto Saxophone and Piano
148
Clarinet and Piano
139
Recorder Ensemble
122
Flute Trio: 3 flutes
108
2 Clarinets, Bassoon
100
3 Recorders (trio)
87
Clarinet, Bassoon, Piano (trio)
75
Flute, Clarinet, Horn and Bassoon (Quartet)
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Recorder
65
Soprano Saxophone and Piano
61
3 Saxophones (trio)
56
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50
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47
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42
Flute (band part)
42
2 Oboes (duet)
41
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38
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35
Oboe, Bassoon and Piano
32
5 Recorders
32
Flute and Guitar
27
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25
Oboe (band part)
22
Oboe
17
Flute, Oboe, Clarinet (trio)
16
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15
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15
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14
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13
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13
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11
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10
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10
2 Clarinets, Piano
10
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10
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9
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9
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9
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8
English horn, Piano
8
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8
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7
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7
Tenor Saxophone
7
English Horn
7
Piccolo
7
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6
2 Flutes, Basso continuo
6
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6
Clarinet and Viola
6
Oboe, Clarinet (duet)
6
Flute, Violin and Violoncello
6
Baritone Saxophone
6
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5
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5
Oboe, Cello
5
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5
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5
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4
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4
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4
English Horn, Guitar (duet)
4
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3
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3
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3
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2
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Harmonica
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2 clarinets, 2 bassoons
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2
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2
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2
Flute, Clarinet, Violin (trio)
2
2 Saxophones, Piano
1
Bagpipe
1
2 Recorders, Guitar
1
2 Flutes, Piano
1
Flute, Harp and Cello
1
Oboe and Orchestra
1
Flute, Orchestra
1
English horn, Harp (duet)
1
Clarinet, Tuba
1
Clarinet, Trombone (duet)
1
2 Oboes, 2 Horns and 2 Bassoons
1
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1
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1
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WOODBRASS
Bass Clef Instruments
1808
Trombone (band part)
628
Brass Quintet: 2 trumpets, horn, trombone, tuba
502
Brass Quartet: 4 trombones
425
Trombone and Piano
307
Bass Trombone and Piano
271
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224
Trumpet (band part)
183
Trombone
165
Trombone ensemble
163
Tuba and Piano
151
2 Trombones (duet)
121
Trumpet, Piano
94
Euphonium, Piano (duet)
88
French Horn and Piano
84
Bass Trombone
70
Trumpet
68
Trumpet, Bassoon (duet)
61
Tuba
60
Euphonium
52
Tuba (band part)
49
French horn and Basson (duet)
49
French horn (band part)
48
Brass Quartet: 2 trumpets, horn, trombone
48
Brass Quartet: 4 horns
48
2 French horns (duet)
45
2 Euphoniums and 2 Tubas
44
3 Trombones (trio)
41
French horn
40
2 Trumpets (duet)
38
Brass Quartet
37
Trumpet, Trombone (duet)
35
2 Tubas (duet)
33
Brass Trio
32
Trombone, Tuba (duet)
27
Euphonium, Tuba (duet)
27
2 Euphoniums (duet)
13
Tuba and Organ
12
4 Tubas
12
Trumpet, Saxophone (duet)
11
English horn, Piano
8
3 Trumpets (trio)
7
Horn Ensemble
7
English Horn
7
Trumpet ensemble
6
Brass Quartet: 4 trumpets
5
French Horn and Harp
5
3 French horns (trio)
5
Trumpet, Harp
5
Bb Instruments
4
3 Tubas (trio)
4
English Horn, Guitar (duet)
4
Trombone and Orchestra
3
Trombone, Horn (duet)
3
Trombone, Organ
3
Trumpet, Euphonium (duet)
3
2 English horns and Pianoforte
2
Trumpet, Horn (duert)
2
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, violin (duet)
1
Tuba ensemble
1
Cornet and Orchestra
1
Horn, Trumpet, Trombone (trio)
1
English horn, Harp (duet)
1
Trumpet, Trombone, Piano
1
Euphonium (band part)
1
Trumpet and Guitar
1
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STRINGS
Doublebass (band part)
6674
Double Bass
2012
String Quartet: 2 violins, viola, cello
1931
String Quintet: 2 violins, viola, cello, bass
1883
Double bass, Piano (duet)
1538
Violin
331
Cello, String Bass (duet)
325
2 Double basses (duet)
311
Violin and Piano
259
String Trio: violin, viola, cello
258
Cello, Piano
247
Violin, Cello (duet)
230
Violin, Bassoon (duet)
187
Viola, Piano
169
Cello (band part)
160
Violin (band part)
153
2 Cellos (duet)
147
Viola and Bassoon
125
Harp
122
4 Double Basses
65
Viola (band part)
65
String trio
61
Cello
61
Violin, Viola (duet)
59
Violin, Basso continuo
55
2 Violins (duet)
52
2 Violas (duet)
46
Viola
46
Flute, Doublebass (duet)
45
3 double basses
43
Violoncello, Basso continuo
41
2 Violins and Basso
39
4 Cellos
39
String Trio: 2 violins, cello
33
Harp, Flute (duet)
27
String Trio: 3 cellos
26
Harp, Violin (duet)
21
2 Harps (duet)
20
Viola, Cello (duet)
20
Viola and Harp
19
Harp, Cello (duet)
17
Violin, Double bass (duet)
16
String Quintet: 2 violins, 2 violas, cello
15
Cello, Guitar (duet)
10
Violin, Guitar (duet)
8
Cello, Orchestra
5
String Trio: 3 violins
4
Piano Trio: Violin, Viola, Piano
4
String quartet: 4 violins
4
Cello Ensemble
4
Harp, Voice
4
String Trio: 3 violas
3
Double basses ensemble
3
Harp, Trombone (duet)
2
String Quartet : 4 violas
2
Viola ensemble
2
Harp, Violin, Violoncello
2
String Trio: 2 violins, viola
2
Violin ensemble
2
Cello, Organ
1
2 Violins, Piano
1
2 Cellos, Piano
1
Viola, Guitar (duet)
1
Violin, Cello, Clarinet
1
3 Harps
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
7704
Orchestra
2237
String Orchestra
2172
Jazz Ensemble
2139
Brass ensemble
845
Jazz combo
654
Drum (band part)
641
Chamber Orchestra
572
Drums
392
Handbells
287
Marching band
244
Percussion Ensemble
212
Percussion
70
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
50
Percussion (band part)
45
Timpani
23
Snare drums
17
Marimba
16
Xylophone, Piano
14
Piano and Orchestra
14
Big band
12
School Ensemble
11
Flexible Instrumentation
7
Timpani (band part)
7
Vibraphone
5
Woodwind Quintet
5
Orchestra, Violin
4
3 Marimbas
2
Vibraphone and Marimba
2
Voice and Orchestra
1
Brass Quintet: other combinaisons
1
Xylophone
1
Instrumentations suivantes
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OTHERS
Stationery
5
Music Theory
4
Musical course - Solfege
2
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BASS
Guitar
Sheetmusic to print
310 sheet music found
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301
Fun with Open Bass Notes
Guitar
Guitar - very easy to easy - Digital Download SKU: S9.Q52372 50 easy Pieces for …
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Guitar - very easy to easy - Digital Download SKU: S9.Q52372 50 easy Pieces for Guitar to introduce two-part Playing. This edition: Sheet music. Bass - guitar. Downloadable. Schott Music - Digital #Q52372. Published by Schott Music - Digital (S9.Q52372). German • English.50 easy pieces, songs and well-known classical themes in easy settings with open string accompaniment ('open bass'). The ideal introduction to two-part playing, developed by an experienced teacher for practical teaching. This edition is clearly and deliberately structured and therefore easy to read.
$15.99
14.96 €
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Guitar
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Fun with Open Bass Notes
#
Schott Music - Digital
#
SheetMusicPlus
Smooth Talkin' Bass
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1253432 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #847093. Published by Doug Smith Guitar Studio (A0.1253432). Smooth Talkin' Bass brings out the special character of the 6th, low E string. The bass line imitates the melodic phrasing of an upright jazz bass solo. The pizzicato ormuffled sound is used throughout while the accompaniment is played with treble string. chords or harmonics.
$1.99
1.86 €
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Guitar
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Doug Smith
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Smooth Talkin' Bass
#
Doug Smith Guitar Studio
#
SheetMusicPlus
The Tapping Triad (Electric Bass Etude)
Guitar
Bass Guitar - Level 5 - Digital Download SKU: A0.788485 Composed by Antonius Agung …
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Bass Guitar - Level 5 - Digital Download SKU: A0.788485 Composed by Antonius Agung Setiawan. Contemporary. Score. 5 pages. Antonius Agung Setiawan #6184211. Published by Antonius Agung Setiawan (A0.788485). The Tapping TriadComposed by Antonius Agung SetiawanElectric Bass Etude composition in C major scaleTwo-Handed Tapping Technique Electric Bass compositionInstagram @ https://www.instagram.com/pakagung/Youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg#guitaronlybypakagung
$6.99
6.54 €
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Guitar
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Antonius Agung Setiawan
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The Tapping Triad
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Antonius Agung Setiawan
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SheetMusicPlus
Eine Kline Nacht Music (Solo Bass)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1113990 By Wolfgang Amadeus Mozart…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1113990 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by funkyfm (BMI). Christmas,Classical. Individual part. 1 pages. Fmu512@gmail.com #715891. Published by fmu512@gmail.com (A0.1113990). Bass Arrangement.
$5.99
5.61 €
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Guitar
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Wolfgang Amadeus Mozart
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Eine Kline Nacht Music
#
fmu512@gmail.com
#
SheetMusicPlus
Allemande, BWV 1013 - figured bass
Guitar
Solo Guitar - Digital Download SKU: A0.494004 By Kian Beatty. By Johann Sebastian B…
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Solo Guitar - Digital Download SKU: A0.494004 By Kian Beatty. By Johann Sebastian Bach. Arranged by Kian Beatty. Baroque,Classical. Individual part. 1 pages. Published by Kian Beatty (A0.494004). Figured bass abstract arranged for guitar.
$1.99
1.86 €
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Guitar
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Kian Beatty
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Allemande, BWV 1013 - figured bass
#
Kian Beatty
#
SheetMusicPlus
Bassman Blues
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20th Century,Blues,Classical,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #767217. Published by Doug Smith Guitar Studio (A0.1166841). Bassman Blues is the first in a series of intermediate to advanced pieces. Bassman Blues follows a typical blues chord progression using notes and arpeggios in the first position. There are slurs with the left hand fingers, two tempos and a key change within and climactic strums at the end.
$1.99
1.86 €
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Guitar
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Doug Smith
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Bassman Blues
#
Doug Smith Guitar Studio
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SheetMusicPlus
Adagio from Violin Sonata No.1 - Figured Bass
Guitar
Solo Guitar - Digital Download SKU: A0.1241308 By Kian Beatty. By Johann Sebastian …
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Solo Guitar - Digital Download SKU: A0.1241308 By Kian Beatty. By Johann Sebastian Bach. Arranged by Kian Beatty. Baroque,Classical. Individual part. 1 pages. Kian Beatty #836688. Published by Kian Beatty (A0.1241308). An accurate and worked-out figured bass score of the Adagio, BWV 1001. Intended to be studied alongside learning this Adagio on guitar.
$2.99
2.8 €
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Guitar
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Kian Beatty
#
Adagio from Violin Sonata No.1 - Figured Bass
#
Kian Beatty
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SheetMusicPlus
Air On The G String (For 2 Guitars and 2 Basses)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1283992 By Johann Sebastian Bach. By Jo…
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Guitar - Level 3 - Digital Download SKU: A0.1283992 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Classical,Early Music,Historic,Traditional. 5 pages. Danny Crocome Music #875164. Published by Danny Crocome Music (A0.1283992). An arrangement of Bach's timeless classic 'Air On The G String' for 2 guitars and 2 basses.
$9.99
9.35 €
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Guitar
#
Johann Sebastian Bach
#
Air On The G String
#
Danny Crocome Music
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SheetMusicPlus
Nocturne in Eb Major, Op. 9, No. 2 (For 2 Guitars and 2 Basses)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1284592 Composed by Frederic Chopin. Ar…
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Guitar - Level 3 - Digital Download SKU: A0.1284592 Composed by Frederic Chopin. Arranged by Danny Crocome. 19th Century,Chamber,Classical,Romantic Period,Traditional. 5 pages. Danny Crocome Music #875767. Published by Danny Crocome Music (A0.1284592). This arrangement of Chopin's timeless Nocturne in Eb Major, Op. 9, No. 2, is for 2 guitars and 2 basses.
$9.99
9.35 €
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Guitar
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Frederic Chopin
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Nocturne in Eb Major, Op. 9, No. 2
#
Danny Crocome Music
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SheetMusicPlus
Sheep May Safely Graze (for 2 Guitars & 2 Basses)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1283986 By Johann Sebastian Bach. By Jo…
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Guitar - Level 3 - Digital Download SKU: A0.1283986 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Chamber,Classical,Historic,Traditional. 4 pages. Danny Crocome Music #875158. Published by Danny Crocome Music (A0.1283986). This arrangement of the Bach tune Sheep May Safely Graze, is for 2 guitars and 2 basses.
$7.99
7.48 €
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Guitar
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Johann Sebastian Bach
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Sheep May Safely Graze
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Danny Crocome Music
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SheetMusicPlus
LACRIMOSA FOR BASSOON AND GUITAR DUET
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1354951 By Wolfgang Amadeus Mozart. By …
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Guitar - Level 4 - Digital Download SKU: A0.1354951 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by BONAN FAUSTIN. Classical. 10 pages. Bonan Faustin #939665. Published by Bonan Faustin (A0.1354951). ARRANGEMENT FOR BASSOON AND GUITAR DUET.
$9.99
9.35 €
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Guitar
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Wolfgang Amadeus Mozart
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LACRIMOSA FOR BASSOON AND GUITAR DUET
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Bonan Faustin
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SheetMusicPlus
X Ambassadors: Renegades - guitar solo
Guitar
Instantly printable sheet music by X Ambassadors for guitar solo of VERY EASY skill level.…
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Instantly printable sheet music by X Ambassadors for guitar solo of VERY EASY skill level. / alternative,pop,rock,children
$4.97
4.65 €
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Guitar
#
X Ambassadors
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Virtualsheetmusic
Crazy Little Thing Called Love
Guitar
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Fred…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Freddie Mercury. Arranged by Igor Sardi Bass. Pop,Rock. Score. 3 pages. Igor Sardi Bass #861713. Published by Igor Sardi Bass (A0.1269176). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email: igorsardi@gmail.comWebsite: https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page: https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide - https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
7.48 €
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Guitar
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Queen
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2) - https://www
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Crazy Little Thing Called Love
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Igor Sardi Bass
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. ? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Sol??Si??Ré des cordes de guitare à vide 2??3??4, le motif ascendant 1 impliquant les notes Mi??Fa#??La??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Mi??Do??Sib??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Ré??Mi??Fa??Sol#??La??Si et des accords ostinato impliquant les cordes de basse à vide Mi??La??Ré et le demi-ton Si??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Sol??Fa??Sib??Lab??Do??Mib??Ré et Mi??Si??Do#??La??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. ? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad G??B??D of the open guitar strings 2??3??4, ascending motif 1 involving the notes E??F#??A??C# (originally on the first string), and descending motif 2 using the notes E-??C??Bb??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale D??E??F??G#??A??B and ostinato chords involving open bass strings E??A??D and semitone B??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: G??F??Bb??Ab??C??Eb??D and E??B??C#??A??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions d??Oz for keeping my original notations in places where these do not conform to the publisher??s style.
$7.95
7.44 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble. It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment. The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument). Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts. All parts for the guitar ensemble are intended for late beginner guitarists. They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort. These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.35 €
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Guitar
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Johann Sebastian Bach
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Sledgehammer
Guitar
Easy Guitar (no TAB) - Level 3 - Digital Download SKU: A0.1271200 By Peter Gabriel.…
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Easy Guitar (no TAB) - Level 3 - Digital Download SKU: A0.1271200 By Peter Gabriel. By Peter Gabriel. Arranged by P Welsh. Rock. Score. 4 pages. Accubass #863594. Published by Accubass (A0.1271200). Complete bass transcription.
$5.99
5.61 €
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Guitar
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Peter Gabriel
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Sledgehammer
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Accubass
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SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.54 €
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Guitar
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Johann Sebastian Bach
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Jesu Joy Of Man's Desiring BWV 147
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DML
#
SheetMusicPlus
Sweet Caroline
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦁ A score showing notes and TAB⦁ A score with only notes (to facilitate page turns)⦁ All parts in notes only⦁ All parts in notes and TAB⦁ A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦁ A score showing notes and TAB⦁ A score with only notes (to facilitate page turns)⦁ All parts in notes only⦁ All parts in notes and TAB⦁ A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.44 €
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Guitar
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Neil Diamond
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
Killing Me Softly With His Song
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1307682 By Roberta Flack. By Charles Fo…
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Guitar - Level 3 - Digital Download SKU: A0.1307682 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Gary Wolk. 20th Century,Pop. 19 pages. Gary Wolk Music #896944. Published by Gary Wolk Music (A0.1307682). An instrumental version of the song arranged for Guitar Quartet with String Bass. If the bass is left out the arrangment will stand on its own with just the four guitars. Electric Bass can be substituted as well.
$19.99
18.71 €
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Guitar
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Roberta Flack
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Killing Me Softly With His Song
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Gary Wolk Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.55 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Elmo's Song
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1096160 Composed by Tony Geiss. Arrange…
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Guitar - Level 3 - Digital Download SKU: A0.1096160 Composed by Tony Geiss. Arranged by Danny Crocome. 20th Century,Children,Film/TV,Jazz,Pop. 17 pages. Danny Crocome Music #700116. Published by Danny Crocome Music (A0.1096160). Elmo's Song from the TV series Sesame Street, arranged for 5 guitars and bass. The arrangement will suit any kind of guitar (classical, acoustic or electric) and the bass part will work with electric, acoustic or upright bass. Three separate guitar parts take turns playing the lead melody (copying Elmo, Big Bird and Mr. Snuffleupagus). A fun tune that will bring a smile to the audience and the musicians playing it.
$19.99
18.71 €
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Guitar
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Tony Geiss
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Elmo's Song
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Danny Crocome Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.55 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.55 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.55 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.947794 By Foo Fighters.…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.947794 By Foo Fighters. By David Grohl, Georg Ruthenberg, Nate Mendel, and Pat Smear. Arranged by Ted Allen. Rock. Score and parts. 32 pages. Western Meadowlark Song #6428255. Published by Western Meadowlark Song (A0.947794). I created this arrangement as a year-end performance project for a high school beginning guitar class of about 25 students. This arrangement will also work with one on a part, as I played it on the demo recording. In our performance, most of the students played Guitar 4, while a few slightly more advanced students played the lead parts, Guitar 1, 2, and 3. Players could also use electric guitar on those parts, especially if balance is a problem. Beginning students can play Guitar 5 which is a simplified chord part, or Guitar 6 which doubles the bass guitar part. The bass guitar part is also playable by a beginner. An optional drum part is included. Duration: 3:12Parts include notation and TAB.Guitar 1 (intermediate)Guitar 2 (intermediate)Guitar 3 (intermediate)Guitar 4 (chords, advanced beginner)Guitar 5 (chords, beginner)Guitar 6 (doubles Bass Guitar, beginner)Bass Guitar (beginner)Drums (optional)
$16.99
15.9 €
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Guitar
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Foo Fighters
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My Hero
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Western Meadowlark Song
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SheetMusicPlus
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