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23
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21
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15
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14
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12
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9
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2
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2
2 Double basses (duet)
2
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5 Harps
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2
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2
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2
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2
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Concert band
296
String Orchestra
145
Handbells
90
Orchestra
82
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75
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31
Chamber Orchestra
24
Jazz combo
13
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9
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6
Flexible Instrumentation
4
Xylophone, Piano
3
Marimba
2
Woodwind Quartet: any 4 woodwinds
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Woodwind Quintet
2
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Marching band
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Casio
Piano, Voice
Sheetmusic to print
1,998 sheet music found
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1976
Home At Last, vocal solo for funeral or other occasion
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #906029. Published by Kevin G. Pace (A0.1317368). A beautiful alto vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$3.99
3.75 €
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Piano, Voice
#
Kevin G
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Home At Last, vocal solo for funeral or other occasion
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Kevin G. Pace
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SheetMusicPlus
Lost
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386554 Composed by Danny Ca…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386554 Composed by Danny Casio, Davis Maish, Hayden Hubers, Matthew Jonathan Gordon Maltese, Sean T. Van Vleet, and Sean Van Vleet. Arranged by Gabriel Lawson. 21st Century,Pop,Rock. Score. 5 pages. Gabriel Lawson #970435. Published by Gabriel Lawson (A0.1386554). “Lost” was released in 2023 by Hayd. This arrangement is for solo voice and piano accompaniment.Original Key.Difficulty 4/10.Vocal Range F3-G4.
$4.99
4.69 €
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Piano, Voice
#
Danny Casio, Davis Maish, Hayden Hubers, Matthew Jonathan Gordon Maltese, Sean T
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Lost
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Gabriel Lawson
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SheetMusicPlus
Do Lord
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776840 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776840 Composed by Traditional. Arranged by Leonora Hardy. Children,Christian,Sacred. Score. 2 pages. Leonora Hardy #5200799. Published by Leonora Hardy (A0.776840). This classic children's song is an easily learned arrangement for the church pianist who wants to have something a little different from the usual hymnal style. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It can be used in children's ministries or just to occasionaly liven up congregational singing. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody.
$3.99
3.75 €
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Piano, Voice
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Traditional
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Intermediate level
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Do Lord
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Leonora Hardy
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SheetMusicPlus
An Occasional Man by Sarah Vaughan - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Performed by: Sarah Vaughan: An Occasional Man - from the Motion Picture The Girl Rush Dig…
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Performed by: Sarah Vaughan: An Occasional Man - from the Motion Picture The Girl Rush Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 4 pages -- Standards~~Traditional Pop~~Vocal Jazz~~Vocal Pop
$5.50
5.17 €
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Piano, Voice
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Sarah Vaughan
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
An Occasional Flight of Fancy by Julie Harris - Piano/Vocal/Chords
Piano, Voice
Performed by: Julie Harris: An Occasional Flight of Fancy - from the Broadway Musical &quo…
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Performed by: Julie Harris: An Occasional Flight of Fancy - from the Broadway Musical "Skyscraper" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- Musical~~Show/Broadway
$5.50
5.17 €
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Piano, Voice
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Julie Harris
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Piano/Vocal/Chords
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Musicnotes
Handel-When warlike ensigns wave on high,from 'An Occasional Oratorio,HWV 62',in G Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383946 Composed by Handel (…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383946 Composed by Handel (George Frideric Handel). Arranged by OSM Press. Classical. Score. 12 pages. Open Cloud #968305. Published by Open Cloud (A0.1383946).
$9.99
9.39 €
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Piano, Voice
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Handel
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Handel-When warlike ensigns wave on high,from 'An Occasional Oratorio,HWV 62',in G Major
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Open Cloud
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SheetMusicPlus
Handel-His sceptre is the rod of righteousness,from 'An Occasional Oratorio,HWV 62',in f sharp
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383169 Composed by Handel (…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383169 Composed by Handel (George Frideric Handel). Arranged by OSM Press. Classical. Score. 16 pages. Open Cloud #967599. Published by Open Cloud (A0.1383169).
$10.99
10.33 €
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Piano, Voice
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Handel
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Handel-His sceptre is the rod of righteousness,from 'An Occasional Oratorio,HWV 62',in f sharp
#
Open Cloud
#
SheetMusicPlus
Handel-Jehovah!to my words give ear,from 'An Occasional Oratorio,HWV 62',in e minor
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383168 Composed by Handel (…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383168 Composed by Handel (George Frideric Handel). Arranged by OSM Press. Classical. Score. 8 pages. Open Cloud #967598. Published by Open Cloud (A0.1383168).
$5.99
5.63 €
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Piano, Voice
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Handel
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Handel-Jehovah!to my words give ear,from 'An Occasional Oratorio,HWV 62',in e minor
#
Open Cloud
#
SheetMusicPlus
The Wood Pecker
Piano, Voice
Piano and voice - Digital Download SKU: LV.15729 Composed by Kelly. Country life, C…
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Piano and voice - Digital Download SKU: LV.15729 Composed by Kelly. Country life, Courtship & love, Kissing. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15729). The Wood Pecker. Series Title No.28 of Carrs Musical Miscellany in occasional numbers. Written by Moore, Composed by Kelly and arranged as follows for the use of these Numbers. Published [n.d.] by J. Carr in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Country life, Courtship & love, Kissing. First line reads I knew by the smoke that so gracefully crul'd around the green elms.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.63 €
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Piano, Voice
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Kelly
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The Wood Pecker
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
In a Foreign Land - low voice-piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218175 Composed by Carrie J…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218175 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Folk,Romantic Period,Wedding. Score. 3 pages. Phil Beaman #814670. Published by Phil Beaman (A0.1218175). In a Foreign Land is an arrangement of the 1905 hit pop song by Carrie Jacobs-Bond. The poetic text is about how everything is better in this 'foreign land' of love. The melody is simple and scalar with a bit of a folk feel. I have simplified the piano part with much of it now 2 part (single notes in each hand) with some occasional 2 note chords. For the first verse I reharmonize the melody with simple folk style chords, then for the second verse I return to the original syncopated broken chords. Simple and beautiful, it is perfect for any wedding today, whether vintage or modern. 3 page score; 1:50 minutesI have published it in 3 different vocal ranges on this site: High - low D to high F; Medium - low B to high D; Low - low G to high B. The MP3 recording is of the Medium Voice version. Intermediate level. This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$4.50
4.23 €
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Piano, Voice
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Carrie Jacobs-Bond
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In a Foreign Land - low voice-piano
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Phil Beaman
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SheetMusicPlus
In a Foreign Land - medium voice-piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218173 Composed by Carrie J…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218173 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Folk,Romantic Period,Wedding. Score. 3 pages. Phil Beaman #814668. Published by Phil Beaman (A0.1218173). In a Foreign Land is an arrangement of the 1905 hit pop song by Carrie Jacobs-Bond. The poetic text is about how everything is better in this 'foreign land' of love. The melody is simple and scalar with a bit of a folk feel. I have simplified the piano part with much of it now 2 part (single notes in each hand) with some occasional 2 note chords. For the first verse I reharmonize the melody with simple folk style chords, then for the second verse I return to the original syncopated broken chords. Simple and beautiful, it is perfect for any wedding today, whether vintage or modern. 3 page score; 1:50 minutesI have published it in 3 different vocal ranges on this site: High - low D to high F; Medium - low B to high D; Low - low G to high B. The MP3 recording is of the Medium Voice version. Intermediate level. This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$4.50
4.23 €
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Piano, Voice
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Carrie Jacobs-Bond
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In a Foreign Land - medium voice-piano
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Phil Beaman
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SheetMusicPlus
In a Foreign Land - high voice-piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218172 Composed by Carrie J…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218172 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Folk,Romantic Period,Wedding. Score. 3 pages. Phil Beaman #814667. Published by Phil Beaman (A0.1218172). In a Foreign Land is an arrangement of the 1905 hit pop song by Carrie Jacobs-Bond. The poetic text is about how everything is better in this 'foreign land' of love. The melody is simple and scalar with a bit of a folk feel. I have simplified the piano part with much of it now 2 part (single notes in each hand) with some occasional 2 note chords. For the first verse I reharmonize the melody with simple folk style chords, then for the second verse I return to the original syncopated broken chords. Simple and beautiful, it is perfect for any wedding today, whether vintage or modern. 3 page score; 1:50 minutesI have published it in 3 different vocal ranges on this site: High - low D to high F; Medium - low B to high D; Low - low G to high B. The MP3 recording is of the Medium Voice version. Intermediate level. This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$4.50
4.23 €
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Piano, Voice
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Carrie Jacobs-Bond
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In a Foreign Land - high voice-piano
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Phil Beaman
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SheetMusicPlus
Verstreute Lieder
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1022046 Composed by Fredrik …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1022046 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 43 pages. Fredrik Schwenk #6319863. Published by Fredrik Schwenk (A0.1022046). The scattered songs are songs from various collections or individual songs. The two songs composed after Ernst Jandl were written as part of the festivities for the 70th birthday of jazz pianist and composer Dieter Glawischnig. The song composed after Ossip Mandelstamm is part of a cycle of various Russian poems composed for St. Petersburg, the settings of which were commissioned from several composers living in Hamburg. Of the seven orchestral songs composed in 1986 after Attila Jozsef, only the first, fourth, sixth and seventh songs were included in this collection and arranged for voice and piano. The songs before 1985, as well as numerous occasional compositions from the period between 1985 and 2000, have not been published. Some songs, including the two haikus for soprano and piano from 1983 and several chansons, including one for the cabaret artist Sissy Perlinger, have been lost over the years.
$7.50
7.05 €
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Piano, Voice
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Fredrik Schwenk
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Verstreute Lieder
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Fredrik Schwenk
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SheetMusicPlus
Cradle Song
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip L…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.
$1.99
1.87 €
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Piano, Voice
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happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles
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Philip Le Bas
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Cradle Song
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Philip Le Bas
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SheetMusicPlus
Party In The U.s.a.
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.829267 By Miley Cyrus. By Cl…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.829267 By Miley Cyrus. By Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Brianne Lundberg. Contemporary,Pop. Score. 7 pages. Brianne Lundberg #6589753. Published by Brianne Lundberg (A0.829267). Time to party! This is a beginner, easy piano arrangement. 6 pages (plus cover); includes repeat with 1st and 2nd endings. Large print. Includes all lyrics except for the bridge. After the first 8 measures, RH plays melody only (no harmonies); LH plays mostly single whole notes with occasional harmonies during the chorus. Rhythms have been simplified for beginner musicians. Rhythm differences between the verses are written as ties or small-sized notes (brief explanation on bottom of first page of music). Includes some fingerings. Accessible for younger, smaller hands (the largest harmonic interval is a 5th, and the largest melodic interval is a 6th).May be performed as a piano solo or as a vocal accompaniment. If used for vocal accompaniment, the vocalist should follow the lyrics and melody along with the piano. Lyrics indicate which notes to follow and whether to tie, play, or leave off notes.See more previews of this sheet music at www.MusicAndTheory.com/party-in-the-usa.Brianne Lundberg is a Composer, Arranger, and Piano Instructor. In addition to publishing with Hal Leonard, she has independently published many arrangements and original compositions for piano and a variety of other instruments and ensembles. For more of Brianne's music or to request a custom arrangement, visit www.MusicAndTheory.com.
$5.99
5.63 €
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Piano, Voice
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Miley Cyrus
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Party In The U.s.a.
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Brianne Lundberg
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SheetMusicPlus
Songs for Spring
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1395495 Composed by Robert E…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1395495 Composed by Robert Edward Smith. 20th Century,Classical. Score. 18 pages. ROBERT EDWARD SMITH MUSIC #978963. Published by ROBERT EDWARD SMITH MUSIC (A0.1395495). Three songs welcoming the coming of spring. The First Spring Day is about the world awakening to the new Spring after a long winter. Man's Fancy is a light hearted song sung by a man who knows that he's head over heels for a woman who doesn't care about him, but it doesn't matter, because he's happy anyway. May Morning, set to a gorgeous poem by John Milton, is about the fullness and warmth of May: Hail bounteous May that doth inspire Mirth, and youth, and warm desire.The songs are relatively short, about 3 minutes each. The voice parts are not difficult, the piano part occasionally requires a pianist who is comfortable playing octaves and leaps.
$10.00
9.4 €
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Piano, Voice
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Robert Edward Smith
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Songs for Spring
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1133934 By Johann Sebastian …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #734061. Published by Flavio Regis Cunha (A0.1133934). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.Advanced Intermediate.Format: Concert, 9 x 12 inches.12 pages.
$4.99
4.69 €
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Piano, Voice
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Johann Sebastian Bach
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Bach: Erbarme dich mein Gott - Matthäuspassion -
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Flavio Regis Cunha
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SheetMusicPlus
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1134073 By Johann Sebastian …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1134073 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional. Score. 12 pages. FRC Music #734177. Published by FRC Music (A0.1134073). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$4.99
4.69 €
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Piano, Voice
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Johann Sebastian Bach
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Bach: Erbarme dich mein Gott - Matthäuspassion -
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FRC Music
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SheetMusicPlus
Auld Lang Syne
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.815402 Composed by Scottish …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.815402 Composed by Scottish Folk Melody. Arranged by Denise Bruckno. Christmas,Folk,Holiday,Multicultural,Standards,World. Score. 3 pages. Denise Bruckno #6101797. Published by Denise Bruckno (A0.815402). This is a well written, compact one page arrangement of the bittersweet new year song appropriate for an early intermediate pianist. It's in the Key of F major, basically centered in middle of keyboard, with melody occasionally alternating between right and left hands. This rendition, though simple, surely captures the essence of a poignant and timeless seasonal song. Lyrics to five verses are included along with a festive title page. .
$2.99
2.81 €
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Piano, Voice
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Scottish Folk Melody
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Auld Lang Syne
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Denise Bruckno
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SheetMusicPlus
Ain't No Mountain High Enough
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.793761 By Diana Ross. By Nickolas Ashf…
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Piano,Vocal,Voice - Digital Download SKU: A0.793761 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by DIXON mus-IC. Soul. Score. 4 pages. Rammy Music #4323065. Published by Rammy Music (A0.793761). This is a lead sheet based on the Marvin Gaye & Tammy Terrell version. It is in the original recorded key - D going to Eb.The chart includes notated vocal parts (male & female) with lyrics. The accompaniment line consists of chord symbols with rhythm indication and occasionally voicing indications.The part is laid out very clearly and includes form indicators - verse / chorus etc.The chart follows the original version exactly and could be used in a rehearsal situation or simply to learn the song.
$4.99
4.69 €
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Piano, Voice
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Diana Ross
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Tammy Terrell version
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Ain't No Mountain High Enough
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Rammy Music
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.82 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.82 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.82 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.82 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.82 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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