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String Orchestra
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It came upon a midnight clear - easy string quartet
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.782751 Composed by Richard St…
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String Orchestra - Level 3 - Digital Download SKU: A0.782751 Composed by Richard Storrs Willis. Arranged by Nicholas Palmer. Christmas,Sacred,Standards. Score and parts. 1 pages. Nicholas D Palmer #3366197. Published by Nicholas D Palmer (A0.782751). It came upon a midnight clear is arranged for easy playing by string quartet or high school level string orchestra (first position, easy and singable key, straightforward harmonies), presented in full score on a single page. This carol is a part of a larger collection of similar arrangements, Forty-five carols for strings. Great for gigging, easy Christmas repertoire, or highlighting a few players at a time. Enjoy!
$1.99
1.86 €
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String Orchestra
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Richard Storrs Willis
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It came upon a midnight clear - easy string quartet
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Nicholas D Palmer
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SheetMusicPlus
3 Irish Tunes arr. for String Orchestra (Danny Boy, Lark in the Clear Air, Mountains of Mourne)
String Orchestra
String Orchestra - Digital Download SKU: A0.1044627 By David Catherwood. By Irish T…
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String Orchestra - Digital Download SKU: A0.1044627 By David Catherwood. By Irish Traditional. Arranged by David Catherwood. Celtic,Christmas,Irish,Traditional,Wedding. Score and parts. 30 pages. Opus 3 Music #649240. Published by Opus 3 Music (A0.1044627). The download contains arrangements of 3 very popular Irish tunes ('The Londonderry Air' - sometimes known as 'Danny Boy', 'The Lark in the Clear Air' and 'The Mountains of Mourne') All arranged for String Orchestra with optional percussion parts. A full set contains a score for each of the 3 pieces and a set of parts (with permission to copy to suit your own requirements) for the following instruments Ist Violins, 2nd Violins, Violas, (extra cello part, substitute for viola) Cellos, Bass, Percussion (optional).
$19.99
18.71 €
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String Orchestra
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David Catherwood
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3 Irish Tunes arr. for String Orchestra
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Opus 3 Music
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SheetMusicPlus
It Came Upon the Midnight Clear - String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1140591 By MARCOS LUIZ MENDES…
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String Orchestra - Level 2 - Digital Download SKU: A0.1140591 By MARCOS LUIZ MENDES FEITOSA. By Richard Storrs Willis. Arranged by MARCOS LUIZ MENDES FEITOSA. Christian,Christmas,Praise & Worship,Sacred,Traditional. Score and parts. 9 pages. Marcos Luiz Mendes Feitosa #740828. Published by Marcos Luiz Mendes Feitosa (A0.1140591). This traditional Christmas carol describes the clear, calm night of Jesus' birth. Here, in an arrangement for String Orchestra.
$9.99
9.35 €
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String Orchestra
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MARCOS LUIZ MENDES FEITOSA
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It Came Upon the Midnight Clear - String Orchestra
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Marcos Luiz Mendes Feitosa
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SheetMusicPlus
Machinations for string orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet…
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String Orchestra - Level 4 - Digital Download SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #5771341. Published by Paul Sweet Music (A0.940136). Machinations, a 4 minute concert piece perfect for advanced high school or college level players, opens in a sort of rhythmic and tonal gridlock. Short sequences of notes in each part overlap and struggle to break free from the others, sometimes shifting slightly upward or downward. Slowly, new harmonies and dissonances are created by these shifts, taking the music to a breaking point where a new theme finally pushes through. A more outgoing middle section surges ahead relentlessly, each of the parts working now more as a group than before. Eventually, though, it becomes clear that the gridlock of the beginning must return. The third and final section seems at first to be a repeat of the opening material, but the appearance of music from the middle section lets the listener know this is not the case. Themes from all over the work soon blend and overlap, growing in intensity until the climax implodes and the work comes to a quiet and uneasy end. Machinations, by definition, are plots or schemes. I imagined, as I wrote the work, that each instrumental part was scheming about how it would break free from the rigid and meticulous pattern of the opening measures. By the same token, it was clear that some undefined force was plotting ways to keep the music in this form. Imagine these secret plots and maneuvers as you play or conduct the work for maximum effectiveness.
$24.99
23.39 €
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String Orchestra
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the same token, it was clear that some undefined force was plotting ways to keep the music in this form
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Paul Sweet
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Machinations for string orchestra
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Paul Sweet Music
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
18.72 €
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String Orchestra
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
String Orchestra
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
27.14 €
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String Orchestra
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Symphony Op. 1 No. 5
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.736694 Composed by Johann Ant…
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String Orchestra - Level 4 - Digital Download SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.com #1892819. Published by MyMusicScores.com (A0.736694). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and a several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movement - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear a recording.
$9.99
9.35 €
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String Orchestra
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Johann Anton Filtz
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Symphony Op. 1 No. 5
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MyMusicScores.com
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SheetMusicPlus
Mozart Divertimento and Minuetto for Intermediate String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.509284 Composed by Wolfgang A…
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String Orchestra - Level 4 - Digital Download SKU: A0.509284 Composed by Wolfgang Amadeus Mozart. Arranged by Janice Malan. Classical,Instructional,Standards. Score and parts. 65 pages. Janice Malan #6343657. Published by Janice Malan (A0.509284). Mozart Divertimento and Minuetto was originally written for oboe, clarinet, and bassoon trio with 5 movements. This arrangement has been wonderfully arranged and adapted for intermediate to advanced string orchestra or string quartet and includes the first 2 movements. Both intermediate and advanced students could be involved in this piece and make an excellent concert piece. The arrangement is made for a full, complete sound and your students will be proud of the work and performance they will achieve. Study the style of Mozart with the spiccato bowing with clear and precise counting. Enjoy. .
$30.00
28.07 €
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String Orchestra
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Wolfgang Amadeus Mozart
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Mozart Divertimento and Minuetto for Intermediate String Orchestra
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Janice Malan
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.73 €
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String Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
The Lark in the Clear Air for String Orchestra/Quartet featuring Cello Soloist arr. David Catherwood
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1043417 Composed by Irish Tra…
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String Orchestra - Level 4 - Digital Download SKU: A0.1043417 Composed by Irish Traditional. Arranged by David Catherwood. Celtic,Irish. Score and parts. 10 pages. Opus 3 Music #648092. Published by Opus 3 Music (A0.1043417). This popular Irish tune is given an extended treatment for String Orchestra (or Quartet) with a featured cello soloist. The download contains a full score and a set of parts for standard Strings including: A Cello soloist part plus !st Violin 2nd Violin Viola Cello/Bass.
$9.50
8.89 €
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String Orchestra
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Irish Traditional
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The Lark in the Clear Air for String Orchestra/Quartet featuring Cello Soloist arr. David Catherwood
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Opus 3 Music
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SheetMusicPlus
Lumenebula
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. …
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String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. By Michael Blostein. 21st Century,Chamber,Classical,Instructional. Score and Parts. 23 pages. Michael D. Blostein #849780. Published by Michael D. Blostein (A0.1256309). The title refers to a lightness of style as well as a lightness of bow weight, combined with an ever-changing balance. The piece begins with unison ideas (pitch, rhythm and bowing), then begins to expand, encouraging each section to gain some independence. We reset, and expand further. This process continues until the contrapuntal lines create complex harmonic textures that travel in unexpected directions, yet make musical sense. Much like an individual’s own journey, the path taken is not always direct and clear, but the end result is musically satisfying.Significant attention music be placed on dynamics throughout.From a technique standpoint, this work asks the most of the bass section. The shifting requests in the other sections are minimal, although there are sufficient opportunities to shift should student and/or teacher choose. Bow placement and control, tone production and ensemble balance are where much of the focused work will be required from students.
$35.00
32.75 €
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String Orchestra
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Michael Blostein
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Lumenebula
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Michael D. Blostein
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.73 €
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String Orchestra
#
Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
IT CAME UPON A MIDNIGHT CLEAR FOR STRINGS, MELODIC PERCUSSION AND WOODBLOCK
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.837314 Arranged by Garth M. W…
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String Orchestra - Level 4 - Digital Download SKU: A0.837314 Arranged by Garth M. Williams (Socan). Christmas,Praise & Worship,Sacred. Score and parts. 18 pages. Garth M. Williams (Socan) #6088119. Published by Garth M. Williams (Socan) (A0.837314). This arrangement has been written for strings (including Violin III) and percussion. The percussion parts include xylophone, woodblock and marimba. The arrangement is very suitable for intermediate string orchestra and percussion members. A great arrangement for the Christmas season.
$15.95
14.93 €
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String Orchestra
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IT CAME UPON A MIDNIGHT CLEAR FOR STRINGS, MELODIC PERCUSSION AND WOODBLOCK
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Garth M. Williams
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.73 €
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String Orchestra
#
Johann Strauss Jr
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
IT CAME UPON A MIDNIGHT CLEAR FOR STRING ORCHESTRA WITH PERCUSSION
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1140089 By Garth Williams. By…
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String Orchestra - Level 3 - Digital Download SKU: A0.1140089 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Chamber,Christian,Christmas,Contest,Festival. Score and Parts. 18 pages. Garth M. Williams (Socan) #740345. Published by Garth M. Williams (Socan) (A0.1140089). This arrangement began as a simple hymn tune but was re-arranged for string orchestra and numerous percussion musicians. It makes for a very lively rendition.
$30.95
28.96 €
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String Orchestra
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Garth Williams
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IT CAME UPON A MIDNIGHT CLEAR FOR STRING ORCHESTRA WITH PERCUSSION
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Garth M. Williams
#
SheetMusicPlus
Filtz Symphony in F major Op. 1 No. 5 for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.736797 Composed by Johann Ant…
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String Orchestra - Level 4 - Digital Download SKU: A0.736797 Composed by Johann Anton Filtz. Arranged by P. Wood. Classical. Score and parts. 53 pages. MyMusicScores.com #6307239. Published by MyMusicScores.com (A0.736797). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movements - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear your recording.
$14.99
14.03 €
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String Orchestra
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Johann Anton Filtz
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Filtz Symphony in F major Op. 1 No. 5 for String Orchestra
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MyMusicScores.com
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.73 €
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String Orchestra
#
Johann Strauss Jr
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮ • 2nd Violins: - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.73 €
#
String Orchestra
#
Johann Strauss Jr
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Quintet/String Orchestra - It Came Upon the Midnight Clear
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arra…
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String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Services #3603257. Published by Lyons Music Services (A0.767392). A brand new setting of this carol for wind quintet (Fl/Ob/Cl/Hn/Bssn).After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble.From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich.This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
10.28 €
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String Orchestra
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Anon
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String Quintet/String Orchestra - It Came Upon the Midnight Clear
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Lyons Music Services
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SheetMusicPlus
Rondo Pesante
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1232211 Composed by R. Christ…
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String Orchestra - Level 3 - Digital Download SKU: A0.1232211 Composed by R. Christopher Teichler. 21st Century,Chamber,Contest,Festival. Score and Parts. 31 pages. R.T. Legacy #827895. Published by R.T. Legacy (A0.1232211). Rondo Pesante gives string players the opportunity for heavier and more aggressive playing, with an unwavering and accented pulse throughout. The piece follows a simple Rondo form (ABACA), with clear changes in style and texture at each new section. For student ensembles, this piece offers the opportunity for students to learn more about common musical forms while broadening their performance pallets.
$50.00
46.79 €
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String Orchestra
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R
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Rondo Pesante
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R.T. Legacy
#
SheetMusicPlus
It Came Upon the Midnight Clear
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1294186 Composed by Words: Ed…
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String Orchestra - Level 2 - Digital Download SKU: A0.1294186 Composed by Words: Edmund Sears / Music: Richard Storrs Willis. Arranged by Thomas Quigley. Christian,Christmas. Score and Parts. 11 pages. Thomas Quigley #884611. Published by Thomas Quigley (A0.1294186). With simple rhythms and gorgeous harmonies supporting a wonderful melody, this is a calm, serene arrangement, ideal as a reflective interlude at a Christmas concert. Suitable for student or amateur ensembles it is very effective and highly musical, satisfying to perform and a treat for your audience.
$29.95
28.03 €
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String Orchestra
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Words: Edmund Sears / Music: Richard Storrs Willis
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It Came Upon the Midnight Clear
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Thomas Quigley
#
SheetMusicPlus
Wandering Gnomes
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1238565 Composed by Nick Rasp…
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String Orchestra - Level 4 - Digital Download SKU: A0.1238565 Composed by Nick Raspa. Contemporary. Score and Parts. 72 pages. NJR Music #834001. Published by NJR Music (A0.1238565). Although the concept of wandering was clear in my mind when I wrote this piece,I had difficulty coming up with a title. So I simply named it Bagatelle No. 1. Irecently revisited the work and realized the wanderers were gnomes - curious,friendly, good natured creatures just out for a strollThe total duration is about 3 minutes. Listen to the entire piece on YouTube. Contents: full score and complete set of parts. ASCAP.
$45.00
42.11 €
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String Orchestra
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Nick Raspa
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Wandering Gnomes
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NJR Music
#
SheetMusicPlus
The Engulfed Cathedral (String Orchestra + Contrabassoon)
String Orchestra
String Orchestra - Digital Download SKU: A0.1103756 By Richard Byrnes. By Claude De…
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String Orchestra - Digital Download SKU: A0.1103756 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. Romantic Period. 52 pages. Richard Byrnes #707037. Published by Richard Byrnes (A0.1103756). This is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano. This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea. This is a striking example of what is considered musical impressionism – the allusion to an image. This arrangement by Richard Byrnes is for 9 Violins, 4 Celli, Bass, & Contrabassoon. In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$49.99
46.78 €
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String Orchestra
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Richard Byrnes
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Contrabassoon
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The Engulfed Cathedral
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Richard Byrnes
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