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Flute ensemble
Sheetmusic to print
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1
Christmas Joy Medley for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.796895 Composed by Fel…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Christian,Christmas,Concert,Sacred,Traditional. 28 pages. Stephanie Daige #5178771. Published by Stephanie Daige (A0.796895). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. There are parts for piccolo, flute 1, flute 2, alto flute, and bass flute. I’ve included a transposition of the alto flute part for an optional third C flute in case you don’t have an alto flute available. This triumphant medley is in the key of concert G major. Christmas carols featured are:• Hark! The Herald Angels Sing• O Come, All Ye Faithful• O Little One Sweet• Bring A Torch, Jeannette, Isabella• It Came Upon the Midnight Clear• O Little Town of Bethlehem• We Wish You a Merry ChristmasI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles.
$17.99
16.91 €
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Flute ensemble
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Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional
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Christmas Joy Medley for Flute Choir
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Stephanie Daige
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SheetMusicPlus
Goin' Home (GoingHome) by Antonin Dvorak for Flute Choir (6 Flutes and Alto Flute)
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.722825 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.722825 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Romantic Period. 12 pages. JV MUSIC #6382581. Published by JV MUSIC (A0.722825). Goin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan and Ford and was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery. It is still used today by military bands at Arlington.Arranged for 6 Flutes and Alto Flute
$15.00
14.1 €
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Flute ensemble
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Antonin Dvorak
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Goin' Home
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JV MUSIC
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
45.08 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
45.08 €
#
Flute ensemble
#
Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Songs of a little Bear for flute sextet or flute choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.576757 Composed by Dav…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.576757 Composed by David Warin Solomons. 20th Century,Contemporary. 27 pages. David Warin Solomons #237745. Published by David Warin Solomons (A0.576757). The melodies in this work are based on my unpublished 1979 setting of The expotition to the North Pole from A A Milne's book Now we are six in the Winnie the Pooh series (under the title The Poohratorio). Clearly the Poohratorio itself cannot yet be published due to copyright on the text, but the melodies that it inspired have led to various pieces including a Magnificat and Nunc Dimittis (Canticula Ursae Minoris) and various sextets (Songs of a little Bear) including this flute sextet/flute choir. As suggested in the score, the ideal positioning would be to have all flutes in choir 1 on one side of the stage and all flutes in choir 2 on the other side (ie antiphonally). The pdf file contains score and parts and also includes an optional piccolo part to take the place of flute 1. The sound sample is an electronic preview.
$15.00
14.1 €
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Flute ensemble
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David Warin Solomons
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Songs of a little Bear for flute sextet or flute choir
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David Warin Solomons
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SheetMusicPlus
"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812063. Published by Grant Horsley (A0.1215191). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for 6 C flutes and is in the key of D minor (concert) with the middle section in D major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There is also another Flute Choir version available (4 C flutes, Alto and Bass flute) as well as a Clarinet Choir version.
$14.50
13.63 €
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Flute ensemble
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Grant Horsley
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"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
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Grant Horsley
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SheetMusicPlus
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Flute ensemble
Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1279558 Composed…
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Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1279558 Composed by Johannes Brahms. Arranged by Simon Gilliver. 19th Century. 24 pages. Simon Gilliver #871025. Published by Simon Gilliver (A0.1279558). This is an arrangement of the fifth movement of Brahms's German Requiem, originally for full choir, orchestra and soprano soloist. The ethereal nature of this movement, skewed towards the upper registers, enables it to be arranged for flute choir. The soprano solo line is all within the Flute 1 part. The challenge for the ensemble is to ensure the soprano solo line in the Flute 1 part is clearly enough heard throughout, while the beautiful weaving lines of the other parts are still enjoyed. All seven parts are for C flutes; alto and bass flute are not needed, however, there are some important low Bs in the flute 7 part. Approximate difficulty level grades 5-6.
$8.99
8.45 €
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Flute ensemble
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Johannes Brahms
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Ihr habt nun Traurigkeit
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Simon Gilliver
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SheetMusicPlus
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