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Clarinet Ensemble
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Klarifications for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
21.49 €
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Clarinet Ensemble
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John Gibson
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Klarifications for Clarinet Choir
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JB Linear
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SheetMusicPlus
Sydney Showers
Clarinet Ensemble
Woodwind Ensemble Clarinet - Digital Download SKU: A0.980293 Composed by Brian Hend…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.980293 Composed by Brian Henderson-Sellers. Contemporary. 26 pages. Brian Henderson-Sellers #3473435. Published by Brian Henderson-Sellers (A0.980293). Written for a local (Sydney) clarinet choir, this piece has five clarinet lines and depicts the often intense rain showers in Sydney punctuated by quiet and clear interludes when the sun shines2018 Chamber Music Contest Entry
$10.99
10.29 €
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Clarinet Ensemble
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Brian Henderson-Sellers
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Sydney Showers
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Brian Henderson-Sellers
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SheetMusicPlus
Reminiscence
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.992786 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.992786 Composed by David Carovillano (SOCAN). 20th Century,Contemporary. 24 pages. Acclarion Records #3626923. Published by Acclarion Records (A0.992786). Reminiscence is a heart-felt piece for clarinet quintet. Dedicated as a birthday gift for his wife and clarinetist, the piece is meant to show off the gamut of emotions the clarinet can conjure with its tone that is rich, woody, clear, sweet and sincere. The quintet begins withan angelic, reflective melody flowing into a bubbly, perky allegro and concludes with bluesychords reminiscent of ballads from the golden age of jazz.The premier recording for Reminiscence is included on the album Reflections by Acclarion and is available for download on iTunes.
$20.00
18.73 €
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Clarinet Ensemble
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David Carovillano
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Reminiscence
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Acclarion Records
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SheetMusicPlus
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Clarinet Choir]
Clarinet Ensemble
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824516. Published by Andrew Lamb (A0.1228439). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambExperience the poignant beauty of Chant d'Adieu by Charles Neustedt (1834-1908) with our captivating clarinet choir arrangement. This meticulously crafted adaptation allows clarinet ensembles of all levels to immerse themselves in the evocative melodies and harmonies of this timeless piece.Our clarinet choir arrangement of Chant d'Adieu showcases the unique timbres and expressive qualities of the clarinet family. From the enchanting soprano clarinet to the resonant bass clarinet, each instrument contributes its distinctive voice, creating a mesmerizing blend of sound that brings Neustedt's composition to life.Chant d'Adieu is a profoundly moving work that touches the heart and stirs the soul. With its haunting melodies and rich harmonic textures, this arrangement captures the depth of emotion and musical sensitivity embedded within the original composition.Whether you are a seasoned clarinet ensemble seeking new repertoire or a group of passionate musicians eager to explore the power of collective performance, our clarinet choir arrangement of Chant d'Adieu is a captivating addition to your music library. It is suitable for a variety of performance settings, from intimate chamber concerts to larger ensemble showcases.The sheet music for our arrangement is expertly notated, providing clear and comprehensive scores for each member of the clarinet choir. Detailed performance instructions and dynamic markings guide musicians to bring out the subtle nuances and expressive phrasing, allowing for a truly captivating interpretation.Immerse yourself in the timeless beauty of Charles Neustedt's Chant d'Adieu with our clarinet choir arrangement. Let the harmonious voices of the clarinet ensemble transport you and your audience to a world of deep emotions and musical artistry. This arrangement is a treasure trove of evocative melodies, inviting you to experience the power and unity of a clarinet choir performance.
$9.00
8.43 €
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Clarinet Ensemble
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Charles Neustedt
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Entrée Nuptiale (by Henry Smith, arr. for Clarinet Choir)
Clarinet Ensemble
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew Lamb. Chamber,Praise & Worship,Wedding. 23 pages. Andrew Lamb #831396. Published by Andrew Lamb (A0.1235891). Introducing our clarinet arrangement of Entrée Nuptiale composed by the talented Henry Smith (1813-1879). This captivating transcription allows clarinetists to showcase their virtuosity and musicality while immersing themselves in the enchanting beauty of this cherished piece.Carefully crafted with precision and artistry, our clarinet arrangement of Entrée Nuptiale captures the essence of the original composition while highlighting the unique characteristics of the clarinet. From the delicate and expressive melodies to the lively and rhythmic passages, this arrangement allows the clarinet to take center stage and captivate audiences with its versatility and expressive capabilities.Entrée Nuptiale is a delightful and celebratory composition, perfect for wedding ceremonies, recitals, or any joyous occasion. With its uplifting melodies and jubilant harmonies, this arrangement creates an atmosphere of joy and festivity, capturing the essence of a grand entrance and celebration.Whether you are a professional clarinetist looking to expand your repertoire or a passionate musician seeking a captivating piece to perform, our clarinet arrangement of Entrée Nuptiale is a remarkable addition to your musical library. Its versatility allows for various performance settings, from solo performances to chamber ensembles and orchestras.The sheet music for our arrangement is expertly notated, providing clear and accurate scores for the clarinet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling an authentic and captivating interpretation.Immerse yourself in the enchanting beauty of Henry Smith's Entrée Nuptiale with our clarinet arrangement. Let the clarinet's melodic lines soar and resonate, filling the air with elegance and celebration. This arrangement is a treasure for both performers and audiences, allowing them to experience the timeless allure of the clarinet and the joyous spirit of Smith's composition.
$10.00
9.36 €
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Clarinet Ensemble
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Henry Smith
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Entrée Nuptiale
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Andrew Lamb
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.9 €
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Clarinet Ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation: 8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.9 €
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Clarinet Ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
"Jacaranda" Original Tango for Clarinet Choir
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812067. Published by Grant Horsley (A0.1215195). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet and is in the key of B flat minor (concert) with the middle section in B flat major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There are also 2 different flute choir versions available.
$14.50
13.58 €
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Clarinet Ensemble
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Grant Horsley
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"Jacaranda" Original Tango for Clarinet Choir
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Grant Horsley
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SheetMusicPlus
It Came Upon The Midnight Clear, for Clarinet Choir
Clarinet Ensemble
Composed by Edmund Sears, Richard Storrs Willis. Arranged by Emily Gray. Romantic Period, …
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Composed by Edmund Sears, Richard Storrs Willis. Arranged by Emily Gray. Romantic Period, Sacred, Christmas. Score, Set of Parts. 13 pages. Published by Emily Gray (S0.37887). - Score,Set of Parts - Romantic Period,Sacred,Christmas - Emily Gray
$12.49
11.7 €
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Clarinet Ensemble
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Edmund Sears, Richard Storrs Willis
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It Came Upon The Midnight Clear, for Clarinet Choir
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Emily Gray
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SheetMusicPlus
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