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Come to the Circle
Sheetmusic to print
122 sheet music found
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Come to the Circle
Choral SATB
By Mark Burrows. For SATB choir, Piano, Optional Flute. Sacred Anthem. Discipleship, Gradu…
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By Mark Burrows. For SATB choir, Piano, Optional Flute. Sacred Anthem. Discipleship, Graduation, Lent. Published by Lorenz Publishing - Digital Sheet Music
$2.50
2.34 €
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Choral SATB
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Mark Burrows
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Come to the Circle
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Chromatic Picking Exercise (Ascending the Circle of Fifths)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 5 pages. Danny Crocome Music #885427. Published by Danny Crocome Music (A0.1295107). This 5-page composition has been written specifically for guitarists to work on the following key components of music and guitar playing:1. Finger strengthening across all fretting hand fingers2. Finger-per-fret/position-based playing3. Alternate picking4. Palm-muting5. Synchronizing picking and fretting hands6. Smoothly navigating position shifts across the fretboard7. Building knowledge of the Circle of FifthsThe composition takes a chromatic-based guitar line and runs the passage up and down in one position on the neck (starting from the note C), before shifting the whole thing to begin on G (the next note in the circle of fifths). When played in its entirety, the player will have navigated the melody starting on all 12 notes used in Western music. An excellent warm-up exercise, or something to work on daily to develop key areas of ones musicianship and technical ability on the guitar.
$6.99
6.55 €
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Guitar notes and tablatures
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Danny Crocome
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Chromatic Picking Exercise
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Danny Crocome Music
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SheetMusicPlus
The Spirit of World Drumming
Hand drum - Beginning - Digital Download SKU: M0.21745MEB Composed by Jeff Stewart.…
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Hand drum - Beginning - Digital Download SKU: M0.21745MEB Composed by Jeff Stewart. Technique, Theory and Reference. World Music. E-book and online video. Mel Bay Publications - Digital Sheet Music #21745MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21745MEB). ISBN 9781619117020. 8.75x11.75 inches.A spirited global tour of drum circle instruction for the classroom and community; my book includes a comprehensive online video showcasing school and community drum circles. People who want to discover their spiritual need to drum are welcome to let me take them on a journey of WORLD MUSIC. My book begins with the African forms of drumming and moves through diverse cultural forms of music/drumming from all around our world. African, Cuban, Brazilian, Native, Middle Eastern, Japanese, Community.The instructional online video showcases the talent of people of all ages. Feel free to refer to the online video with regards to the topics covered in the book. This book also provides educators and drum circle facilitators with ideas for implementing a music program or a community Drum Circle. I have also included positive evaluation methods. Discover your spirit of drumming. Includes access to online video.
$17.99
16.85 €
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Jeff Stewart
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The Spirit of World Drumming
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Center Of The Universe
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
32.77 €
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Jazz Ensemble
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
String Quartet #2 - Kwasi's Revenge
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed by Burton Goldstein. Contemporary. Score and parts. 39 pages. Burton Goldstein Music #5001045. Published by Burton Goldstein Music (A0.1035263). My second String Quartet was written mainly while I was the composer in residence at the Copland House, in Peekskill, New York. Alone in Copland's studio, far from home, my mind wandered back to an African Music teacher who made a brief but intense impression on me when I had been a composition student at UCLA many decades earlier.The students stood in a circle holding surrounding this intense, squarely-built man. We timidly held our newly-acquired Ghanaian squeeze drums, and he sat with a big drum in between his legs, driving us into ever more complex rhythms. One by one we were made to come into the circle alone with him, and try to hold our oddly syncopated rhythm while staring at his drumsticks as they wove ever more complex solos. It was impossible. He spoke no English except You come! to get us to enter his circle. The only thing worse was the other words of English that he spoke: You ..go!, to indicate we were done.He was a man of great honor in his tribe, where he was the one man who communicated between the king and the gods, using his 'talking drum'. I met Kwasi Badu once on Wilshire Boulevard, while I was waiting for a bus home from UCLA. There weren't many words we could share, so our conversation was brief. But I will always remember the deep sense of confusion as he struggled to maintain his dignity in the face of the immense presence of the canyon of skyscrapers that surrounded us. I fear the school system did not quite reimburse him sufficiently. I went on to become a teacher myself, at the university level for 17 years. I deepened my feeling that teachers are underpaid.So I subtitled my Quartet, Kwasi's Revenge. My interest in having different speeds of music sounding simultaneously is friendly towards the idea of using African rhythms, and some are used in my piece. But many of the rhythms are my made-up extensions of the African rhythms I learned.Only recently did I learn that Kwasi Badu died in 1995, at 63. I wish he could have known that I thought of him while writing this piece.
$14.99
14.04 €
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String Quartet: 2 violins, viola, cello
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Burton Goldstein
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String Quartet #2 - Kwasi's Revenge
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Burton Goldstein Music
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SheetMusicPlus
The Privateers
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. …
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Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
23.4 €
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Concert band
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
18.73 €
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String Orchestra
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
The Socratic Problem
Viola, Piano
Piano,Viola - Digital Download SKU: A0.1004162 Composed by Matthew Scott Phillips. …
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Piano,Viola - Digital Download SKU: A0.1004162 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and part. 19 pages. Matthew Scott Phillips #6265019. Published by Matthew Scott Phillips (A0.1004162). While invaluable to the development of Western civilization, the Greek philosopher Socrates is believed by some scholars not to exist. According to this theory, he is not a living person, but a metaphor used to teach philosophical ideas to newcomers. Others point to extant evidence that Socrates was indeed real, and had his own inner circle of students. This piece is a reflection on the verisimilitude of Socrates’s existence. It is a struggle with the question of whether so influential a figure can truly be imaginary and ultimately an arrival at the decision that his realness is not as important as his influence.
$4.99
4.67 €
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Viola, Piano
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Matthew Scott Phillips
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The Socratic Problem
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Matthew Scott Phillips
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SheetMusicPlus
The Lantern Tower (Chorales II)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.998858 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998858 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Instructional,Religious. Score. 6 pages. Robert A. Howard #6235333. Published by Robert A. Howard (A0.998858). This is the extended piano version of an abridged work (The Lantern Tower (Chorales I)), by the same composer, also available via Sheet Music Plus. The title of the piece reflects its inspiration: the Lantern Tower of Liverpool's Metropolitan Cathedral of Christ the King (1966-67). The tower's sixteen sides contain panels of stained glass, designed by John Piper and Patrick Reyntiens. Their effect is to bathe the cathedral in radiant colour, with three plain panels projecting shafts of brilliant white light through the multi-coloured spectrum. The Lantern Tower (Chorales II) aims to illustrate the intermingling light patterns in a series of chorale-like variations, which, like the tower itself, eventually comes full circle. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals.Duration: 10 minutes 15 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.49
5.14 €
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Piano solo
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Robert A
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The Lantern Tower
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Robert A. Howard
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SheetMusicPlus
The Lantern Tower (Chorales I)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.998857 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998857 Composed by Robert A. Howard. 21st Century,Contemporary,Standards. Score. 4 pages. Robert A. Howard #6235317. Published by Robert A. Howard (A0.998857). This is the abridged piano version of an extended work (The Lantern Tower (Chorales II)), by the same composer, also available via Sheet Music Plus. The title of the piece reflects its inspiration: the Lantern Tower of Liverpool's Metropolitan Cathedral of Christ the King (1966-67). The tower's sixteen sides contain panels of stained glass, designed by John Piper and Patrick Reyntiens. Their effect is to bathe the cathedral in radiant colour, with three plain panels projecting shafts of brilliant white light through the multi-coloured spectrum. The Lantern Tower (Chorales I) aims to illustrate the intermingling light patterns in a series of chorale-like variations, which, like the tower itself, eventually comes full circle. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals.Duration: 6 minutes 05 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.49
3.27 €
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Piano solo
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Robert A
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The Lantern Tower
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Robert A. Howard
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SheetMusicPlus
Laid To Rest - simple lead sheet
Easy Piano
Piano Solo - Level 2 - Digital Download SKU: A0.912632 Composed by Johnson Lee. Con…
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Piano Solo - Level 2 - Digital Download SKU: A0.912632 Composed by Johnson Lee. Contemporary. Score. 2 pages. Johnson lee #1920997. Published by johnson lee (A0.912632). This tune was premiered at the funeral of the first Prime Minister of Singapore Mr Lee Kuan Yew. This tune pays tribute to the people who have made contributions to this world. Their sacrifice and generosity have enriched us. Their love and spirit is passed on to the future and their example for us to follow. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest. I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance. When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest.
$1.99
1.86 €
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Easy Piano
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Johnson Lee
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Laid To Rest - simple lead sheet
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johnson lee
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
28.08 €
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Concert band
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Ubuntu
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1375425 By Ken Medema. By Ken Med…
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C Instrument - Level 2 - Digital Download SKU: A0.1375425 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. Lead Sheet / Fake Book. 11 pages. Ken Medema Music #959997. Published by Ken Medema Music (A0.1375425). Lead SheetUbuntuSharing our visions and dreamsUbuntu, Where justice flows like a life giving streamThe people together joining our hearts and our handsTo welcome the stranger and cherish the friendAnd to work for the peace of the landAnd so we do lifeSisters and brothers made for communionBound to each other, one holy unionDrawn by a vision, drawn by desireDrawn to the circle ‘round God’s holy fireMade by God’s power to live as God’s own Made to be seen and be heard and to be know
$2.99
2.8 €
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C Instruments
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Ken Medema
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Ubuntu
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Ken Medema Music
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SheetMusicPlus
Together forever
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1368439 By Jose Valladares. By Jose…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952785. Published by Circlesquare Music (A0.1368439). Introducing Together Forever, a deeply moving and soulful piano composition that embodies the unwavering commitment and enduring bond of a lifelong partnership. This emotive piece, from the touching album A Celebration of Love, and Life by the acclaimed artist and composer Jose Valladares, is a musical representation of the promise and dedication inherent in the words together forever.With a gentle and steady tempo of 60, Together Forever unfolds with a tenderness and depth that speak directly to the heart. Each note and chord progression in this composition weaves a narrative of love's journey – from its first, tentative steps to the confident strides of a bond that has stood the test of time. The melody is both a comforting embrace and a joyful celebration, encapsulating the beauty and resilience of a love that grows stronger and more profound with each passing day.Together Forever is not just a piece of music; it's a testament to the enduring nature of true love. It invites listeners to reflect on the cherished moments shared with a partner, the trials overcome together, and the shared dreams for the future. This composition is perfect for those who wish to express their deep commitment through the timeless language of music, for pianists looking to convey the richness of a lifelong bond, and for anyone who cherishes the promise of being together forever.Let Together Forever be the soundtrack to your most treasured memories, echoing the steadfast promise of a love that knows no end. Allow this piece to accompany you in moments of reflection and celebration, serving as a musical reminder of the love that binds you to another, through all of life's ebb and flow.
$8.99
8.42 €
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Piano solo
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Jose Valladares
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Together forever
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Circlesquare Music
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SheetMusicPlus
Dedication to Bill Evans
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Score. 4 pages. Zellev Music #797617. Published by Zellev Music (A0.1198473). Key Signature: B♭ MajTime Signature: 3/4Tempo: Adagio Rubato (Slowly as the performer feels like)Difficulty: Intermediatenot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$4.50
4.21 €
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Piano solo
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Yury Markin
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Dedication to Bill Evans
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Zellev Music
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SheetMusicPlus
The Power of Love
Easy Piano
Piano Solo - Level 1 - Digital Download SKU: A0.1368437 By Jose Valladares. By Jose…
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Piano Solo - Level 1 - Digital Download SKU: A0.1368437 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952783. Published by Circlesquare Music (A0.1368437). Introducing The Power of Love, a profound and emotive piano composition that masterfully encapsulates the immense strength and transformative impact of love. This heartfelt piece, from the soul-stirring album A Celebration of Love, and Life by the talented artist and composer Jose Valladares, is a musical homage to the indomitable force that love exerts in our lives, shaping our journeys and enriching our souls.With a gentle tempo of 60, The Power of Love unfolds with a grace and depth that resonate with the heart's most profound sentiments. The composition is a melodious testament to the myriad ways in which love empowers, heals, and uplifts us. Each note is imbued with emotion, each chord a reflection of the profound connections that bind us together, and the melody a narrative of the enduring legacy that love leaves in its wake.The Power of Love is more than just a piece of music; it's an exploration of the human condition, a celebration of the strength found in vulnerability, and a recognition of the profound impact that love has on every aspect of our existence. This composition is perfect for those who seek to express the depth and complexity of love through the universal language of music, for pianists who aim to touch the soul with their artistry, and for anyone who believes in the transformative and healing power of love.Let The Power of Love envelop you in its passionate embrace, guiding you through a journey of reflection, healing, and empowerment. Allow this piece to resonate within you, reminding you of love's incredible ability to overcome, to mend, and to inspire. This composition is a tribute to love's strength, a serene meditation on the force that drives the human spirit, and a celebration of the power that love holds to change our world.
$4.99
4.67 €
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Easy Piano
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Jose Valladares
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The Power of Love
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Circlesquare Music
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SheetMusicPlus
LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS, for Bb TENOR SAXOPHONE
Saxophone (band part)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1108013 By Various. By Va…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1108013 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710630. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1108013). This book is perfect for beginners and those seeking to improve their SIGHT READING and musical skills. Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.Created with beginner PLAYERS in mind, each page of the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. Perfect collection for teacher-student play-along and makes playing the Treble Clef a breeze.ENDORSEMENTS. Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among elementary school instrumentalists and teachers, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms. It comes in 10 different versions for all Western musical instruments, enabling unison or octave play.It is an excellent resource to have.
$9.85
9.22 €
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Saxophone (band part)
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Various
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LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS, for Bb TENOR SAXOPHONE
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
On the Air (for Brass Quintet & Marimba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,” was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back” to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95
23.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
We're Marching to Zion
4-Hand Piano Choral (4 Hand Piano) SKU: HL.159807 Arranged by Benjamin Harlan. 4 Ha…
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4-Hand Piano Choral (4 Hand Piano) SKU: HL.159807 Arranged by Benjamin Harlan. 4 Hand Piano Part. Fred Bock Publications. Anthem, General Worship, Hymn, Sacred. Octavo. Fred Bock Music Company #BG2630B. Published by Fred Bock Music Company (HL.159807). UPC: 888680619831. 8.5x11.0x0.092 inches.Veteran composer and arrranger Benjie Harlan knows how to make a hymn rock! Arranged for piano 4-hand accompaniment (available separately), a 2-hand accompaniment comes with the choral. Truly it is the accompaniment that carries this arrangement to the winner's circle. The choir parts are solid and easy to learn. A great church anthem. Easy.
$20.00
18.73 €
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We're Marching to Zion
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Fred Bock Music Company
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SheetMusicPlus
We're Marching to Zion
Choral (SATB Choir) SKU: HL.159806 Arranged by Benjamin Harlan. Fred Bock Publicati…
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Choral (SATB Choir) SKU: HL.159806 Arranged by Benjamin Harlan. Fred Bock Publications. Anthem, Hymn, Sacred. Octavo. 12 pages. Fred Bock Music Company #BG2630. Published by Fred Bock Music Company (HL.159806). UPC: 888680619824. 6.75x10.5 inches.Veteran composer and arrranger Benjie Harlan knows how to make a hymn rock! Arranged for piano 4-hand accompaniment (available separately), a 2-hand accompaniment comes with the choral. Truly it is the accompaniment that carries this arrangement to the winner's circle. The choir parts are solid and easy to learn. A great church anthem. Easy.
$2.35
2.2 €
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We're Marching to Zion
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Fred Bock Music Company
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SheetMusicPlus
Sing to the Lord of Harvest
Choral (SATB Choir) SKU: HL.232925 Composed by Charles McCartha. Fred Bock Publicat…
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Choral (SATB Choir) SKU: HL.232925 Composed by Charles McCartha. Fred Bock Publications. Concert, Sacred, Thanksgiving. Octavo. 12 pages. Fred Bock Music Company #BG2647. Published by Fred Bock Music Company (HL.232925). UPC: 888680679699. 6.75x10.5 inches.“Come, Ye Thankful People, Come” is one of best-known songs of Thanksgiving. Charles McCartha has encircled that hymn with his own spirited tune. The piano accompaniment is jubilant and the vocal writing pleasing to sing. A great church anthem for Thanksgiving or any general service of praise. Easy to medium in difficulty.
$2.45
2.29 €
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Charles McCartha
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Sing to the Lord of Harvest
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Fred Bock Music Company
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SheetMusicPlus
Concave "Forgive To Forget"
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1024145 Composed by Elijah Jones. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.1024145 Composed by Elijah Jones. Contemporary,Romantic Period. Score. 4 pages. Elijah Jacob Jones #2988935. Published by Elijah Jacob Jones (A0.1024145). Quote:There will be times when we make a mistake. And sometimes the mistakes we make, we don't fully learn from. We always have to be able to go back to our mistakes like circles to be able to figure out what we did wrong. And utilize it to overcome in the future.The song is dedicated to my dad.Jacob Jones.Album: Forgive To ForgetTrack: 8Recording: January 2017Dedication: Jacob JonesBy: Elijah JonesSheet Music: January 12th 2017Forgive To Forget is the sequel to Utilize Album 2015. -Elijah Jones-Kinlee And ElijahForgive To Forget 2017 Tracklist
$3.99
3.74 €
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Piano solo
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Elijah Jones
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Concave "Forgive To Forget"
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Elijah Jacob Jones
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.43 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Petit concert en sextuor for oboe, harpsichord and string quartet
Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700…
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700). An 18-minute concerto in three movements for oboe, harpsichord and string quartet.From the program notes . . . .I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them.Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.
$22.50
21.07 €
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Brian Joyce
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Petit concert en sextuor for oboe, harpsichord and string quartet
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Brian Joyce
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SheetMusicPlus
Christchurch Alive!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
93.64 €
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
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