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Supplemental Practice Alternatives for Trumpet
Trumpet
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21s…
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Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
8.92 €
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Trumpet
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Charles Decker
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Supplemental Practice Alternatives for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
Common Alternatives
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.597700 Composed by Richard Montal…
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Piano,Violin - Level 5 - Digital Download SKU: A0.597700 Composed by Richard Montalto. Concert,Contemporary. 7 pages. ArrangeMe #6642815. Published by ArrangeMe (A0.597700). An eclectic work for solo violin and piano. The violinist plays through a musical labyrinth, while the piano performs a meditative, minimalist inspired accompaniment.
$20.00
17.93 €
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Violin and Piano
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Richard Montalto
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Common Alternatives
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ArrangeMe
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SheetMusicPlus
10 Ways to Play a Common Chord Progression (in the key of G Major)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1393936 Composed by Danny Crocome. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1393936 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Guitar Tab. 3 pages. Danny Crocome Music #977403. Published by Danny Crocome Music (A0.1393936). These info sheets show guitarists 10 different ways to approach playing a I V vi IV chord progression:1. The basic pattern2. Strumming pattern3. Arpeggios4. Embellishing the chords5. Rhythmic twists6. Power chords7. Barre chords and funkier rhythms8. Fingerpicking with alternating bass and chord inversions9. Syncopated reggae-style rhythms and chord voicings10. Higher chord voicings, open strings and passing chords.A really useful resource for guitarists looking for fresh ways to play old patterns. Also, a handy reference resource for classroom and guitar teachers working with guitar students.
$5.00
4.48 €
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Guitar notes and tablatures
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Danny Crocome
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10 Ways to Play a Common Chord Progression
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Danny Crocome Music
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SheetMusicPlus
Common People
Ukulele
Digital Download SKU: HX.361998 By Pulp. Alternative,Pop. Ukulele. 2 pages. Publish…
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Digital Download SKU: HX.361998 By Pulp. Alternative,Pop. Ukulele. 2 pages. Published by Hal Leonard Europe (HX.361998).
$1.99
1.78 €
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Ukulele
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Pulp
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Common People
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Hal Leonard Europe
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SheetMusicPlus
Jesus Christ is Risen Today for Brass Quartet with Descant
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Comp…
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Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith Terrett #4786801. Published by Keith Terrett (A0.746869). Arranged for Brass Quartet, Jesus Christ Is Risen Today was first written in Latin titled Surrexit Christus hodie, as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John Baptist Walsh to be included in his Lyra Davidica (Collection of Divine Songs and Hymns). The verses of the hymn were revised in 1749 by John Arnold. Initially the hymn only had three verses translated with just the first verse being a direct translation; in 1740 Charles Wesley (one of the founders of Methodism) added a fourth verse to the hymn as an alternative, which was later adopted into the hymn as part of it. The hymn is also noted for having Alleluia as a refrain after every line.The hymn is set to a piece of music entitled Easter Hymn which was composed in the Lyra Davidica for Jesus Christ Is Risen Today. There was a later version of Easter Hymn composed by William Henry Monk which is also used for Jesus Christ Is Risen Today. Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with Christ the Lord Is Risen Today, which was written by Wesley. This is because the wording is similar and Christ the Lord Is Risen Today is usually likewise sung to Easter Hymn with Llanfair generally being the most common alternative.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
7.16 €
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Bohemian Hymn
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Jesus Christ is Risen Today for Brass Quartet with Descant
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Keith Terrett
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SheetMusicPlus
March: Helping Hands (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
40.33 €
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
The Waltham Service - a Communion setting for Choir and Congregation with Organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493484 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493484 Composed by Simon J Shaw. Christian,Praise & Worship,Religious,Sacred. 18 pages. Simon J Shaw #1070146. Published by Simon J Shaw (A0.1493484). An accessible musical setting of the Anglican words for Holy Communion (from Common Worship).Designed to be sung together by Congregation and SATB choir, accompanied by Organ (congregation singing the Soprano melody).The melodic themes are designed to be easy and rewarding for a congregation to learn, while providing some additonal musical interest in the choir parts.A congregational melody sheet is included in the score, which may be duplicated or projected separately as needed.For Church of England use, it includes settings of various Common Worship alternative acclamations, sursum corda, doxology, dismissals etc.Applicable for use by other Christian denominations.
$5.00
4.48 €
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Choral SATB
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Simon J Shaw
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The Waltham Service - a Communion setting for Choir and Congregation with Organ
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Simon J Shaw
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SheetMusicPlus
Eleanor Rigby
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.864795 By David Cook. By John Lenno…
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Piano Solo - Level 2 - Digital Download SKU: A0.864795 By David Cook. By John Lennon and Paul McCartney. Arranged by Dan Severino. Rock. Score. 3 pages. Piano Teacher Press #6075583. Published by Piano Teacher Press (A0.864795). Eleanor Rigby is an example of a song that demonstrates The Beatles evolution of moving from standard rock and roll to more experimental and alternative sounds. A song on the topics of depressing loneliness was not a common topic coming from rock bands in the 1960's. However, being a teenager in the 60's, the minor melody caught my attention and became one of my favorite Beatles songs.All that said, this arrangement features staccato chords and a melody that alternates between staccato and legato phrases. I wrote it at an intermediate level so it would be playable by teen piano students. I think teen students that are beginning to expand emotionally will be attracted to Eleanor Rigby. I see this arrangement being popular for family gatherings, and recitals and well as self-satisfaction. Also, adult students and amateurs would be attracted to this arrangement.
$4.99
4.47 €
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Piano solo
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David Cook
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Eleanor Rigby
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Piano Teacher Press
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SheetMusicPlus
Guthrie: I Saw Three Ships for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680). I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:Historical ContextOrigins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.Symbolism and InterpretationThe Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.Musical LegacyPopularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.
$34.95
31.33 €
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String Quartet: 2 violins, viola, cello
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Traditional
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Guthrie: I Saw Three Ships for String Quartet
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jmsgu3
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SheetMusicPlus
Nothing But Love
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1444099 By Aar…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1444099 By Aaron Evans. By Aaron Evans. Arranged by Aaron Evans. A Cappella,Folk,Spiritual. 1 pages. Aaron Evans #1024045. Published by Aaron Evans (A0.1444099). Over recent years there have been an increasing number of movements encouraging the protection of the earth and her natural resources. One common thing amongst all of these movements is that we are in desperate need of sending her love. If, with everything we do, make or use, we do with love for the earth, we will be one step closer to building a greener future for our children.Tips for TeachingThis song has three different melodies that, when layered together, flow together as call and response. The S & A parts form one of these melodies, the T is another and the B the third.Something that my choirs have found useful to note is that in the first half, the phrases have an upward motion and in the second half a downward motion (with the exception of the tenor part).As an alternative to the words, for a performance, this could be sung through vowel sounds (ooh, ahh or hmm) with each melody offered the opportunity to ‘feature’ by singing the words over the others singing a vowel sound. For example, the S, A & B part ‘ooh' whilst the T sing their tune with the words.
$1.99
1.78 €
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Choral SATB
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Aaron Evans
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Nothing But Love
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Aaron Evans
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SheetMusicPlus
Muirsheen Durkin
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1389966 By Traditional Irish. By …
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C Instrument - Level 1 - Digital Download SKU: A0.1389966 By Traditional Irish. By Traditional Irish. Arranged by Thomas Degan. Celtic,Early Music,Folk,Irish,Standards,Traditional. Lead Sheet / Fake Book. 1 pages. Thomas Degan #973530. Published by Thomas Degan (A0.1389966). The Irish folk song Muirsheen Durkin tells the story of an emigrant from Ireland who goes to mine for gold in California during the California Gold Rush, 1849. The song is about emigration, although atypically optimistic for the genre. The name Muirsheen is a good phonetic approximation to the pronunciation of MáirtÃn (Martin) in Connacht Irish; it could alternatively be construed as a diminutive of Muiris (Maurice). A pratie is a potato, the historical staple crop of Ireland. America is pronounced Americay, as was common among Gaelic peoples around Ireland.-wikipedia.
$1.99
1.78 €
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Easy Piano
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Traditional Irish
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Muirsheen Durkin
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Thomas Degan
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.1 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
Come, Ye Poor and Needy - SATB Ensemble
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144868 Composed by Joseph…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144868 Composed by Joseph Hart. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred. Octavo. 15 pages. Mark R Lewis #745186. Published by Mark R Lewis (A0.1144868). Better known by it's longer title Come, Ye Sinners, Poor and Needy, the text for this hymn was written by Joseph Hart in the mid-1700s. The text is thought to be loosely based on his conversion to Christianity. One of the most common tunes to be associate with the text is Restoration, sometimes known as Arise. This pentatonic tune comes from the Southern Harmony collection. This a cappella arrangement by Mark Lewis passes the melody between all four voice parts with key changes that place the melody nicely within every vocal range. Alternating between arpeggiating and homophonic accompaniment, this arrangement provides a wide variety of singing experiences for the choir over the course of the song.
$1.99
1.78 €
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Choral SATB
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Joseph Hart
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Come, Ye Poor and Needy - SATB Ensemble
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Mark R Lewis
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SheetMusicPlus
Clocks
Choral 3-part
Choral Choir (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1036560 By Coldpla…
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Choral Choir (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1036560 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Christopher Durigg. Contemporary,Pop,Rock. Octavo. 14 pages. Christopher Durigg #641566. Published by Christopher Durigg (A0.1036560). Clocks by COLDPLAY is by far one of the most iconic popular songs of 2002. This arrangement is an accessible pop arrangement for 3-Part Mixed chorus; it is most suitable and appropriate for a junior high school or high school ensemble. The lyrics are incredibly human, connecting with common self-pondering that most people experience at some point in their lives. At the same time, the song’s gentle urgency aims to uplift the listener. This piece is sure to inspire the alternative pop/rock fans in your choir and audience, and it’s sure to give everyone nostalgic vibes of the early 2000’s. I hope you enjoy my arrangement of Clocks! — Christopher Durigg.
$2.50
2.24 €
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Choral 3-part
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Coldplay
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Clocks
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Christopher Durigg
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SheetMusicPlus
In Sure And Certain Hope
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1254707 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1254707 Composed by Nicholas White. 21st Century,Classical,Religious,Traditional. Octavo. 60 pages. Nicholas White Music #848298. Published by Nicholas White Music (A0.1254707). Forming an effective choral requiem of sorts, the seven movements of Nicholas White's IN SURE AND CERTAIN HOPEÂ were written for The Tiffany Consort in 2006. With texts from the Book of Common Prayer, the piece offers an alternative to the more traditional requiem settings, and may be performed by chorus, soloists, and organ (with optional cello) or with strings only.
$10.00
8.96 €
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Choral SATB
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Nicholas White
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In Sure And Certain Hope
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Nicholas White Music
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SheetMusicPlus
Silent Night: From Austria to Africa
Guitar notes and tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
4.47 €
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Guitar notes and tablatures
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Franz Xaver Gruber
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26 €
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Piano solo
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Idiogloassia
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David …
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Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David Barlow. Contemporary. Individual part. 16 pages. Musik Fabrik Music Publishing #2026809. Published by Musik Fabrik Music Publishing (A0.775916). The term idioglossia is used to describe invented languages and often refers to speech patterns developed by twins. Barlow’s piece is inspired by this phenomenon. The musical ideas repeat, lengthen, self-reference, and develop freely representing the composer’s perception of idioglossia from his observations of recorded examples and live exposure. This three movement concert piece includes fast passage work, interesting textures, and beautiful melodies. Although challenging, it is composed to sit well on the instrument and fingerings are included to aid the performer. Alternation between dissonant pitch clusters and lydian material is common throughout. Indeed, a general dissonant-consonant-dissonant structure is represented in each movement and across the piece as a whole. 1st movement Uproot winner in the Colorado Composers Competition.
$12.94
11.6 €
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Guitar
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Jonathan David Barlow
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Idiogloassia
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Musik Fabrik Music Publishing
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SheetMusicPlus
My Perfect Stranger
Upper voices, SATB chorus, harp - Digital Download SKU: OX.9780193704602 Composed b…
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Upper voices, SATB chorus, harp - Digital Download SKU: OX.9780193704602 Composed by Bob Chilcott. Vocal score. 35 pages. Oxford University Press Digital #9780193704602. Published by Oxford University Press Digital (OX.9780193704602). ISBN 9780193704602.For upper voices, SATB, and harp. This is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. Soloists take on key roles in the narrative, with the upper voices acting as the guiding star. The harp writing makes a vibrant accompaniment and an alternative to the more common accompaniments for keyboard.
$14.99
13.44 €
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Bob Chilcott
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My Perfect Stranger
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Oxford University Press Digital
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SheetMusicPlus
My Perfect Stranger
Upper voices, SATB chorus, and harp - Digital Download SKU: OX.9780193201682 Compos…
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Upper voices, SATB chorus, and harp - Digital Download SKU: OX.9780193201682 Composed by Bob Chilcott. Score. 15 pages. Oxford University Press Digital #9780193201682. Published by Oxford University Press Digital (OX.9780193201682). ISBN 9780193201682.For upper voices, SATB, and harp. My Perfect Stranger is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. The artful harp writing makes for a vibrant accompaniment and a successful alternative to the more common accompaniment for keyboard.
$10.99
9.85 €
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Bob Chilcott
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My Perfect Stranger
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Oxford University Press Digital
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SheetMusicPlus
When Morning Dawns (Alternate Key)
Handbells
Handbell - Digital Download SKU: A0.862097 Arranged by Lauran Delancy. Christian,Ch…
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Handbell - Digital Download SKU: A0.862097 Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6099485. Published by Headless Mallets (A0.862097). When Morning Dawns (Alternate Key) is an 8-Bell Handbell arrangement of the hymn tune CONSOLATION (sometimes alternately referenced as MORNING SONG) utilizing bells E5-F6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement builds in the anticipation of Advent with eighth note movement. This piece is available in another key for those who prefer to play the piece with more standardized 8-Bell duet handbell assignments under the title When Morning Dawns. Common hymn titles associated with this tune are: The King Shall Come When Morning Dawns, and O Holy City, Seen of John, and Song of Mary (Magnificat). Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing.
$7.00
6.28 €
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Handbells
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When Morning Dawns
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Headless Mallets
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SheetMusicPlus
When Morning Dawns
Handbells
Handbell - Digital Download SKU: A0.862096 Arranged by Lauran Delancy. Christian,Ch…
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Handbell - Digital Download SKU: A0.862096 Arranged by Lauran Delancy. Christian,Christmas,Sacred. Score. 3 pages. Headless Mallets #6099481. Published by Headless Mallets (A0.862096). When Morning Dawns is an 8-Bell Handbell arrangement of the hymn tune CONSOLATION (sometimes alternately referenced as MORNING SONG) utilizing bells F#5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement builds in the anticipation of Advent with eighth note movement. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces for the left hand and lines for the right hand) under the title When Morning Dawns (Alternate Key). Common hymn titles associated with this tune are: The King Shall Come When Morning Dawns, and O Holy City, Seen of John, and Song of Mary (Magnificat). Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing.
$7.00
6.28 €
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Handbells
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When Morning Dawns
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Headless Mallets
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SheetMusicPlus
3 Clocks for 3 Brass
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.949121 Composed by Ian D. Crew.…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.949121 Composed by Ian D. Crew. 20th Century,Children,Concert,Contemporary,Standards. Score and parts. 22 pages. Grumpy Mule Music #5308415. Published by Grumpy Mule Music (A0.949121). A suite of three pieces for flexible brass trio and hand percussion, each based on a particular type of clock. The music is lively and vivid, is ideal for players of easy-intermediate standard, and will develop a sound sense of ensemble. There are alternative parts given for all common brass instruments. and the percussion can be done with pretty much anything as long as it goes 'ting', 'tock' or 'whirr'...
$9.99
8.96 €
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Brass ensemble
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Ian D
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3 Clocks for 3 Brass
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Grumpy Mule Music
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SheetMusicPlus
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