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DISTANT SOUNDS
SheetMusicPlus
Sheetmusic to print
45 sheet music found
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Etude No. 3 for "A" Flute - Distant Familial Sounds
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021336 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021336 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047609. Published by Salvadorian Boy Productions (A0.1021336). This is the ORIGINAL COMPOSITION of Etude No. 3 for Native American Flute entitled Distant Familial Sounds from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.44 €
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Flute and Piano
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Enoch Chapman
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Etude No. 3 for "A" Flute - Distant Familial Sounds
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 3 for "F#" Flute - Distant Familial Sounds
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021339 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021339 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047613. Published by Salvadorian Boy Productions (A0.1021339). This is the ORIGINAL COMPOSITION of Etude No. 3 for Native American Flute entitled Distant Familial Sounds from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.44 €
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Flute and Piano
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Enoch Chapman
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Etude No. 3 for "F#" Flute - Distant Familial Sounds
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 3 for "G" Flute - Distant Familial Sounds
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021340 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021340 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047615. Published by Salvadorian Boy Productions (A0.1021340). This is the ORIGINAL COMPOSITION of Etude No. 3 for Native American Flute entitled Distant Familial Sounds from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.44 €
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Flute and Piano
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Enoch Chapman
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Etude No. 3 for "G" Flute - Distant Familial Sounds
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Salvadorian Boy Productions
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SheetMusicPlus
A Distant Bell
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1190604 Composed by Wendy …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1190604 Composed by Wendy Fisher and ChatGPT. Christmas,Holiday. Octavo. 11 pages. Wendy Fisher #790182. Published by Wendy Fisher (A0.1190604). Introducing a choral piece perfect for your community choir's winter concert: Bells in Winter. This secular Christmas song is an intermediate-level composition that will delight both singers and audience members alike.A Distant Bell features an inventive use of the human voice to imitate bells, creating a unique and memorable sound. With simple rhythms and an easy-to-follow piano accompaniment, your choir will be able to master this piece with ease, making it a great addition to your repertoire.But don't be fooled by the simplicity of the composition - A Distant Bell sounds layered and textured, adding depth and richness to your choir's performance. This effect is sure to capture the attention of your audience and leave them with a lasting impression of your choir's talent and skill.Whether you're looking to showcase your choir's abilities, or simply add some seasonal cheer to your winter concert, Bells in Winter is a perfect choice. Order your copies today and let your choir ring in the holiday season with this delightful choral piece.
$1.99
1.78 €
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Choral SATB
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Wendy Fisher and ChatGPT
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A Distant Bell
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Wendy Fisher
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SheetMusicPlus
Distant Echoes
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.871021 Composed by Michael Logozar.…
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Piano Solo - Level 3 - Digital Download SKU: A0.871021 Composed by Michael Logozar. 20th Century,Contemporary,New Age. Score. 5 pages. Logozar Music #3425883. Published by Logozar Music (A0.871021). Key of B major, 4/4 time signature. Intermediate skill level.Recorded by Michael Logozar on his album Wonder. Sounds like Jim Brickman, David Nevue, Michele McLaughlin, George Winston, Yiruma and Philip Wesley.
$5.50
4.93 €
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Piano solo
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Michael Logozar
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Distant Echoes
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Logozar Music
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SheetMusicPlus
DISTANT SOUNDS (SONIDOS LEJANOS)
Bells,Instrumental Solo - Level 3 - Digital Download SKU: A0.876184 Composed by Cla…
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Bells,Instrumental Solo - Level 3 - Digital Download SKU: A0.876184 Composed by Claudio Amadeo Viggiano. Classical,Contemporary,Multicultural,World. Individual part. 5 pages. Claudio viggiano #482589. Published by claudio viggiano (A0.876184). An original composition for a 4 octaves carrillion. My email contact:clavi10@hotmail.com.
$5.00
4.48 €
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Claudio Amadeo Viggiano
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DISTANT SOUNDS
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claudio viggiano
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SheetMusicPlus
Traditional - Adeste Fidelis for Trombone Choir adapted by Charles Ives
Bass Trombone,Tenor Trombone - Level 4 - Digital Download SKU: A0.1288982 Composed …
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Bass Trombone,Tenor Trombone - Level 4 - Digital Download SKU: A0.1288982 Composed by Charles Ives. Arranged by Marc Williams. 19th Century,Christmas. 18 pages. Gordon Cherry #879828. Published by Gordon Cherry (A0.1288982). In 1897 Charles Ives adapted the Traditional Christmas Carol Adeste Fidelis as a Prelude for Organ. He suggests a solo instrument to play the melody line and also mentions in his notes that there should be a mood of distant sounds from a Sabbath horizon.Marc Williams has beautifully arranged this unique sounding adaptation of the traditional carol (Ives is up to his old tricks with lots of dissonance, plus turning the melody upside down) for 10-part Trombone Choir of advanced intermediate level.
$25.00
22.41 €
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Charles Ives
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Traditional - Adeste Fidelis for Trombone Choir adapted by Charles Ives
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Gordon Cherry
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SheetMusicPlus
Sirens of Death - Horror Piano
Piano solo
Piano - Digital Download SKU: A0.1061653 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1061653 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Halloween,New Age. Full Performance. Duration 141. James M Stevens Music ASCAP #4716547. Published by James M Stevens Music ASCAP (A0.1061653). This is an original piano composition in a darkly sinister style with ambient orchestration and the distant sounds of the sirens.
$1.99
1.78 €
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Piano solo
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James Michael Stevens
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Sirens of Death - Horror Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Shaping Metal (percussion duo)
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Downlo…
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00
8.96 €
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Dialogues, for alto sax and electric guitar
Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - Digital Dow…
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Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.977049 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #4804179. Published by Distant Engraver Music (A0.977049). Elements of this music can be traced to jazz, blues and classical music, but it’s not really crossover or fusion. It doesn’t sound like jazzy classical music and it certainly isn’t jazz hoping to be serious or grandiose. Its seemingly disparate impulses blend logically into a work that feels natural on its own terms. So when the saxophone plays syncopated melodies or bent pitches, it just sounds like the right thing to do. Similarly, though the inspiration for certain guitar sounds and effects came from electric-based fusion or more serious-minded rock music, those influences are probably not obvious. Of course, guitarists will bring some of their own concepts and experience into their sounds, too, but general guidelines are given on the score. The three movements of this piece are:
$9.00
8.07 €
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Paul SanGregory
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Dialogues, for alto sax and electric guitar
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Distant Engraver Music
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SheetMusicPlus
Three Curios (for solo piano)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory.…
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Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant Engraver Music (A0.977030). These pieces are like little objects that are simple and direct, yet slightly eccentric. They often seem to be based on traditional notions of harmony or phrasing, but they don’t always get those aspects exactly right. It’s as if what appears to be common little figurines, upon closer inspection, reveal themselves to be more varied, colorful, complex and unpredictable than a quick glance might reveal. I - Mutable Phrase This piece sounds a bit obsessive because all the phrases begin the same way. It almost sounds like somebody repeating a simple one-phrase statement, but constantly changing it with the hope of writing a perfectly nuanced phrase. II - Sparks in Emptiness The use of the sostenuto pedal in this piece creates an effect of reverberating empty space. Within that space, little bursts of energy begin appearing. It sounds like flashes of light in an empty dark space. III - Silent Blue Tides This piece is based on a slowly moving and somewhat unpredictable chord progression. A duo of simple melodies then floats on that chord progression, rising and falling with the moods of that large blue sea.
$6.50
5.83 €
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Piano solo
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Paul SanGregory
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Three Curios
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Distant Engraver Music
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SheetMusicPlus
Carson Cooman: Fourth Piano Sonata
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.533606 Composed by Carson Cooman. C…
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Piano Solo - Level 5 - Digital Download SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525. Published by Musik Fabrik Music Publishing (A0.533606). I. Mourning at SunsetII. Beyond Distant EchoesIII. Whispers of MortalityFourth Piano Sonata (2005) was commissioned by and is dedicated to pianist Donna Amato.The work is in three movements, each using the exact same musical material. Eachmovement presents a trajectory towards a greater integration of the disparate pieces ofmaterial.The first movement, Mourning at Sunset, presents the basic material in clearly definedblocks. An opening section of forceful, declamatory chords alternates with a more lyricalsection of interlocking lines. The forceful music returns before a slow, desolate section ispresented. This builds to a small climax before dying down again. The opening then returns.The second movement, Beyond Distant Echoes, is slow and ethereal. Sounds of distant gongsalternate with brittle, spasmodic interjections.The third movement, Whispers of Mortality, is inspired by the finale of Frederic Chopin'sPiano Sonata in B-flat minor. It is fast and fleeting and too short. The musical materialhas transformed into pure running roulades of raw notes. The movement evaporates into theuppermost register.
$19.95
17.88 €
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Piano solo
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Carson Cooman
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Carson Cooman: Fourth Piano Sonata
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Musik Fabrik Music Publishing
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SheetMusicPlus
Diu-Diu Dang (Locomotive Song)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.977024 Composed by Traditi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.977024 Composed by Traditional Taiwanese Song. Arranged by Paul SanGregory (æ¡‘ç£Šæ ¢). A Cappella,Contemporary,Folk,World. Octavo. 11 pages. Distant Engraver Music #3533723. Published by Distant Engraver Music (A0.977024). This lively and evocative a cappella arrangement was composed for a community choir in Taiwan and was premiered by them. This is that original version, but the song's lyrics have now been spelled out using the English alphabet, not Chinese characters. Short solo parts and some divisi are used in this SATB arrangement. The program note is as follows:The central image of this song is the steam train that used to travel the rout from Taipei to Ilan, Taiwan. Different meanings of this song's lyrics have been debated, but somebody once told me of possible references to dripping water within the tunnels along the train's rout. Taking these images as my starting point, I begin this arrangement with a perspective from inside one such tunnel. As the train approaches, the mood changes from still and quiet to energetic and active. The train then quickly passes and, as its whistle fades into the distance, the quiet sounds within the tunnel can once again be heard.
$2.00
1.79 €
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Choral SATB
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Traditional Taiwanese Song
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Diu-Diu Dang
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Distant Engraver Music
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SheetMusicPlus
Prelude Impressions (for solo piano)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory.…
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Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00
7.17 €
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Piano solo
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
33 Tears (for percussion trio)
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul Sa…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
7.17 €
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Percussion Ensemble
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
33 Tears (for piano solo)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.977039 Composed by Paul SanGregory.…
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Piano Solo - Level 4 - Digital Download SKU: A0.977039 Composed by Paul SanGregory. Contemporary. Score. 6 pages. Distant Engraver Music #3539857. Published by Distant Engraver Music (A0.977039). This quiet, sparse and beautiful music was composed in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color, balance, phrasing and creating a sense of natural open space. There are also places where listening to and coordinating balance and phrasing between competing rhythmic layers needs careful attention. (Performance time ca. 4 minutes, or longer.)
$2.50
2.24 €
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Piano solo
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
"Mysterious Pond" - for Flute, Oboe and Piano [Performance Score & Parts]
Oboe, Piano (duet)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Digital Download SKU: A0.9…
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Digital Download SKU: A0.976005 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 50 pages. Lior Navok Music #4716991. Published by Lior Navok Music (A0.976005). MYSTERIOUS PONDfor Flute, Oboe and Piano (2004) DURATION: 10 Minutes PROGRAM NOTES: The composer writes about his work: Mysterious Pond was written during my artist residency at the MacDowell Colony in New Hampshire, USA. From my studio which was sited in the midst of the forest I could hear remote sounds that came from the nearby pond: Frog Peepers created a most haunting sound texture, the sounds of night birds and the distant howls. My mind started to work towards imagining the pond and its mysterious atmosphere at different times of the day, but especially from dusk to sunrise. I imagined small episodes, involving the water creatures, their sounds, the lighting, rustle of the leaves and the whisper of the water. All these created a continuum of musical scenes, woven one into the other. Mysterious Pond was written for flutist Eyal Ein Habar and oboist Dudu Carmel. It was commissioned by the Sons et Couleurs au Musée concert series, (Er'ella Talmi, Director) with funds from the Canada-Israel Cultural Foundation.INFO: Item: Full Score &Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 29 Parts: 21 Ink: Black & White Paper Size:DIN A4 / Letter.
$22.00
19.72 €
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Oboe, Piano (duet)
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Lior Navok
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"Mysterious Pond" - for Flute, Oboe and Piano [Performance Score & Parts]
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Lior Navok Music
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SheetMusicPlus
Dream of a Witches' Sabbath
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlio…
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Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlioz. Arranged by Vincent Fung Kin Yuen. Romantic Period. Score and parts. 150 pages. Vincent Fung Kin Yuen #3558347. Published by Vincent Fung Kin Yuen (A0.1028397). A few years ago, I attended a concert by the National University of Singapore Symphony Orchestra, a group of passionate students, at the National University of Singapore. They performed Berlioz’s Symphonie Fantastique, which has continuously captivated me through the wild, grotesque sounds. Recently, my friend, Joshua suggested that I could write an orchestral transcription for Dream of a Witches’ Sabbath. I have decided to keep the instrumentation to a minimum, where smaller size bands can give it a try without the fear of not owning unusual auxiliary instruments, but still able to maintain the original orchestral sounds. The original program notes by Berlioz is as follows: He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath ... Roar of delight at her arrival ... She joins the diabolical orgy ... The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.
$200.00
179.24 €
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Concert band
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Hector Berlioz
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Dream of a Witches' Sabbath
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Vincent Fung Kin Yuen
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SheetMusicPlus
Au Coeur de la Nuit
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1452455 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1452455 Composed by Gunter Scholler. Arranged by Gunter Scholler. A Cappella,Celtic,Classical,Contemporary,Contest,Festival,Irish. 7 pages. Scholler #1031787. Published by Scholler (A0.1452455). The four male voices will perform the main melody, conveying the raw emotion and deep history of the ancient Celtic text. Their robust and harmonious voices will bring the words to life, transporting the audience to a distant era where myths and legends were at the heart of culture.In contrast, the four female voices will accompany the melody with delicate and melodious onomatopoeia. These subtle and evocative sounds will create an enchanting atmosphere, adding layers of texture and mystery to the composition. The onomatopoeia will imitate the sounds of nature and the elements, thus reinforcing the connection to the Celtic roots of the piece.This arrangement highlights the interaction between the male and female voices, offering an immersive auditory experience. The alternation and fusion of melody and onomatopoeia illustrate the complementarity and balance present in Celtic music and traditions.
$2.99
2.68 €
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Choral SATB
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Gunter Scholler
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Au Coeur de la Nuit
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Scholler
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.53 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.53 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Method of Harmony and Musical Composition with Exercises
Choral SATB
Choral Choir (Mixed) - Digital Download SKU: A0.518051 Composed by Santino Cara. In…
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Choral Choir (Mixed) - Digital Download SKU: A0.518051 Composed by Santino Cara. Instructional. Octavo. 251 pages. Santino Cara #3068463. Published by Santino Cara (A0.518051). This method is under the old rules, that are related to the purity and simplicity. Harmony and tonality, intervals, movement of sounds, major and minor chord , construction and conjunction of the chords, cadences, exceptional motions of the dominant, concatenation of the chords, direct agreement and revolt, harmonization of the bass, tonal progressions, dissonant arrangements, modulation, modulating progressions, agreement of seventh dominant, agreement of ninth dominant, natural and artificial agreements, modulation to the distant tones, the exchange, harmonic artifices, pedal, harmonnization of the given song, etc ... While reading you will find images of scores such as reference to a particular discourse that at that moment he was doing, and so on. They're all examples targeted aimed at better understanding.
$32.40
29.04 €
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Choral SATB
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Santino Cara
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Method of Harmony and Musical Composition with Exercises
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Santino Cara
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SheetMusicPlus
Etude in Thirds
Piano solo
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162329
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162329 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. Duration 80. Salt Muse, Inc #1Kt1tggEQo14rpd3gnKCHn. Published by Salt Muse, Inc (A0.1162329). Key: D major.This one is nothing like Fred Chopin's. Yes, I did learn that one many years ago. But while my etudes as a whole are loosely modeled after his, this piece, composed in 1992, is as stylistically remote from Chopin as he was from, say, Beethoven. My thirds etude is mellifluous., yearning, and deeply lyrical. It doesn't sound like an etude. It sounds like a distant song that just happens to be based on thirds and just happens to be quite difficult to play. Yes, virtuoso, no show-offy. Have fun.
$3.95
3.54 €
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Piano solo
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Peter Saltzman
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Etude in Thirds
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Salt Muse, Inc
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SheetMusicPlus
Witching Hour
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.828793 Composed by Roger Mülle…
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Concert Band - Level 2 - Digital Download SKU: A0.828793 Composed by Roger Müller. 20th Century,21st Century,Classical,Halloween. 98 pages. Althorn-music #3370377. Published by althorn-music (A0.828793). According to popular belief, ghosts walk between zero and one o'clock at night - this is the witching hour. This is the darkest hour of the night, when day is particularly distant. In times when people got up at sunrise and went to bed at sunset, everything was usually fast asleep at midnight. It was pitch black and sepulchrally quiet - except for eerie sounds like wind, creaking wood or the rustling of animals. Thus the belief arose: while the day was the time of the living, the dead woke up at night.
$70.00
62.74 €
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Concert band
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Roger Müller
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Witching Hour
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althorn-music
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SheetMusicPlus
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